Photography is an exercise in perception and no one perceives a subject with a more intimate view than an artist. Parker J. Pfister, a notable Asheville fine art photographer, has captured memories, moments, and faces for over twenty years (Pfister). He has built a business by photographing weddings, special occasions, events, people, and, in short, preserving a moment in a frame. Additionally, he creates unpaid, personal portraits in his own time, with his selected models, limited only by his artistry. Photography, according to Pfister, is, “…an art form with value and not a commodity” (Parker). Others obviously agree, as his work has been featured in art galleries across the globe, and he is sought out to capture weddings around the world (Parker). His wedding sessions are h...
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...s made today’s local culture even more focused on the unique identity of each subject and each image taken of them than Root recognized in his own time.
Ultimately, Asheville loves the unique and revels in the weird. Much of this culture is made up by individuals embracing their distinct quirks and features. People in Asheville’s artistic community are seen as irreplaceable, unique entities with mysterious, inner workings. Local portraits, likewise, seek to show the subject’s unique features, but, perhaps more importantly, they seek to show the viewer a glimpse into the inner workings of the subject’s mind, or what some would call their soul. Ghost in the Shell posits, “…Let us consider the human machine, or more particularly its face, as something of a malleable shell that encompasses and reveals the unnamable ghost(s) residing within each of us” (Sobieszek 13).
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