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Nora's character traits in A Doll's House
Nora's character traits in A Doll's House
Synopsis of a doll,s house by enrick ibsen
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Henrik Ibsen 's “A Doll House” played a significant role in the late nineteenth-century when it explored different aspects of gender roles in society. With his stage play, Ibsen 's observation on society shows the audience, of what happens when one lie can turn into a multitude of lies, and how secrets can destroy a family. In the opening act of “A Doll House”, the main character Nora comes off as a sweet, naïve woman who hums and prances around in the kitchen like someone who doesn 't have a care in the world. When her husband Torvald gets the sense of her presence, right away he refers to her as being his rummaging squirrel (Ibsen 1190-1191). He seems to have several different pet or nicknames that he calls her throughout the play. She …show more content…
Linde, a long time friend of Nora comes to visit her. But she comes with a heavy heart after losing her husband to death. She confides in Nora about her financial woes. Nora doesn 't waste any time with bragging about her family and her husband 's recent success at the bank to Mrs. Linde, as she tells her, “Oh, Kristine, I feel so light and happy! Won 't it be lovely to have stacks of money and not a care in the world?” But even Mrs. Linde had acknowledged Nora 's irresponsibility and careless spending from prior years when she replied, “Nora, Nora, aren 't you sensible yet? Back in school, you were such a free spender” (1195). It would seem to many that Nora had everything in the world a person could only dream about. But the truth of the matter is that there was an underlying little secret that she was hiding from everyone, especially her husband. As soon as Krogstad, an employee at the bank arrives at the Helmer 's household, the reader or audience member can almost feel the intensity between Nora and Krogstad. She becomes suspicious of his meeting with her husband. In the meantime, Mrs. Linde recognizes Krogstad but doesn 't tell Nora about her past relationship with him (1199). And, yet, another secret …show more content…
It is the means of one threatening to tell a person 's secret if their own selfish needs aren 't met. In this scene, it is obvious that Ibsen wanted his character Nora to experience what it would feel like if a person is faced with blackmail. Krogstad 's confrontation with Nora leaves her feeling like she 's between a rock and a hard place. The plot thickens when Krogstad questions Nora about her dead father 's signature that 's been forged. Nora doesn 't deny her forgery and stands up to him. Krogstad gives Nora a reality check when he reminds her of the money she borrowed from him, and what a shame it would be if Torvald would ever find out. Although she pleads with him, he blackmails her in order to hold some security (his job) at the bank. With the little dignity Krogstad has left, he refuses to be cast out of society once again. Nora 's world begins to unravel, as she finds herself going into a frenzy. She paces back and forward, trying to figure out of what to do, as she does her best to keep this secret away from her husband (1203-1206). Another dark secret begins to unfold between Nora and Torvald 's best friend, Dr. Rank, a dying man who admits that he 's been in love with Nora for years. Why would Dr. Rank risk his friendship with Torvald by telling Nora his true feelings? Perhaps, it was Nora 's flirtatious ways over the years that led Dr. Rank into feeling like this (1217). By this time, Mrs. Linde has
When Krogstad confronts Nora about her forgery, he tells her, “Now listen to me, Mrs. Helmer. If necessary, I’ll fight for my job in the bank as if it were for life itself” (Ibsen 2200). Krogstad understands the noble reason behind Nora’s crime,exploiting Nora’s secret trying to fix his reputation and get a well-paying job. This demonstrates the power that money and reputation have in society and how predatory people in society act to gain money and status. When Krogstad is laying out exactly what he wants in return for keeping Nora’s secret he asks her, “Are you forgetting that I’ll be in control then of your final reputation?” (Ibsen 2216). Krogstad, especially living with a tarnished reputation, knows the value of status within society. He is willing to threaten Nora’s reputation, and therefore the well-being of her entire family, to ensure the restoration of his status and employment , an act which asserts how predatory a member of society will act keep their honorable standing and keep out others that are not so highly
Nora is the pampered wife of an aspiring bank manager Torvald Halmer. In a desperate attempt to saves her husband's life Nora once asked for a loan so she and her family could move somewhere where her husband could recover from his sickness. Giving the circumstances she, as a woman of that period, by herself and behind her husband forged her dad signature to receive the loan. Now, Nora's lender (Mr. Krogstad), despite her paying punctually, uses that fault as a fraud to pressure her so she could help him to keep his job in the Bank where her husband is going to be the manager. Nora finds out that Torvald would fire Mr. Krogstad at any cost. At learning this, Nora trembles for she knows Mr. Krogstad will tell everything to Torvald. She remains confident; however that Torvald will stand by her no matter what outcome. His reaction though is not what she expected and therefore here is when she realizes that she "must stand quite alone" and leaves her husband.
