Sontag introduces her essay to the audience by establishing a focal point around the fact that women viewed today are derivative from the religious perspective of how women were viewed in history. During the ancient times, Greeks and Christians practiced their own methods of analyzing and critiquing women and their beauty. The Greeks believed that the lack of ‘inner” beauty could be compensated with “outer” beauty. They distinguished the two beauties in a way that suggested that both were interconnected to one another within an individual. The preference and priority was given to the ‘outer’ beauty, while the ‘inner’ beauty would be kept at bay. Christianity, on the other hand, gave moral significance to beauty; in defining beauty, or words of physical character to be associated with woman and feminine. Gradually, Sontag introduces the distinguishable beauty between men and women. She does this by recapitulating how in a Christian religion, a woman’s body was parted into many sections to be judged and scrutinized, while men are visua...
... middle of paper ...
..., women try to make themselves beautiful to attract the best opportunities possible. Susan Sontag not only emphasizes on the out of proportion catastrophe of woman and their outer beauty, but also tries to convince her audience that there is more to a woman than just looks; there is another individual right underneath the ugliness.
"A Woman's Beauty." - WriteWork. N.p., n.d. Web. 26 Nov. 2013.
"AP Language and Composition." : A Woman’s Beauty: Put-Down or Power Source Soaps and dials. N.p., n.d. Web. 26 Nov. 2013.
"Unit Seven." Unit Seven. N.p., n.d. Web. 26 Nov. 2013.
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