The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West. The relationship between history and myth in the story of the West go hand and hand with each other for the most part. Why? The myth of the West came around just as the history of the West was happening. So a lot of history was often though of as myth and a lot myths were often thought of as actual history. For example, Buffalo Bill was extremely important to the West because he was mythical and historical figure at the same time. There were myths about him that were actually true and there were also myths about him that were made up he made them true. Author Lee Clark Mitchell states in his book, that some writers who wrote westerns such as Stephen Crane confronted "the intersection of history and fiction, fact and legend, without in the end appealing to either at the expense of the other." Also, "refusing to acknowledge that legends are more interesting than history (art, that is, surpassing life); Crane's stories at the same time resist any simple equation of the legendary with the fact itself (art matching life)" (Mitchell). The cowboys of the frontier have long captured the imagination of the American public. Americans, faced with the reality of an increasingly industrialized society, love the image of a man living out in the wilderness fending for himself against the dangers of the unknown. By the end of the 19th century there were few renegade Indians left in the country and the vast expanse of open land to the west of the Mississippi was rapidly filling with settlers.
The West is a very big part of American culture, and while the myth of the West is much more enticing than the reality of the west, it is no doubt a very big part of America. We’re constantly growing up playing games surrounded by the West such as cowboys and Indians and we’re watching movies that depict the cowboy to be a romanticized hero who constantly saves dames in saloons and rides off into the sunset. However, the characters of the West weren’t the only things that helped the development of America; many inventions were a part of the development of the West and helped it flourish into a thriving community. Barbed wire, the McCormick reaper and railroads—for example—were a large part of the development in the West—from helping to define claimed land boundaries, agricultural development and competition, and even growth of the West.
The Oklahoma Land Rush of 1889 is one of the most pivotal points in American History. The massive event entailed: American settlers performing their best bull impression. They made Oklahoma seem as if it were painted in the color red. A jaw-dropping amount of land settled in a day. Finally, to a victimized community that was on the verge of drowning in a sea of unwanted roommates. Oklahoma’s great land rush gave America the space to stretch out their territory, even though it nearly wiped out the Native Americans' land.
The Wild West is also referred to as the American frontier due to the numerous
According to the thesis of Fredrick Jackson Turner, the frontier changed America. Americans, from the earliest settlement, were always on the frontier, for they were always expanding to the west. It was Manifest Destiny; spreading American culture westward was so apparent and so powerful that it couldn’t be stopped. Turner’s Frontier Theory says that this continuous exposure to the frontier has shaped the American character. The frontier made the American settlers revert back to the primitive, stripping them from their European culture. They then created something brand new; it’s what we know today as the American character. Turner argues that we, as a culture, are a product of the frontier. The uniquely American personality includes such traits as individualism, futuristic, democratic, aggressiveness, inquisitiveness, materialistic, expedite, pragmatic, and optimistic. And perhaps what exemplifies this American personality the most is the story of the Donner Party.
After the Civil War, Americans abandoned the sectional emphasis caused by slavery and developed a national focus. During the period from 1865-1890, Americans completed the settlement of the West. For the farmers and ranchers, the American West was a land of opportunity because land was cheap and the Homestead Act provided land to farmers, including immigrants and blacks, in order to grow crops, raise cattle and make a profit. The American West was also seen as a land of opportunity for miners due to the gold and silver rush in the far west which they believed would make them rich. However, both groups faced many challenges and few achieved great wealth.
The Taming of the West: Age of the Gunfighter: Men and Weapons of the Frontier 1840-1900.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
TheNative American culture were very intresting when it came to how they lived.They told all types of stories to explain where, what,when,and how things came to be .An example is the amount of respect that the Cherokee Tribe showed and gave to animals.In the story it repeadtly says “The Fox said...The Possum said..The Buzzard said”.This shows that theNative American culture favored and
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
Sanitary conditions in the West were practically non-existent. In the cities, horse manure covered the streets. Housewives emptied garbage, dishwater, and chamber pots into the middle of the city streets where free-roaming pigs devoured the waste. The pigs left their urine and feces on the streets. It was not easy to wash clothes. Many people had clothes splattered with manure, mud, sweat, and tobacco juice. Privies, or necessary houses were often to close to the homes with a very noticeable odor on hot and/or windy days. If a family had a kitchen, all the members washed at the sink each day, without soap, rubbing the dirt off with a coarse towel. Eventually, many cold bedrooms had a basin, ewer (pitcher), cup, and cupboard chamber pot. Bed bugs and fleas covered many of the travelers’ beds. “Isaac Weld saw filthy beds swarming with bugs.” These insects followed the travelers, crawling on their clothes and skin.
To many families the prospect of owning land was the central driving force that brought them to the land known today as the wild Wild West. Much propaganda wa...
A typical Western would usually be set in the late 19th century in the mid-west of America in a remote town. The town is usually small, lonely and unwelcoming. Typically a western set looks like it is in the middle of a desert with sand, cacti and tumbleweed which gives a desert look, there are usually never any lakes or rivers around these features make the place look really hot and deserted. The buildings are generally timber board houses with swinging doors and outside the buildings are places to keep their horses, there is also always a General Store and a Saloon. Horses and carriages and cattle are used to give a western feel. The cowboys are typically dressed in western style clothing for example they wear simple shirts and jeans they may also wear ponchos, waist coats, hats, boots with spurs, guns and a belt to hold the gun and bullets, Hero's tend to wear lighter clothing and the villain’s tend to wear darker clothing.
The main techniques that the author Mark Twain uses to show you a little of what it is like to be in the Old West during the Gold Rush is contrasting East with West with the use of the characters and the use of language and plot are distinctly good examples of realism and regionalism. In late 19th century American society/culture, the East was known for being civilized, cultured, and advanced while the West was seen as less educated and refined and naive or easily duped. Mark Twain uses these bias/stereotypes in his characters. Simon Wheeler, a American Western storyteller, is a old uneducated man who tell tall tales in a monotone with no storytelling techniques and vernacular language and his use of vernacular language supports the stereotype
The patterns of living that the world witnesses today are greatly influenced by history. This is because of the fact that history plays an immense role in forming one’s future; the abundant interactions socially, economically, politically, result in repercussions that can hardly be unraveled. However, this does not in anyway mean that one cannot trace today’s state of affairs back to its roots. Tracing today’s occurrences back to their origin is possible due to the fact that the agents’ (nations) origins are known.
The myth of the frontier applies to the romanticism of the west frontier where the unsettled land and the unlimited resources nurture immigrants into individuals with pioneering spirits. Similarly, the optimistic vision of the myth of progress on the tech frontier raises the deification of technology development. As Frederick Jackson Turner suggested in "Frontier Thesis" that the West was a "purifying and liberating force" that transformed Americans into innovative individuals with restless energy, the worship of enterprising spirits fueled the myth of progress on the tech frontier where people fantasized about infinite advantages of technology advancement with a belief that progress is always favorable (Colombo 215).