Hannah Ottens
English 102/Kay
Essay 1
3 October 2014 A Depressed Woman
In many stories that one reads, characters exhibit numerous behaviors throughout the story such as excitement, sadness, and loneliness. A fairytale will have happy character behaviors and end happily, whereas depressed characters the story may end melancholy, which can affect the outcome of the story. In the short story “A Sorrowful Women” written by Gail Godwin, the main character that is unnamed exhibits several behaviors. Such as a mental illness, behaviors of not wanting a family anymore, and the women shows behaviors that she’s not happy with the performance of a mother and wife. For she’d shows these behaviors at the end of the story the sorrowful women
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Her role as a wife and a mother starts to become her daily routine, and she is not satisfied with it. She tries her best to satiate herself. She starts making efforts to achieve different approaches to satisfy these efforts but still “she does not get pleasure in her duties” (Goodwin 39), and this is the reason why she always get dissatisfaction in her life. Her dissatisfaction with this role in life also leads the narrator protagonist to try on other roles. Though she tries on many, none of these seem to satisfy her either; she "tried these personalities on like costumes, then discarded them" (Goodwin 38). Her inability to find any role that satisfies her probably contributes to her general sense of helplessness, and continues to withdraw from her family. Since she cannot find any particular role that suits her, she attempts not to have any role at all; the coldness and isolation of the undecorated white room make it seem that she is trying to empty herself of her previous life.
“A Sorrowful Woman” written by Gail Godwin, shows that the behavior of the characters does affect the outcome of the story. If the main character had not showed these behaviors the ending would have been happily ever after, instead of the despondent way it did. Character behaviors affect the outcome of the story for its sets the tone of the story. If the sorrowful woman in had not been depressed the whole time it’s likely to have not end horrifically. Therefor character behaviors do affect the outcome of a
Representation of Women in "Men Should Weep" by Ena Lamont Stewart and "Perfect Days" by Liz Lochead
Victoria Marks’ most recent contemporary dance pieces all were fascinating, but the two that drew me in the most were “Men” and “Mothers And Daughters”. Both of these pieces made in the spring of 2014, focus on the idea of celebrating the life you have been given, leaving your mark on the world, and getting the most out of every opportunity you have to be with someone you care about. Victoria Marks is a dance professor at UCLA, who also choreographs dances for the stage, and films. “Marks’ recent work has considered the politics of citizenship, as well as the representation of both virtuosity and disability. These themes are part of her ongoing commitment to locating dance-making within the sphere of political meaning.” Marks in both films “Men” and “Mothers And Daughters” believes that , "Your Dancing ability does not matter because we are all differently-abled", which is why she used both trained and untrained actors to create these two pieces of art.
Her dissatisfaction with her role in life also leads Godwin's protagonist to try on other roles. Though she tries on many, none of these seem to satisfy her either; she "tried these personalities on like costumes, then discarded them." Her inability to find any role that actually satisfies her probably contributes to her general sense of helplessness and continued withdrawal from her family and, indeed, the rest of the world. Since she cannot find any particular role that suits her, she attempts not to have any role at all; the coldness and isolation of the undecorated white room make it seem that she is trying to empty herself of her previous life.
“In Spite of Women: Esquire Magazine and the Construction of the Male Consumer” Much of society’s perception of women today, according to Kenon Breazeale in the piece, “In Spite of Women: Esquire Magazine and the Construction of the Male Consumer”, is based upon the attempts to construct women as consumers. Breazeale claims that much of society’s one-dimensional view of women has everything to do with how consumerism has been viewed primarily as a feminine attribute. Using an in-depth analysis of the early years of Esquire Magazine, Breazeale uses an academic, stoic tone in an effort to remain impartial, although it is rather apparent that she feels strongly against the magazine and all it stood for during this time period. Breazeale effectively
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
In this story, the main character describes her then boyfriend, a unique, creepy, and eccentric individual with what can only be described as a “goth” persona. She then gives the details of a particular situation in which the two of them get stuck in a locked room in their school, and the emotional trauma and damage that follows them attempting to get out. The narrator ends up breaking up with the aforementioned ex-boyfriend in the locked room. One of the things that the character struggles with is her innate human desire to please others, which at the end of the story, following the incident of the locked room, she says she no longer does and only focuses on pleasing herself. The reason that I did not choose this story is because the meaning of the story does not come until the end of it. Although you get some information abut the narrator’s life in the beginning, the importance and purpose of the story is not clear until the end. There seems to be no purpose to the story until the narrator explains at the very end, in the very last paragraph, that she “never tried hard to please anybody at all after that day in the locked room.” Now I am not saying that the point of a story needs to be clear throughout the entirety of it or that the meaning cannot be revealed until the end, but in the importance of human connection, one can not see clearly how the narrator is
Erin George’s A Woman Doing Life: Notes from a Prison for Women sheds light on her life at the Fluvanna Correctional Center for Women (FCCW) where she was sentenced for the rest of her life for first-degree murder. It is one of the few books that take the reader on a journey of a lifer, from the day of sentencing to the day of hoping to being bunked adjacent to her best friend in the geriatric ward.
