Gwendolyn Brooks’ “First Fight. Then Fiddle” is a sonnet with ten syllables in every line, rhymes as abba in Shakepearean’s. As an old form of poetry that follows the structure and rhyme, “First Fight. Then Fiddle” mimic a rhythmic melody in semantic stanzas. And “First Fight. The Fiddle” rhymes better than Sylvia Plath’s “Lady Lazarus” which requires deeper exploration in dimension. Although, different style in the writing, they share some common ideas. Both poems talk about death and survival and about the darkness of evil that lurks inside the snatched lives. In “First Fight. Then Fiddle”, Brooks addresses that life can be intimidating with many turns, enjoyment of it can be captivating. Brooks also embraces the fact that love can be hurting and music can be tasteless. When the heart becomes empty and life has no thrill, there is always something worth fighting for. “Be deaf to music and to beauty blind/ Wherein to play your violin with grace” proposes all senses may no longer serve its purposes but enjoyment will last as they were written.
Brooks introduces a beauty that disguised in violence. She might institutes that violence in the war leads to peace or aftermath tranquility. “A while from malice and from murdering./But first to arms, to armor. Carry hate” refers to Brooks’ experiences on racial mistreatments and she embeds the affairs into her writings. She sees the disadvantages of being black that has to fight before gaining anything that favors to their lives. Although, that sentiment may be true, but in this imperfect world, one does always fight before one can fiddle. Brooks finds serenity in poetry; she indulges in it like living in a protective shell. She takes this poem ...
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...from reading a poem emerges through the meaning, the beat, the harmony of word structure, the rhyme, or the history or a message behind every poem that the poet tries to recount. Poetry ignites the emotion of its reader and sometimes arouses its reader. (Norton 673).
Poetry as a symphony for the ears, one can read a poem without understanding the poem, yet can enjoy the sound of the poem. A method of enjoying a poem as advised, read it without thinking too much about its meaning. Just listen to the sound of the poem and let it sink into the mind, like music without lyric. “When you encounter a new poem, try reading it through once without thinking too much about what it means. Try to simply listen to the poem, even if you read silently, and much as you might a song on the radio.” (Norton 684). Poetry is a gem into the mind that stitches a beauty in life, in syntaxes.
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