Analysis Of Blackfish, Producer / Director Gabriella Cowperthwaite Essay

Analysis Of Blackfish, Producer / Director Gabriella Cowperthwaite Essay

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There have been more than seventy killer whale/trainer accidents in the past few decades. In this documentary titled Blackfish, producer/director Gabriella Cowperthwaite (2013) gives insight to the dark truths of Tilikum, one of the many killer whales involved in the multiple trainer accidents at SeaWorld and other amusement parks. Due to the cruelty endured by the captive whales, all Sea World parks should be shut down and orca whales set free to prevent the further extinction of their species.
In this documentary Cowperthwaite (2013) knows just how to pull in her audience through emotions. When a director tugs at the heartstrings of his/her audience, an immediate bond has been formed. Unraveling emotion is key when trying to promote change. In this film Cowperthwaite (2013) uses pathos to do just that. Within the film there are multiple accounts, stories, and facts pertaining to the nature of these beautiful creatures. Kind, and caring, the film Blackfish (Cowperthwaite, 2013) repeatedly pressures the idea that orca whales are not much different from humans in the sense that they have means of participating in intelligent communication with one another.
Pathos is used throughput this entire documentary. The former SeaWorld trainers interviewed show raw emotion when speaking out against the treatment of the orca whales. Blackfish (Cowperthwaite, 2013) also uses footage of whale attacks, and actual 9-1-1 voice recordings directly linked to the death of SeaWorld head trainer Dawn Brancheau. Hearing personal stories from Dawn’s former friends and fellow employees allow the viewers to connect on an emotional level with what the trainers and the whales have endured.
Pathos is also shown by interviewing individuals that were in the au...

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...e and unwavering change among the audience, the director/producer must be keen in determining key elements such as drastically appealing to emotions, credibility, and logic. Cowperthwaite (2013) did just that, SeaWorld has lost millions of dollars and many customers since this film was released.
The general consensus of the world today is that the imprisonment of animals in zoos and places of entertainment is enjoyable; the death of an individual is simply an occurrence that is bound to happen while working with wild animals. Although Gabriella Cowperthwaite’s (2013) varied uses of rhetorical appeals were effective she comes up short by creating an extremely biased, one-sided documentary. Blackfish (Cowperthwaite, 2013) may be a film that continuously shocks the world but despite that, thousands of families continue to visit SeaWorld and the whale’s everyday.

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