Throughout his films, Burton reveals the joy given off as the protagonists use their adversities to benefit others. Towards the end of Edward Scissorhands, Edward is found in the backyard creating an angel ice sculpture. As he hacks away at the block, flakes of ice float down, much like snow. Kim twirls in this “winter wonderland,” smiling ear to ear. Soft, heavenly music plays, and the bright front lighting on her face unfolds her almost childlike delight. Much like how the rest of the community viewed Edward when he first arrived, Kim starts to notice his integrity in this scene. Despite the fact that all Edward 's actions lately had been rotten and hostile, Kim still cares deeply for him, and sees how big his heart truly is. Her love for him shines bright, looking past his toxic episodes and embracing his good intentions. Kim 's innocence shows that his disability is not automatically deemed a kiss ...
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...ith the neighborhood. Peg and all of her neighbors are quirky and outgoing, while Edward is rather nervous and introverted, due to his lack of interaction with the world. Despite being the inverse of everything around them, Alice and Edward continue to embody their imaginations. They create their happiness by looking at their differences as a chance to introduce new creations to the surrounding environment.
In conclusion, Burton uses numerous styles to explain that an outlook, not a situation, determines one’s happiness. These styles focus around an afflicted misfit who opposes all concepts of their setting. Although they may seem miserable, they turn the circumstances around and hold the world in their hands. This message gives viewers a sense of hope that no matter what direction life throws them in, if they remain positive, they can discover happiness anywhere.
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