Essay about Analysis Of ' A Doll House '

Essay about Analysis Of ' A Doll House '

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Of equal importance in A Doll House, is the dramatic irony that is scattered throughout the play. The most prevalent irony is the parallel between Nora and Krogstad. At the end of Act I, Nora and Torvald are discussing the immorality of Krogstad committing forgery. Torvald renders a horrifying depiction for Nora explaining “Just imagine how a man with that sort of guilt in him has to lie and cheat and deceive on all sides, has to wear a mask even with the nearest and dearest he has, even with his own wife and children” (1268-1269), this is a complete parallel of Nora, her actions, and the mask she herself wears. Krogstad is considered morally corrupt by society and Nora is starting to realize this is how she will be viewed as well. This conversation extremely disturbs Nora, especially when Torvald enlightens her that “Almost everyone who goes bad early in life has a mother who’s a chronic liar” (Ibsen 1269). The effect of these remarks on Nora is tremendous, bearing in mind that she is a mother too and ruminating that she has herself been guilty of forgery and lying, subsequently Nora turns “pale with terror” (Ibsen 1269).
An additional parallel can be drawn between Nora and Kristine. In the beginning of the play Nora is impassioned, a dreamer, idealistic, and immature. In contrast, Kristine is logical, realistic, disenchanted, and has common-sense. Kristine and Nora are an antithetical mirror of each other. Ibsen tenaciously plays on the role-reversal of these characters, similar to Sahin and Rizwan-ul’s observations, “This is quite ironic… that Nora 's metamorphosis turns out to be quite similar to Kristine 's at the end of the play. Kristine begins to play the role of Nora, and Nora of Kristine” (291). Now Nora will venture o...


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...own identity “There’s another job I have to do first. I have to educate myself” (Ibsen 1295), before being anything else.
Slamming the door is the explosion of her energies against societal standards. It 's a courageous act of revolt against oppression. The crux of the whole play hinges on this single incident. It is an individual 's search for freedom, as Nora explains “There has to be absolute freedom for us both” (Ibsen 1297). “the sound of a door slamming shut” (Ibsen 1298) signifies that a person who realizes the necessity to cultivate their full identity, must be ready to sacrifice even a modicum amount of care and concern for their family. As Sahin and Rizwan-ul explain “Nora chooses to be free from pretensions and deceit, from control and manipulation, from loss of identity and oblivion. In fact, she is self-searching the choice to individual, choice to make

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