Olive Kitteridge works well in the novel when it comes to knowing what the characters are thinking in their minds. Readers can look into the character’s insecurities and get a grip on how their personality works. In the miniseries, however, unless it’s a POV narrative, the audience may never know what the characters are truly thinking about. So, as an alternative, the film resorts to its setting, atmospheric tension, and body expressions. The emotions underneath the character’s dialogue in the film also work best than the book. Despite being called Olive Kitteridge, some of the book’s chapters don’t involve Olive as the main character, but rather an influence to some of the other main characters such as Angie from “The Piano Player” and Julie from “Ship in a Bottle”, which balances the story out. In the film, however, there is no balance as the series left out other characters and had Olive Kitteridge appear most of the time.
The key moments in “Pharmacy”, “Incoming Tide”, “A Different Road”, and “Security” between the two mediums were nonetheless the same with so...
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...oint where Ann would constantly ask him if he was “okay”. Olive becomes distraught and leaves the house, only to find out that her husband passed away.
Like every movie adapted from the book, there were bound to be differences that separates from the original. Some of them might be good for the film, and some might be unnecessary and wished it stuck to the novels. The miniseries and its differences created artistic scene that the book cannot compare to in its limited writing style and the book had its emotions and deeper meanings of the character’s true selves than the film cannot expressed through their cameras. Both mediums were excellent in to create Olive Kitteridge, and they both managed to focus on the main themes of the stories that happen to anyone in reality such as Kevin and Olive’s desire to die, family conflicts between the Kitteridges, and depression.
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