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Love in poetry analysis
Love in poetry analysis
Love in poetry analysis
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When you venture outside of our urban society and visit the realm of nature, a unique transformation takes place. As the buzz and clamor of the cities recedes, and gives way to untouched earth, you can feel something change inside you. When you are experiencing nature, you can feel your spirit being lifted by the nature surrounding you. This is an interesting concept, and one Percy Bysshe Shelley was very fond of. Of him, John Simkin wrote that he sought in nature inspiration for much of his work. He found inspiration from wind rushing through a forest to write Ode to the West Wind. In this poem, he writes about the relation between nature and spirit. In Ode to the West Wind, Percy Bysshe Shelley uses the images of boyhood, the lyre, and driving his thoughts across the universe in parts IV and V to suggest the connection between nature and spirit.
Initially, Shelley used the image of his boyhood in Ode to the West Wind to connect nature and spirit. In part IV of the poem, Shelley makes a very good observation. “The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy Wanderings over Heaven, As then, when to outstrip the skyey speed Scarce seemed a vision; I would ne’er have striven As thus with thee in prayer in my sore need. (Part IV Lines 46-52)” The wind makes him want to be a kid again, so he could be its companion, traveling wildly across the world. In relation, Antje Kurzmann says this. “The usage of the alliteration and the adjective “wild” in connection to the wind shows how the lyrical I sees the wind. The wind has to be something that is dynamic, moving, and active and may cause change.” Shelley makes the statement that the wind invokes hi...
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...o, next time you leave town, and head out to visit nature, think about this; that feeling you experience when looking upon nature and all its beauty is the very same feeling that Shelley felt once all those years ago. The spirit provided by nature inspires humanity to this day, and as long as we let it into our lives, it will continue to do so for eternity. After all, that spirit is scattered across the universe, like withered leaves.
Works Cited
Everett, Glenn. "Shelley Biography." Shelley Biography. N.p., n.d. Web. 24 Mar. 2014.
Kurzmann, Antje. "Analysis of Shelley’s "Ode to the West Wind"" Grin. N.p., n.d. Web. 24 Mar. 2014.
Pancoast, Henry S. "Shelley's Ode to the West Wind." N.p., n.d. Web. 24 Mar. 2014.
Rudy, John G. "Romantic Circlesbeta." N.p., n.d. Web. 25 Mar. 2014.
Simkin, John. "Percy Bysshe Shelley." : Biography. N.p., n.d. Web. 25 Mar. 2014.
In this poem, Frost includes his fear of the ocean and exaggerates its destructive power. As Judith Saunders stated that “The first thirteen lines have depicted an ocean storm of unusual force, and through personification the poet attributes to this storm a malign purposefulness” (1). Frost provided human characteristics on the storm to help prove his point that the ocean has bad intentions and its only purpose is to hurt him. Frost does not describe the waves as a result of unfavorable weather; he explains them as having a malignant intention to destroy the world. This poem revolves around the forces of nature and could be included in the long list of nature themed poems by Robert Frost.
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
Within the book Frankenstein, written by Mary Shelley, there are many moments of tragedy and loss, as well as certain moments where joy and love are present. A number of these scenes contain a connection to nature. Since the Romantics viewed Nature as a source of emotional experience and spiritual renewal. However Mary Shelley was not solely a Romantic, she also took literary cues from the Gothic tradition as well. This second impetus also stressed the importance of nature, especially the darker aspects of it. Particularly the rageful and turbulent characteristics of nature, this manner of guiding the emotions using nature is very obvious and abundant in Frankenstein.
Percy Bysse Shelley’s Ode to the West Wind is a dramatization of man’s useless and “dead thoughts” (63) and Shelley’s desire from the Autumn wind to drive these “over the universe” (65) so that not only he but man can start anew. The thoughts are first compared to the leaves of trees but as the poem progresses the thoughts are paralleled with the clouds and finally the “sapless foliage of the ocean” (40). Shelley personifies himself with the seasons of the Earth and begs the West Wind to drive him away thus allowing him to lost and become the very seasons. In the end Shelley’s metamorphosis is realized and he becomes the very wind and the power with which he humanized throughout the poem.
Nature is tremendously beautiful in all of its glories and it has unequivocal power to do anything that it wishes. Mary Shelley explores the strength of nature through her horror novel, Frankenstein. Negative effects are introduced throughout her novel that are the result of a catalytic event in the life of Victor Frankenstein. His witnessing of a lightning strike at the age of 15 turned him to science and nature which powered his ambitious life and led to the destruction of it.
While immersed in its beauty, Victor and his creation escaped worldly problems and entered a supernatural bliss. In short, Shelley presents nature as very powerful. It has the power to put the humanity back into man when the unnatural world has stripped him of his moral fiber. In comparison to the pure beauty of nature, the unnatural acts of man are far more emphasized; therefore, the reader is clearly aware of man’s faults and their repercussions. Unfortunately, not even the power of nature could balance the work of man: “the cup of life was poisoned forever.”
