Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Arranged marriage vs love marriage
Arranged marriage vs love marriage
Is arranged marriage similar to american practices
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Arranged marriage vs love marriage
No flowers, no hand holding, no nicknames. These are some rules Ashoke and Ashima follow. Kissing, pet names, and gifts. These are some rules Gerald and Lydia lived by. The main difference between the two is the Ganguilis are married by arrangement, while Ratliffs are married by romance. Everyone can see why Gerald and Lydia are affectionate with one another, including Gogol, but not with Ashoke and Ashima. Many westerners view arranged marriage as a deal breaker between the parents to fulfill their cultural duties; it is as if love is an afterthought to base a lifelong commitment. Because of this, these couples are presented as unloving due to their restraint of showing public display of affection. However, in emotional and physical aspects, Ashoke and Ashima’s matrimony is …show more content…
For two strangers who are engaged within three weeks, Ashima and Ashoke do share similar characteristics as American newlyweds do. In fact, one can compare their first encounter as a fairy tale. Ashima tries on a pair of unknown shoes and they fit perfectly. Ashoke’s shoes does intrigue her for, unlike her other suitors, he is from the United States. There is something about Ashoke’s foreignness that catches her intention. Her feet feeling his sweat is similar to love at first sight, or in this case love at first touch. “It was the closest thing she had ever experienced to the touch of a man” (8). Ashima has not even caught a glimpse of her future husband; yet he grabs her attention. Their first physical encounter is more like a job interview, but both Ashoke and Ashima steal a quick glance at each other. A quick peep is another way of telling them how beautiful and handsome they are. Appearances do not matter much for those two, but Ashoke does take notice when Ashima appears worn out from motherhood. “He looks at Ashima, her face leaner, the features sharper than they had been at their wedding, aware that her life in
Love and affection is an indispensable part of human life. In different culture love may appear differently. In the poem “My god my lotus” lovers responded to each other differently than in the poem “Fishhawk”. Likewise, the presentation of female sexuality, gender disparity and presentation of love were shown inversely in these two poems. Some may argue that love in the past was not as same as love in present. However, we can still find some lovers who are staying with their partners just to maintain the relationship. We may also find some lovers having relationship only because of self-interest. However, a love relationship should always be out of self-interest and must be based on mutual interest. A love usually obtains its perfectness when it develops from both partners equally and with same affection.
When Sripathi and his family receive the news of Maya’s and her husband’s fatal road accident, they experience a dramatic up heaval. For Sripathi, this event functioned as the distressed that inaugurated his cultural and personal process of transformation and was played out on different levels. First, his daughter’s death required him to travel to Canada to arrange for his granddaughter’s reverse journey to India, a move that marked her as doubly diasporic sensibility. Sripathi called his “foreign trip” to Vancouver turned out to be an experience of deep psychic and cultural dislocation, for it completely “unmoors him from the earth after fifty-seven years of being tied to it” (140). Sripathi’s own emerging diasporic sensibility condition. Not only must he faced his own fear of a world that is no longer knowable to him, but, more importantly, he must face his granddaughter. Nandana has been literally silenced by the pain of her parent’s death, and her relocation from Canada to Tamil Nadu initially irritated her psychological condition. To Sripathi, however, Nandana’s presence actsed as a constant reminder of his regret of not having “known his daughter’s inner life” (147) as well as her life in Canada. He now recognizeed that in the past he denied his daughter his love in order to support his
In short, this is a story of a random meeting of two strangers, and an attraction or feeling that is overlooked and ignored. A man describes a lady such that you could only envision in your dreams, of stunning beauty and overwhelming confidence of which encounters of the opposite sex occur not so very often. The mans attraction is met by a possible interest by the lady, but only a couple flirtatious gestures are exchanged as the two cross paths for the first time and very possible the last.
The main character is Mrs. Das whom is flirtatious, careless, and needy. She and her husband take their family to see the country India for the first time. The tour guide Mr.Kapsi whom is curious, understanding, and quite aware. He sees something unusual at the beginning of the trip, but does not say anything. As the children continue their site seeing, the husband takes picture with his camera as if he lost in his own world. Meanwhile the wife gets to know the driver instead of site seeing. Mr.Kapsi is aware that the family is not like most Indians which lead him to be attracted to Mrs.Das. It states, “The family looked Indian but dressed as foreigners did, the children in stiff, brightly colored clothing and caps with translucent visors (29). This quote shows the difference in cultural clash as well the difficulty of communication. Mr.Kapsi tells Mrs. Das that he is an interpreter for a doctor which makes her believe she can discuss her personal business without him telling anyone. It states, “He decided to begin with the most obvious question, to get to the heart of the matter, and so he asked, “Is it really pain you feel, Mrs. Das, or is it guilt?”(39) Made the wife realized what she was truly feeling about her mistakes. After the conversation Mr.Kapsi did not look at the Mrs.Das the same way. The unusual
Kothari employs a mixture of narrative and description in her work to garner the reader’s emotional investment. The essay is presented in seventeen vignettes of differing lengths, a unique presentation that makes the reader feel like they are reading directly from Kothari’s journal. The writer places emphasis on both her description of food and resulting reaction as she describes her experiences visiting India with her parents: “Someone hands me a plate of aloo tikki, fried potato patties filled with mashed channa dal and served with a sweet and a sour chutney. The channa, mixed with hot chilies and spices, burns my tongue and throat” (Kothari). She also uses precise descriptions of herself: “I have inherited brown eyes, black hair, a long nose with a crooked bridge, and soft teeth
Sociology professor Morrie Schwartz once said, "Rules I know to be true about love and marriage: If you don't respect the other person, you're gonna have a lot of trouble. If you don't know how to compromise, you're gonna have a lot of trouble. If you can't talk openly about what goes on between you, you're gonna have a lot of trouble…” (Albom 149). Although not stated as clearly or concisely, the vast majority of Jhumpa Lahiri’s stories retell the truths told above. Three stories in particular; "A Temporary Matter," "When Mr. Pirzada Comes to Dine," and "The Third and Final Continent," especially exemplify the quote above. Throughout these stories Jhumpa Lahiri writes of the struggles Indians have building new relationships while trying to assimilate to American culture; Lahiri illustrates that in order to strengthen any relationship, one must display compassion, respect, and honesty.