Although Krostad’s blackmail does not change Nora’s whimsical nature, it opens her eyes to her underappreciated potential. “I have been performing tricks for you, Torvald,” (Find a different quote perhaps?) she exclaims in her confrontation with Torvald. She realizes that she has been putting on a facade for him throughout their marriage. Acting like someone she is not in order to fill the role that her father, Torvald, and society expected her to have.
...ment about how Torvald doesn’t like for her to eat them. Nora lies and says Kristine brought them too her. As Nora’s secret side is revealed, her life seems anything but perfect. As we look at the character change in Nora, we see two different sides to her. The beginning of the play reveals a woman totally dependent on her husband for everything,. It isn’t until the end of the play that she realizes she can be herself and she doesn’t have to depend on her husband. Nora realizes “that if she wants an identity as an adult that she must leave her husband’s home” (Drama for Students 112). By examining Nora, we see from Ibsen’s theme that if we ignore all the expectations the social world has for a person, our true selves can be revealed.
Torvald is extremely cautious about how he is perceived by other people. He would do anything to keep his honourable image, even if it involves him doing something dishonourable. Another way the relationship between Nora and Torvald will end is from Nora’s desire for her own identity. Even though it might seem that without Krogstad’s extortion plan, Nora would have never developed her need for an identity, but she has shown signs of a new identity well before Krogstad tried to extort Nora from his job.
Henrik Ibsen's play A Doll's House is an astonishing, yet accurate portrayal of how women were treated in the 1800s. It is essentially a force runner to women's rights and sets a path for many more feminist works to come. The novel fiercely challenges the modern idea that all women, by virtue of being women, are inclined towards feminist political interests. The roles of women have been a big part of literature and are usually a representation of how the roles of women in real life have evolved and continue to evolve. A Doll's House is an essential part of IBO specifically for the fact that it shows historical realism in the Victorian Era, and continues to challenge the unrealistic expectations of women in marriage.
Linde brings great happiness to Nora’s life. Nora is able to trust and talk about anything to Mrs. Linde (even secrets such as borrowing money behind your husband’s back). When Nora and Mrs. Linde engage in conversation with each other it is as if Mrs. Linde is the voice of reason for Nora. In one scene, Nora tells Mrs. Linde , “ You’re like everybody else. You all think I’m incapable of doing anything serious…” Again, I feel sorry for her, but at this moment I assumed that maybe Nora is not as naive as I thought. She is able to recognize that people see her as a childish person. In another part of this scene she mentions to Mrs. Linde, ”Torvald has his pride. He’d feel humiliated-hurt even- if he thought he was indebted to me in anyway." Nora is afraid of how humiliated her husband would be if he found out his wife did something that overpowered him. Since Mrs. Linde she believes that it is absurd that Nora would do such thing to her husband. Mrs. Linde recognizes that women do not have the same rights as men, therefore realizing what Nora did for her husband seem to raise a red
After asking his wife if she understands what she has done Nora answers “[Looking squarely at him, her face hardening] Yes. I am beginning to understand everything” (835). This statement might be the key phrase of Nora’s realization. The double- meaning implies Nora’s understanding of the actual situation as well as her awareness that her marriage, even though it conforms with social expectations, is far from perfect. She now doubts the depth of her love for Torvald and becomes calm with comprehension as she begins to recognize the truth about her marriage. While she expects compassion for her sacrifice, she is none given. Instead of sacrificing anything to help Nora out of her predicament, Torvald is only worried about himself and appearances. It becomes very clear, after the second letter from Krogstad arrives, that her well-being always comes second “I’m saved. Nora, I’m saved! You too, of course” (836). Throughout the conversation with Torvald, Nora finally realizes, she needs to rearrange her life and priorities to be happy. This implies independence and self-awareness. While Nora finally understands the situation, she is in and what she needs to do but Torvald defines her new attitudes as madness “You’re ill, Nora; you’re feverish; I almost think you’re out of your mind” (840). “However, the characterization has been tied to the fact that she is breaking taboos or challenging conventions” (Langås 160). Torvald is still stuck in his fantasy world of how a wife should talk and act per his standard and the society he stands for. “Nora still has no way of knowing that she is not endangering her children with her presence and in the end, she feels impelled to leave, and her decision is less an act of defiance against her husband and society than an attempt to save the lives of her children” (Brooks
