Horace Kallen sought to create the idea that beauty is meant to be used as a tool for religion and industrialization. Ultimately, artists are producers who manipulate their tools to create something tangible that can be grasped by a wide assimilation of people. But beauty is more than the hardware for a fundamental principle and has many more elements than Kallen cares to explain. There cannot be a definition for something so ephemeral as beauty. Beauty is the green grass of your hometown after spending a year in the city lights. Walking along the beach, the waves are crashing a...
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...he idea of beauty is impossible to define, for it is composed of many different elements that have a deep relationship to one another. Horace Kallen uses concrete examples to simplify the term, such as beauty as use and practicality. However, beauty can shift its shape. It may start as an evolutionary instinct to be attracted to color, but transcend nature and challenge perspective. Beauty cannot remain stagnant and changes as the clock ticks, but often finding solace in vintage pieces. Human interaction with the different pieces is essential for a relationship with art. A painting, song, novel, or piece of fabric can communicate with individuals like a long lost relative or new found lover. We fail to recognize this connection when we are young, but eventually come to realize that beauty is all around us. We find a companionship in art that can never be replicated.
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