As I read John Muir’s “A Wind Storm in The Forest”, I come to realize how passionate the author is pertaining to wind and nature. He uses descriptive language to bring out the full beauty of the winds. For example John Muir states in his narrative “A Wind Storm in The Forest” that “After one has seen pines six feet in diameter bending like grasses before a mountain gale, and ever and anon some giant falling” (526). The author gives winds the quality which no human could ever possibly obtain, and that is sheer power. However the author also describes the winds as always not beastly, but rather sometimes gentle and calm. John Muir wants the readers to understand that wind is has its many beauty’s and miracles; you just have to be willing to look
...s as the stars that shine and twinkle on the milky way’ painting a very vivid image in the readers mind, the poet find joy and comfort in nature, he explains ‘And then my heart with pleasure fills, And dances with the daffodils.’ Mary Shelly in ‘Frankenstein’ illustrates the relationship between man and nature through the character Dr Victor Frankenstein. Mary Shelly explores man’s endeavours to dominate nature and has concluded through the actions of Victor that nature is irrepressible and spontaneous and man should not try to control something which is not theirs to control. Instead man should work in coherence with nature, both giving equal respect. Overall, McCarthy, Wordsworth and Shelly all display the importance and prominence of nature to mankind, which we should work alongside nature to improve our quality of life and minimize the negative impact on nature.
Nature is beyond wonder, it’s a sensation of bewilderment, being surrounded by such a marvel that was not man-made fills you with such inspiration. The romanticism in nature is evident in how it’s shown, it’s so natural and fills you with a child-like curiosity to explore. “… induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat,” (Shelley 2). This quote brings up the joy and
Morton, Timothy. "Within You Without You." The Cambridge Companion to Shelley. Cambridge, UK: Cambridge UP, 2006. 185-93. Print.
As each work progresses, a personal change is expressed. The first section of “Ode to the West Wind” presents a speaker —who is also the author— who seems to be intently overserving the wind; however by the final section, he desires to be like the wind. When he writes that the Wind should “Be thou, Spirit fierce, / My spirit! Be thou me” (Lines 61-62), the author expresses a deep desire to be one with powerful force. A few lines later, he asks the wind to “Drive my dead thoughts over the universe / …to quicken a new birth!” (Lines 63-64) “Scatter, as …/ Ashes and sparks, my words among mankind” (Lines 66-67). In this instance, the “dead thoughts” are Shelley’s previous works. By making a comparison between his words and “ashes and sparks” (Line 67), Shelley expresses the idea that even though his previous works are dead and separated from him, he hopes his words will be able to inspire or ignite new thoughts and artistry in others. At the same time, Byron presents a different sort of personal experience. In the first stanza, Byron writes that “There is a pleasure in the pathless woods, /…rapture on the lonely shore” (Lines 1-2). He later writes that when he is in solitude, and surrounded by nature, he feels “What I can ne’er express, yet cannot all conceal” (Line 9). By using these descriptions, Byron shows that there is a type of restoring quality that the natural world can have on a person, an
The wind seems to be a symbol of hope. Hope that he has entrusted in the form of nature. A hope that maybe he can trust that there is no such thing as a ghost that is lurking around tapping on his widows and chamber doors. The narrator looks for a way to make the wind the source of his problems instead of the potential cause that he is having repercussions from a broken
Nature is a key element in romanticism as the early romantics stressed the divine beauty they saw in nature. Mary Shelley uses the elements of nature to further the emotions of her characters and create a safe place for them to think. She also goes into the aspects of science and nature, "[Scientists] penetrate into the recesses of nature and show how she works in her hiding-places” (Shelley 33). In Frankenstein, Mary Shelley creates a novel based around science overreaching to boundaries. Many scientific experiments of the early 1800s make an excellent base in history for Frankenstein. Trials such as biomedical trials that began during along with the continuing studies into human anatomy and the natural world. Weather is an important element of nature which is commonly used to reflect and supplement human emotions. After William’s death, whilst Victor is returning to Geneva to talk to his father “the heavens were clouded, and [soon] the rain was coming slowly in large drops” (Shelley 62). Therefore, the storm reflects Victor’s mournful attitude and as the storm p...
“Hail to thee, blithe Spirit! (Shelley Line 1)” Shelley takes a little object in nature, the skylark, and transforms it into a mysteriously beautiful thing that represents freedom and passion in Percy Bysshe Shelley’s “To A Skylark.” The poem, very unique, is used to express his emotions through the characteristics of the bird. The song of this skylark can be seen as a guide about being free from all burdens. Animals are sort of disconnected from certain emotion that effect humans such as sadness and pain. The speaker appears to a micro degree jealous of the liberty of the skylark that travels wherever it pleases. It doesn’t matter once or wherever, whether or not it's dusk (“the sunken sun”) or morning (“the silver sphere”) the speaker feels that the skylark is usually flying high above. Although one tend to not see it, or maybe hear it, “we feel it is there (Shelley Line 25).”
I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." Not only is this showing the kind of fulfillment he receives from nature, but also the power that nature possesses in his mind.... ... middle of paper ... ...