Krogstad creates an elaborate plan to blackmail Nora and tell her husband about her forgery if she does not persuade Torvald to keep him employed. This would lead to many legal consequences for Nora and would disrupt the family and Torvald 's business as he would take full blame for her illegal actions. Nora 's secret begins to eat at her as she contemplates what she is going to do to solve the problem. To the audience, Nora 's impression has been completely altered. The secret that Nora possesses, reveals to the audience that her character is much more than just a trophy-wife and an object. In the meantime, Nora begins to look for different ways in order to pay back all of her debts. Nora explains that she, "was lucky enough to get a lot of copying to do... [like] working and earning money" (Ibsen Act 2). Nora begins to deter from that of a traditional wife, and takes on the role of the man and begins working to pay back all of the debt. The audience begins to recognize that Nora is evolving into a determined and brave wife who is willing to protect her secret to support her
Linde and Krogstad are the two characters who had suffered the most throughout their lives. Mrs. Linde, a widow and former friend of Nora, was searching for work. Krogstad, a lawyer, was about to be fired from his job at the bank, by Torvald. He was going to be replaced by Mrs. Linde. As the play unfolds, it is revealed that Mrs. Linde and Torvald were past lovers. Krogstad, due to his past indiscretions, loses his job at Torvald’s bank, and Mrs. Linde replaces him. When Krogstad discovers this, he is upset, and rightly so. Losing a job to a woman would have been very degrading for a man, especially one that was raising his children alone. After a long discussion, and through the power of forgiveness, they manage to come together and, we assume, turn their lives around.
Torvald expects Nora to agree with what he says and thinks, and commit her life to keeping the family happy by being a housewife. But Nora defies the roles that she is expected to have as being a wife, a woman, and a friend. As a wife, Nora spends Torvald’s money on macarons which are forbidden and attempts to earn her own money while going against what her husband tells her, because she wants to be an independent person with her own opinions. The trip to the south and borrowing money was all done by her, and in the end of the play Nora ultimately goes against the expectations set upon her by leaving the house to live on her own to gain knowledge and experience, but leaves behind her husband and children who she is responsible for taking care of. As a woman, she does not have the authority to disagree with her husband or try to influence his actions. Torvald says, “If it ever got around that the new manager had been talked over by his wife…” (Ibsen 42) showing that it would be a laughing matter if a woman had an idea, but Nora still makes many attempts to persuade her husband. As a friend, Nora is expected to know her role which is a listener and supporter for Mrs. Linde and just an acquaintance to Dr. Rank, but the relationship with Dr. Rank goes beyond what is acceptable. When Dr. Rank confesses his feelings for Nora she is very upset because they can no longer flirt with each other now that the feelings are real. Her role is to be a loyal wife to her husband, which she is, but Ibsen uses the flirtatious dialect between the two to show that there are mutual feelings and that confessing them brings the relationship beyond what is allowed. As Nora challenges all of these roles, she is gradually becoming more stressed and eventually breaks down and leaves her husband, which demonstrates the effect of the unrealistic expectations to uphold the roles of
Nora and Torvald's relationship, on the outside appears to be a happy. Nora is treated like a child in this relationship, but as the play progresses she begins to realize how phony her marriage is. Torvald sees Nora's only role as being the subservient and loving wife. He refers to Nora as "my little squirrel" (p.1565), "my little lark" (p.1565), or "spendthrift"(1565). To him, she is only a possession. Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
Nora’s very first impression to her readers would of a responsible, obedient, money loving and a very childish wife. In the first act of the play audience would realize that all Nora wants is money from her husband Torvald. A act was describe when the two characters finally meets in the play and there was time when Nora was showing what she got for her kids for Christmas and when she was asked what she wants for Christmas all she answered was money. It was hard to eliminate the way Torvald especially addressed Nora it seemed as if though she was a little girl or even his pet. “My little lark mustn’t droop her wings like that. What? Is my squirrel in the sulks?” (Ibsen 842).
At the beginning of "A Doll's House", Nora seems completely happy. She responds to Torvald's teasing, relishes in the excitement of his new job, and takes pleasure in the company of her children and friends. Nora never appears to disagree with her doll-like existence, in which she is cuddled, pampered and patronized. As the play progresses, Nora's true character appears and proves that she is more than just a "silly girl" as Torvald calls her. Her understanding of the business details related to the dept she incurred in taking out a loan to help Torvald's health shows her intelligence and her abilities beyond being merely a wife. The secret labor she undertakes to pay off her dept demonstrates her determination and ambition. In addition, her willingness to break the law in order to aid her...