When I first glanced at the title, my first thoughts went straight to Greek culture and how the people of that time period dressed. As I glanced at the sculpture itself, my attention went right to the detail of both figures and how their bodies are godlike, which is a goal most people strive to attain. Only being covered by a huge robe, I can easily see the muscular build on both of the figures’ bodies. The male figure is toned and muscular with a handsome face, and appears to be athletic due to his build. The female is also toned, but still displays her feminine features when you look at how petite and fragile she is compared to the male.
The color of the sculpture is a variation of white. The marble the art is made of most likely came from Italy, due to its white color. Despite not having a varied color palette, certain details shine through, such as Daphne’s innocence.
By looking at the bottom of the sculpture formations of grass, leaves, and wood on the ground can be seen, which gives a brief description of the environment that the two figures are surrounded in. I can deduce that they are possibly running through the forest. A notable part of the female is how her figure makes a tree. Her body forms the trunk and leaves sprout from her fingers while Apollo...
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... lineage and the tradition pure for the next generation of kings.
I know that Apollo and Daphne are two very iconic characters in Greek Mythology, Apollo is the god of the sun who represents arrogance while Daphne is the child of a river god who represents innocence. Both characters play an important role in Greek culture, the greeks would pray to Apollo for healing or for to sun to appear that day. Daphne is used in a story that involves Apollo to teach a moral lesson and later turns into the tree that she is most known for.
I found that my interpretation was close to the research. I found that even though I realized that it was based on cultural and religious aspects my interpretation of the meaning was wrong. The piece that Bernini created was based on the Contextual theory, which means that the piece of art is based around the culture and environment. Bernini
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