Americanization in The Joy Luck Club Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized. The Joy Luck Club daughters incontestably become Americanized as they continue to grow up. They lose their sense of Chinese values, or Chinese tradition in which their mothers tried to drill into their minds. The four young women adopt the American culture and way of life, and they think differently than their traditional Chinese mothers do, upsetting the mothers greatly. The daughters do not even understand the culture of their mothers, and vice versa. They find that the American way of thinking is very different from that of the Chinese. Amy Tan is a Chinese-American author. She had become Americanized, according to her mother, who still held traditional Chinese values. They fought sometimes, just as the women and daughters of The Joy Luck Club, over who was right and who was wrong regarding many problems they encountered. Tan most likely modeled The Joy Luck Club after her relationship with her mother. She even dedicated the novel “To my mother and the memory of her mother. You asked me once what I wo... ... middle of paper ... ...1995). 1995. Women and Language. Dedmon, Emmett. China Journal. Printed in U.S.A. Rand McNally and Company, 1973. Ch. 12. Ho, Wendy. Swan-Feather Mothers and Coca-Cola Daughters: Teaching Amy Tan’s Joy Luck Club. An excerpt from Teaching American Ethnic Literatures/ Nineteen Essays, ed. By John R. Maitino and David R. Peck. 1996. University of New Mexico Press. Shear, Walter. Generational Differences and the Diaspora in The Joy Luck Club. An excerpt from Critique, Vol. 34, No. 3 (Spring 1993). 1993. Helen Dwight Reid Educational Foundation. Tan, Amy. The Joy Luck Club. Published by Penguin Books 1989. New York, New York, U.S.A. Xu, Ben. Memory and the Ethnic Self: Reading Amy Tan’s The Joy Luck Club. An excerpt from MELEUS, Vol. 19, No.1 (Spring 1994). 1994. The Society for Study of Multi-Ethnic Literature of the U.S. 5 May 2010.
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
Here is a journey that not only started "a thousand Li away", but from generations upon generations of tradition. The Joy Luck Club travels over time and continents to present the background and turmoil of eight amazing women. All of these women have had to deal with the issues of culture, gender, and family, each in their own way, yet all similarly. Amy Tan dedicates her novel to her mother with the comment "You asked me once what I would remember… This, and much more." Each of the mothers in Tan's novel wanted to teach their daughters the lessons learned in China while giving them the comforts of America. But language and culture barriers diverge the women until they were almost lost to each other. Each character had to take their own journey to finally understand what drove them apart and find their common ground.
The Joy Luck Club is a representation of the persistent tensions and powerful bonds between mother and daughter in a Chinese American society. The book illustrates the hardships both the mother and daughters go through in order to please the other. Also, it shows the troubles the daughters face when growing up in two cultures. This book reveals that most of the time mothers really do know best.
In Amy Tan's The Joy Luck Club, four Chinese born mothers and their four American born daughters tell stories from their own point of view about their relationships with one another. These four mothers demonstrate the finest parenting by trying to keep their heritage alive and educate their daughters, while being immigrants. Through the mothers' actions, they are able to teach and influence their daughters about their Chinese heritage, about everyday life and situations, and how to stand up for themselves all while being in an overwhelming American society.
Throughout the novel, The Joy Luck Club, author Amy Tan explores the issues of tradition and change and the impact they have on the bond between mothers and daughters. The theme is developed through eight women that tell their separate stories, which meld into four pairs of mother-daughter relationships.
In The Joy Luck Club, Amy Tan explores mother-daughter relationships, and at a lower level, relationships between friends, lovers, and even enemies. The mother-daughter relationships are most likely different aspects of Tan's relationship with her mother, and perhaps some parts are entirely figments of her imagination. In this book, she presents the conflicting views and the stories of both sides, providing the reader--and ultimately, the characters--with an understanding of the mentalities of both mother and daughter, and why each one is the way she is.
Overall, each mother in The Joy Luck Club went through something emotionally exhausting and saddening in her life. The mothers use their experiences to try to direct the course of their daughters' lives, to make them simpler and more carefree. Initially, however, the daughters only see that their mothers want to make decisions for them, not to help them. Ultimately, the daughters realize their mothers' intentions, but not all accept them. The important thing, however, is that each daughter learns a valuable lesson and comes to peace with her mother.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
Throughout Asian American literature there is a struggle between Asian women and their Asian American daughters. This is the case in The Joy Luck Club, written by Amy Tan and also in the short story "Waiting for Mr. Kim," written by Carol Roh-Spaulding. These two stories are very different, however they are similar in that they portray Asian women trying to get their American daughters to respect their Asian heritage. There are certain behaviors that Asian women are expected to have, and the mothers feel that their daughters should use these behaviors.
At its core, The Joy Luck Club, by Amy Tan, shows that shared pieces of culture and experiences transcend not just borders, but generations.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
The mother-daughter relationship is often complex and confusing. Amy Tan explores this relationship with novel The Joy Luck Club narrated by four daughters and three mothers: Jing-mei Woo, Rose Hsu Jordan, Lena St. Clair, Waverly Jong, An-mei Jordan, Ying-Ying St. Clair, and Lindo Jong. June narrates in her late mother's place. The mothers talk about their difficult pasts in China and how they have been changed. The trauma from their past causes their daughters not to be able to connect to . The women are finally able to connect to each other. The women are forced to learn from the past, overcome adversity, and learn to understand one another.
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.