A War Waging Within
In the writing of a short story, especially regarding Ernest Hemingway’s writings, every word has meaning and purpose, creating a world inside a world deep beneath what the eye can see. Taking the story, Hills Like White Elephants, symbolism is used to thread this deep meaning from beginning to end, painting a grand image of the war within human nature in the midst of life altering decisions. Although it is a short story, the vastness of unseen truths is imminent. Through this window, the reader observes and is given the freedom to discern by his rationality the message of each symbol and the poetic tone the writer is aiming to speak to his audience with. To begin, the reader is confronted with an undistinguishable simile of hills that compare to white elephants. Taking the idea of a hill literally, it could very well refer to girl’s pregnancy and the obvious physical effects it gives to the midsection. The idea of an elephant, particularly being white, arises many
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The imagery he gives is vivid and colorful. The writer states: "The hills across the valley of the Ebro were long and white. On this side, there was no shade and no trees and the station was between two lines of rails in the sun” (1). This image animates the war within each character’s human nature and frankly the deceit that runs throughout. The dry landscape is a representation of life being stolen, and the piercing sun which is never biased or selective, bringing everything into to clear sight. She innately knows that unquenchable pain will accompany the killing of the innocent life which no money or dreamy vacation will substitute. Whereas the American believes that change is inviting a lifeless existence such as the dry plains. He says he loves her, but as the reader interprets, he isn’t willing to jeopardize his social status for this unwanted accessory some call a precious
In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
Among the many symbols of history, the top three are the hills, white elephants, and the railway station. Hemingway uses these elements to develop the theme of the story. The theme is how Jig sees the opportunity to keep her child and have a happy life, while the man is unable to see the possibilities and work to persuade her to go through with the abortion.
There is a never ending list of what makes some people amazing story tellers. Some writers have vast imaginations, other writers use the lives of others in their stories and other writers use their lived experiences in order to write moving works of art. Most books, works of poetry and short stories that revolve around lived experiences share a common theme of love, hate or both. As these are emotions that all humans share, However, there are some stories that have far more unique. Stories like “The Things They Carried” by Tim O’Brien and “Hills Like White Elephants” by Ernest Hemingway. Both O’Brien and Hemingway come from two completely separate walks of life but were both able to write stories using the same theme of emotional and physical
What would literature be had every author used the same perspective for every single story? Literature would not be as well received as it currently is received. Take three American short stories, “Hills Like White Elephants,” “A Rose for Emily,” and “The Yellow Wallpaper,” for example. These stories, by Hemingway, Faulkner, and Gilman respectively, each utilize a different a point of view. The perspective of a story heavily influences the impact of the story on a reader and that impact varies based on the content of the story.
Hills like White Elephants by Ernest Hemingway is a short story that deals with the idea of conformity and the conflict caused by internal desire and pressure from another party. The short story is very subtle, and often uses these subtleties in combination with incredible amounts of symbolism interlaced throughout the narrative to cause the reader to look and think deeper into the motives, values and convictions of the conflict between the two protagonists respective desires. When two parties are at an impasse of desire, the conviction of their opposing beliefs become increasingly unshakeable. This results in dissension due to the severe lack of understanding between the parties involved and furthermore, they refuse to be held responsible
Gale. Weeks, Lewis E., Jr. "Hemingway Hills: Symbolism in 'Hills like White'" Elephants. Studies in Short Fiction. 17.1 (Winter 1980): 75-77.
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
While reading short stories, two stood out: Ernest Hemingway’s Hills Like White Elephants and Raymond Carver’s Cathedral. The themes in both stories are powerful and convey strong messages that really pose existential thoughts. Not only is each story’s theme attention grabbing, but so is the common and reoccurring use of symbolism throughout the stories. They did not just use the Element of Fiction symbolism, but even used one common symbol. Ernest Hemingway’s story Hills Like White Elephants and Raymond Carver’s story Cathedral each contain existential and similar themes such as talking versus communicating and looking versus seeing, as well as demonstrating creative and comparable symbolism throughout.
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
Hills Like White Elephants displays the differences in the way a man and a woman view pregnancy and abortion. The woman looks at pregnancy as a beautiful aspect of life. In the story the woman’s pregnancy is implied through their conversation. She refers to the near by hills as elephants; "They look like white elephants" (464). She is comparing the hills to her own situation, pregnancy. "They’re lovely hills. They really don’t look like white elephants. I just meant the coloring of their skin through the trees" (465). Just as the hills have their distinct beauty to her, she views pregnancy in the same fashion making the reference to the hills having skin—an enlarged mound forming off of what was once flat. The man views pregnancy just the opposite. When the girl is talking about the white elephants and agrees that the man has never seen one, his response is, "I might have, just because you say I haven’t doesn’t prove anything" (464). This shows the defensive nature of the man, and when the woman implies the he is unable to differentiate between what is beautiful and what is not.
Ernest Hemingway's short story "Hills Like White Elephants" touches on an issue as ageless as time: communication problems in a relationship. He tells his story through conversations between the two main characters, the American and the girl. Conflict is created through dialogue as these characters face what most readers believe to be the obstacle of an unexpected pregnancy. Their plight is further complicated by their inability to convey their differing opinions to each other. Symbolism and the title's meaning are other effective means of communicating conflict.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Why does mankind give up things they truly desire for someone else? In Ernest Hemingway’s fictional short story “Hills like White Elephants” he demonstrates this through his theme of regret. The story occurs in northern Spain at a junction station for the train in the valley of the Ebro River. An American man and a young girl named Jig walk up to the junction station and sit on the porch. As they sit in wait for the train to arrive, the two order beer and a foreign alcoholic beverage while having a conversation with one another. Their conversation begins with Jig claiming that “...the hills look like white elephants.” (Hemingway p.475). The American man then brings up an operation that Jig is expected to have. He tells her that she will be