Characterization: Her character becomes very confident and self-forgiving as shown from this passage. What she used to do was only because she was trying to recover from her deceased husband.
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
There are many themes that occur and can be interpreted differently throughout the novel. The three main themes that stand out most are healing, communication, and relationships.
Her husband rejects the idea of her having any social interaction and does not allow her to have contact with anyone other than himself and Jeanie. She attempts to write for entertainment but she becomes too tired and soon the only source of entertainment for the Narrator is the wallpaper. She begins to look for patterns to ease her
Charlotte will never be anything but a wife and mother with no room to become a writer. Dependent on her husband for emotional support as well as financial support, Charlotte did not outwardly disagree with John's diagnosis. Without much protest, Charlotte stays in one room for fear of being sent to Dr. Mitchell's for the Rest Cure. (4) Trapped in a room with no aesthetic pleasure, she was left to her own thoughts. Societal norms said th...
Susan, the protagonist in “To Room Nineteen” feels trapped by her life and her family, and afflicted by her husband’s infidelity. Everyone assumes Susan and her husband are the perfect couple who have made all the right choices in life, but when Susan packs her youngest children off to school and discovers that her husband has been having an affair, she begins to question the life decisions she has made. Susan chooses to isolate herself from her own family by embarking on a journey of self-discovery in a hotel room that ultimately becomes a descend into madness. Unlike Susan, the woman in “The Yellow Wallpaper” initially wants contact and interaction with people, but is
The narrator is ordered by her husband, who is serving as her physician as well, that she is “absolutely forbidden to work” and instead get “perfect rest,” and “all the air” the narrator can get (Gilman, 549). The narrator is confined to spend her time in a room which is playing tricks on her mind until she can no longer identify reality from her imagination. Another cause of the narrator’s loneliness is her husband’s rare presence at home due to his work as a physician, “away all day, and even some nights when his cases are serious,” leaving the narrator with his sister, who even then also leaves the narrator alone most of the time (Gilman, 550). The narrator falls into a state of insanity because she hardly had anyone with her to normally interact with. The only interaction she did have was that of the yellow wallpaper which constantly plagued her
In the story “To Room Nineteen” written by Doris Lessing the protagonists, Susan Rawlings, privacy was intruded which lead to her suicide. Before Susan married she had a comfortable life with a great career however she was forced to give that all up. In her commentary “In Room Nineteen-Why Did Susan Commit Suicide? Reconsidering Gender Relations from Doris Lessing’s Novel, Wang Ningchuan and Wen Yiping Write: “Marriage for Susan had become a turning point from equality to subordination. The first fault that Susan made after marriage was her voluntary dispossession of her private property, the flat. And then she renounced her job for being expectant. The both symbolized her unintelligent relinquish of material or economic independence, withdrawing her into an inferior or subordinate social position. Nominally, it is due to Susan's reconciliation toward marriage. Ontologically, the reconciliation was surrender to her gender identity, that it was natural for a marital woman not being an individual” (67). She would stay at home and take care of her children, yet she longed for them to grow up so she can have some time of her own. She would tell herself “Soon the twins would go to school, and they would be away from home from nine until four. These hours in Susan's eye; would be the preparation of Susan’s own slow ema...