If the image is to be understood as what author Laura Wexler describes as “a kind of aesthetic and emotional contemplation... [to] an emergent middle-class readership” regarding domestic social, political, and cultural issues, then its objectives are twofold: t...
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...as interjected his or her own perception of the turn of the century American identity into the tapestry of the image, it is important to make the distinction between the artist’s beliefs about the subject and the artist’s intentions with the subject. Rather than suggest an interpretation, an effective “emotional contemplation” of America’s national identity following the century of independence, and resulting United States imperialism, in the Americas, must wholly consider the subject matter and highlight areas worthy of focus and discussion. While the artists can present his or her own critical perception of the subject, this portrayal of the American identity produced from 19th century in the Americas is still incomplete. Indeed, it is not until the external foreign perception of the image is considered that the image can truly be seen thoroughly reflective.
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