Utopian pieces, more often than not, emphasize a healthy environment in their idealistic societies. On the contrary, dystopian themed texts focus on a more restricted atmosphere which pounds supremacy over individuals of the community. The environment is a fundamental aspect in differentiating a utopia from a dystopia; where the atmosphere can represent joyful vicinity; or can be shown through a milieu of terror. This same approach is employed by many authors and directors such as George Orwell in his post-apocalyptic text Nineteen Eighty-Four. The novel portrays a civilization harmed physically and mentally by a totalitarian figure known as Big Brother; acting as a figure used to deprive of their freedom. Similar methods are used in Brazil (1985) directed by Terry Gilliam, in which the protagonist Sam Lowry seeks to escape from the elongated procedures each citizen is required to follow to get anything finished. In recent years, the environment has become a publically recognized debacle which places innocent communities in danger, seen primarily in "A Struggle to Survive" by Elisabeth Rosenthal. The Kamayura people of Brazil are unable to contemplate the drastic climate changes disrupting their homes. The citizens residing within all three works are suppressed by their environment, ultimately disabling any chance of a successful rebellion.
Firstly, an atmosphere of restraint shown by Orwell, Gilliam, and Rosenthal allows no escape for the citizens within their societies; this inescapability confines all three civilizations. In a dire attempt to break free, protagonists Sam and Winston step out of reality and into their dream world where they vision their perfect societies. To begin, in the book each citize...
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...ss cycle that the citizens of Airstrip One are reluctantly trapped into. This ensures Big Brother the ability to remove the defects in his scheme. Gilliam 's motion picture also portrays an inescapable reality in which central character Sam escapes briefly by dreaming of his version of a Utopia; where he is flying to save the damsel in distress. The current effects of the recent urban revolution are shown in a piece by Elisabeth Rosenthal. The chief of the Kamayura clan states there is "nowhere to escape. We suffer along with the animals" (Rosenthal 3). Few methods are used very elegantly by Orwell and Gilliam; one of which is the dismantling of their fictional society 's environment, is now gradually transferring into the real world. In time, having a generation that is completely unaware of their current situations, trapped in a real life dystopia with no escape.
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