...ds them, in accents they are accustomed not to trust” (Lahiri 108). This too is a form of double-consciousness as both Ashoke and Ashima are aware of the loss of culture, of their own identity in their children as their children shun India and by extension Bengali culture, and no longer sound like the people they miss and love back in Calcutta. It is extremely sad, because in order to make a better life for themselves and for their family they came to America, but because of the search for opportunity, they also lost their sense of identity in their children even though they tried their hardest to create a kind of Bengali community in America as well. Quietly, unlike Dre, Ashoke, more than Ashima comes to understand that he cannot push his culture upon his children, especially Gogol, and instead allows Gogol to navigate being Bengali and being American, for himself.
Through the perforated sheet, Aadam Aziz never saw his bride until he asked for her hand in marriage. Instead, he fell in love with “the softness of her ticklish skin, or the perfect tiny wrists, or the beauty of her ankles.” Aadam Aziz, who had concentrating on loving the pieces of Naseem, was ill prepared for her presence in its entirety. Naseem and Aadam’s marriage “rapidly dissolved into a place of frequent and devastating warfare under whose depredations the young girl behind the sheet and the gauche young Doctor turned rapidly into different stranger beings…”
In the Indian culture, marriage is different from another culture's point of view. In the film Ravi decides to break a two year relationship from an American woman before he attended his family trip to India, which coincides with
To further support her acceptance of arrange marriages, the person that she will marry will not necessarily be a stranger because her parents examine her potential suitor’s and his family’s background. She readily trusts her parent’s judgement so she has no concerns about whether or not the man she will marry is “good”. To close her defensive statements, she explains that she will have her whole married life to get to know and love her husband, so she does not need to ruin the fun before it begins with dating.
help the reader believe in love at first sight as it is showing what a
Marriage is a powerful union between two people who vow under oath to love each other for better, for worse, for richer, for poorer, in sickness and in health. This sacred bond is a complicated union; one that can culminate in absolute joy or in utter disarray. One factor that can differentiate between a journey of harmony or calamity is one’s motives. Jane Austen’s Pride and Prejudice is a novel of manners, where Elizabeth Bennet and her aristocratic suitor Mr. Darcy’s love unfolds as her prejudice and his pride abate. Anton Chekhov’s “Anna on the Neck” explores class distinction, as an impecunious young woman marries a wealthy man. Both Jane Austen’s Pride and Prejudice and Anton Chekhov’s “Anna on the Neck” utilize
The path to marriage initiates in the very first paragraph of Jane Austen’s Pride and Prejudice. This courtship novel begins with the premise that “a single man in possession of a fortune must be in want of a wife” (pg. 5) Throughout the competition for the single men, characters are naturally divided by the norms of their social standing. However, the use of social conventions and civility further divides them. The characters in need of the most moral reform remain unchanged, leaving a path for the reformers to travel to each other’s company. Austen uses the stagnant characters and their flaws as a line that needs to cross in order to achieve a dynamic marriage of mutual respect.
In this short story the protagonist is a newly married Indian woman who is attending a party with her husband’s western friends. Throughout the short story the reader senses her anxiety of being introduced to people who are not as conservative as her. “She longed for the sanctuary of the walled home from which marriage had promised an adventurous escape. Each restricting rule became a guiding stone marking a safe path through unknown dangers” ("The First Party"). In this quote, the narrator explains how the Indian woman did not feel comfortable or at ease with this new world she had been introduced too. She fiend to be back home but because of her tie that she made to this man through marriage she is in her mind, stuck with him. In addition to her anxiety of being with non-conservative woman, who drank, smoked, dressed provocatively, and had painted nails, the protagonist grew angry in her own head. “She had been so sure of herself in her contempt and her anger, confident of the righteousness of her beliefs, deep-based on generations-old foundations” ("The First Party"). Is this the way that the Indian people reacted to British colonialism? The things that western people found normal, was this disrespectful to the Indian people. The protagonist surely thought it was and was certain that her anger was not misplaced. She felt as her anger was a sign of her strong faith. She came to the realization that her husband was someone who would challenge her beliefs but above all she knew that her beliefs state that her life must be one with his (“The First Party”). This realization must be heartbreaking, to realize that one 's comfort is not found in their life partner. The protagonist was raised to believe that her life must be one with her husband, that she is
Love can influence the lives of many people in various ways, but many people do not actually differentiate between love, lust, and marriage and the way in which they can reap benefits from the three things that seem to be perfectly similar, but are different altogether. People mostly end up in marriage without knowing whether it is love that is actually driving them or whether it is lust. In this essay, I chose the play; Rover by Aphra Behn, to show the various perceptions of people towards the three. Behn has managed to portray this through the characters in the play. These characters search for love to serve permanent connection or physical needs. This therefore begs for a question, is marriage therefore founded on the basis of love or on