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Importance of photography in society
Importance of photography in society
Photography analysis on migrant mother
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In 1936, Dorothea Lange took a series of photographs, one of which is “Migrant Mother” and this photograph is undeniably one of the most powerful and impactful symbols of the Great Depression. There is so much captured into one moment that its significance is doubled, talking about unity as well as a chaotic lifestyle during one of the hardest moments in history. Within the image, the woman is used as the subject and is appropriated within a symbolic framework of significance. It seems to be a simple photograph of a woman and her children, yet it tells the story and the struggle of a generation. The image, “Migrant Mother,” evokes uncertainty and desolation resulting from continual poverty during the Great Depression. The picture is historically …show more content…
A picture of a woman with her two children shows that not every family is the stereotypical family with two parents and responsibilities are spilt with gender roles. The tired eyes, wrinkled skin, and aging face illustrates the struggles that a woman has to face, physically and emotionally, for her family. It shows the individual worth of being a woman, as she is not only the caretaker for her children but also the provider for their needs, which is a generally a man’s responsibility that she is executing, even though many men couldn’t provide for their families as they lost everything they had. A woman during this era is expected to stay with the children and make their home a haven, and she was stripped of the ability to do that by the necessity to become a migrant. The image cues for emotional responses with economy, as there were a few families during the Depression that hadn’t been severely affected and at least had a solid roof over their heads, food to eat and clothing to keep them covered. This image portrays a clear distinction of social class issues in the United States during the time, and “Migrant Mother” shows people what the life if a migrant worker from a poor family is really like during times of crisis. It proves that the Depression was a systematic failure in the political, economic, and social spheres, and the poor pea pickers are suffering an outcome for something they hadn’t caused. Their living government in the image show that there has been no political or economic help extended to them by a failing government. The pea crop had frozen; there was no work. There was no opportunity for prosperity and success, no possibility for an upward social mobility for the children, there was no land in which life was better and richer for everyone. This wasn’t the American Dream that everyone grows up thinking because this was about a crisis that left the entire
In a country full of inequities and discriminations, numerous books were written to depict our unjust societies. One of the many books is an autobiography by Richard Wright. In Black Boy, Wright shares these many life-changing experiences he faced, which include the discovery of racism at a young age, the fights he put up against discriminations and hunger, and finally his decision of moving Northward to a purported better society. Through these experiences which eventually led him to success, Wright tells his readers the cause and effect of racism, and hunger. In a way, the novel The Tortilla Curtain by T.C Boyle illustrates similar experiences. In this book, the lives of two wealthy American citizens and two illegal immigrants collided. Delaney and Kyra were whites living in a pleasurable home, with the constant worry that Mexicans would disturb their peaceful, gated community. Candido and America, on the other hand, came to America to seek job opportunities and a home but ended up camping at a canyon, struggling even for cheapest form of life. They were prevented from any kind of opportunities because they were Mexicans. The differences between the skin colors of these two couples created the hugest gap between the two races. Despite the difficulties American and Candido went through, they never reached success like Wright did. However, something which links these two illegal immigrants and this African American together is their determination to strive for food and a better future. For discouraged minorities struggling in a society plagued with racism, their will to escape poverty often becomes their only motivation to survive, but can also acts as the push they need toward success.
As many women took on a domestic role during this era, by the turn of the century women were certainly not strangers to the work force. As the developing American nation altered the lives of its citizens, both men and women found themselves struggling economically and migrated into cities to find work in the emerging industrialized labor movement . Ho...
While many remember the Great Depression as a time of terrible trials for Americans, few understand the hardships faced by Mexicans and Mexican Americans in the U.S. This paper examines the experiences of Mexicans in America during the Great Depression and explores the devastating impact of repatriation efforts. America has an extensive history of accepting Mexican workers when they are needed for cheap labor, and demanding that they be deported when the economic situation is more precarious in an attempt to open jobs for Americans. In the 1930s, “Americans, reeling from the economic disorientation of the depression, sought a convenient scapegoat. They found it in the Mexican community.” Mexicans were blamed for economic hardships and pushed to leave the United States because Americans believed they were taking jobs and draining charitable resources; however, few understood the negative repercussions of these actions. During the Great Depression, the push to strip jobs from Mexicans and repatriate them had the unintended consequences of adding more people to welfare rolls, contributed to labor shortages and forced out legal citizens of Mexican descent which created feelings of bitterness and rejection.
... lived in New York tenements. In Riis’s book, How the Other Half Lives: Studies Among the Tenements of New York, he uses prolific prose coupled with emotionally powerful illustrations that paint a vivid picture of immigrant families living in tenements in the late 1800s. Throughout Riss’s book, exposes how immigrant children were forced to work in factories and sweatshops. As a result, Riss successfully achieves his goal of educating the middle class regarding the challenges that urban immigrants faced. Lastly, although Riss tact regarding racial epithets of the immigrants he wrote on and photographed are offensive, the importance of Riss’s photographs outweighs the racial insults because his pictures lie not only in their power to enlighten but also to move his readers regarding how immigrant families were forced into making their children work.
