The Godfather, which is one of the most famous American movies of all time, started out as a book written by Mario Puzo (published March 10th, 1969) and was later directed by Francis Ford Coppla in 1972 with the trilogies following in 1974 and again in 1990. The trilogies are seen as an epic tale of the Corleones, an Italian-American family, and their rise in and around organized crime.
The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Drug dealer Virgil Sollozzo is looking for Mafia Families to offer him protection in exchange for a profit of the drug money. He approaches Don Corleone about it, but the Don is morally against the use of drugs, and turns down the offer. Being this only request Don Vito has turned down, displease Sollozzo and has the Don shot down. The Don barely survives, which leads ...
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... and negative associations within the genre. Even with the obvious differences, both styles have borrowed concepts from the other, enriching each of their popularity in cinema.
Bondanella, Peter. (2009), A History of Italian Cinema, NY, The Continuum International Publishing Group Inc.
Ferraro, Thomas. (1993) Ethnic Passages. Chicago, University of Chicago Press.
Grahm, Paul. (2005) The Journal of Religion and Film: Revisiting Violence in The Godfather: The Ambiguous Space of the Victimage Model. http://www.unomaha.edu/jrf/Vol9No2/grahamGodfather.htm accessed 10 December 2010
Nowell-Smith, G. (ed) (1996), Companion to Italian Cinema, London, BFI
Russo, G. (1995). Mafia nation: Cinema, ethnicity & identity. Amherst, Mass: s.n
Small, Pauline. (2005) New Cinemas: journal of Contemporary Film Volume 3, Queen Mary, University of London
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