The twentieth century was a time of tremendous change that commenced with WWI and the Great Depression. While WWI brought countless deaths, the Great Depression affected both urban and rural Americans. Yet, underlying these devastating events was the abuse of black Americans. Both whites and blacks had to cope with the major occurrences of the time, but blacks also faced strife from whites themselves. During the early part of the twentieth century, white Americans Russell Baker and Mildred Armstrong Kalish gained kindred attributes from their families, especially in comparison to that of Richard Wright, a black American. The key differences between the experience of whites and blacks can be found within the mentality of the family, the extent to which they were influenced by their families in their respective lives, and the shielding from the outside world, or lack thereof, by their families. Through the compelling narrations of these three authors, readers can glimpse into this racially divided world from the perspective of individuals who actually lived through it.
“Poverty and exploitation of women in Latin America can never be alleviated because they are rooted in machismo,” meaning that because of the way society was run in Latin American, women can’t advance from the ancient state of mind that they belong in the private sphere and should stay there, because only men are good enough to be out in the public sphere. The reason why society was run in this manner, was because of the machismo feeling engraved in the minds of men and, in some cases, women in society. Alicia, Carolina, and Nancy don’t really have any other choice, than try to survive on their own by doing acts that are not “approved” by the society they live in. Even now, because of their actions, we could even disagree with the way they decided to approach their situation, because even now a day, we could think that selling one’s body or being involved in “off the book”
...atly, was undoubtedly ruined by the diet and stress she experienced as a result of forcible removal by welfare workers not dissimilar to myself. Yet, this inescapable dilemma only reinforces my striving to achieve the ideals demonstrated by my profession. These ethics, complex and often at conflict with the reality of welfare are the light that guides my professional practice through the perils of historic white shame.
The saying, “a picture is worth a thousand words,” cannot be demonstrated more thoroughly than during The Great Depression, a time when there were not a lot of words to be said. The photograph of the “Migrant Mother,” taken in this time period, The Great Depression, has inspired me want to dig deeper into Dorothea Lange’s experience during that time period. When I first saw the photograph of the “Migrant Mother,” I could not get the image out of my head because it tugged at my heart and it is something I have wanted to learn more about since we discussed Dorothea Lange in class.
For this assignment I chose to describe and critique ‘Migrant Mother’ by Dorothea Lange. This photo is an example of social documentary photography. There are certain features that make the composition of this photo very appealing to the eyes. Lange’s photo is primarily composed of triangles. The primary triangle is formed by the mother and the two children standing to either side. The top of the triangle begins at the mother’s head, with the sides running downward to the children’s heads, and then finally to the bottom of the frame. The secondary triangle is made by the mother herself. Her propped arm draws the eyes from her head down to the blanket wrapped infant in her lap. This triangular pattern is repeated in the background with the lines
It is influenced by her grandmother, Esperanza Ortega’s life story and her experience from when she fled from Mexico to California. While it may be a fictional story, it is personally inspired by a close family member who lived through similar challenges. In addition, I appreciate how the author has done extensive historically based social research to allow the story to be as authentic as possible. Moreover, I chose this novel because it takes place during the Great Depression period focusing on the agricultural labor camps. I have no previous knowledge specifically in this area, and would like to learn and understand how this certain place and era affected people’s lives, society, environment, and
Hoffman, A. 1994. Unwanted Mexican Americans in the Great Depression. Tucson: University of Arizona Press.
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
In the 1960s, a wave of Cuban immigrants moved into the United States to escape their ruthless dictator, Fidel Castro. Aleida Rodriguez and her siblings were some of those immigrants. In her reflection, she looks at photographs of her childhood while she reflects upon the impact of emigration within her family during the sixties. In the excerpt from “my Mother in Two Photographs, Among Other Things,” author Aleida Rodriguez reveals the cultural rifts caused by relocation.
The movie opens up with rural images of thousands of migrant workers being transported in trucks with a short introduction by Edward Murrow and some occasional interventions of parts of an interview made to the secretary of labor after he saw the impacting images, and to the different people who have seen the lives the workers lead. Most of the secretary’s commentaries depict the exclusion that these people have since they are basically people who are silently crying out for assistance to stop harvesting the fields of their shame, or at least to hope for potential raises and better work conditions. From Florida to New Jersey, and from Mexico to Oregon, these people including women and children travel around the states following the sun and the demand from the seasonal goods while working around a hundred and thirty-six days earning and average of nine hundred dollars a year.
Social realist art, which dominated in the US during the Depression, communicates the concerns of the masses: artists question the treatment of the poor and praise American values embodied in ordinary people. In painting, Thomas Hart Benton’s murals depict an extravagance juxtaposed alongside honest, hardworking people, calling into question the actions and greed leading up to the Great Depression. Benton’s murals in both subject and medium penetrate the American political landscape, purporting such ideal values as hardworking and honesty. In photography, Dorothea Lange captures in the flesh the realities of the working poor. In her photograph Migrant Mother (1936) Lange portrays simultaneously the oppression and resilience of the working