Mobilizing a Nation: America’s Entry Into World War I
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Woodrow Wilson delivered his now-famous War Message to Congress on April 4, 1917. Four days later, Congress declared war and the United States became a formal partner in the war to end all wars. As the Wilson administration was to discover, however, declaring war and making war were two very different propositions. The former required only an abstract statement of ideals and justifications and a two-thirds Congressional majority; the latter required the massive mobilization of virtually every sector of American society - military, industrial, and economic, as well as public opinion. The Wilson administration sought to accomplish this daunting task in two concomitant and interdependent fashions. First, it undertook an unprecedented assumption of federal control and regulation. The federal government established an array of bureaus and agencies endowed with sweeping powers to regulate the nation’s economy and industrial production. Furthermore, it passed a series of laws designed to support these agencies and to stifle what it deemed subversive antiwar opinion and activity. Second, and of equal importance, the administration appealed to the public’s patriotism and sense of civic responsibility, effectively encouraging volunteerism in both the public and private sectors. Each of these tacks was bulwarked by a pervasive dose of pro-war government propaganda. In the end, in terms of raising an army, mobilizing the economy and influencing the outcome of the war, the administration’s mobilization efforts were largely successful. However, there were significant consequences to the government’s actions, most acutely in the realm of civil liberties, both during and in the aftermath of the war.
One of the earliest examples of federal muscle in wartime mobilization was the passage of the Lever Act in August 1917. The act gave the president the power to regulate supplies and prices of food and fuel by creating two new government agencies: the United States Food Administration and the United States Fuel Administration, headed by Herbert Hoover and Harry Garfield, respectively. Hoover and Garfield operated with “virtually unlimited power” and used the implicit threat of federal nationalization to regulate prices and cajole producers into increased production and conservation (Zeiger, 72).
With the nation at war, Wilson set aside his domestic agenda to concentrate on a full-scale mobilization of the economy and industry. During the war, industrial production increased by 20 percent, daylight saving time was instituted to save fuel, the government took over the railroad system, and massive airplane and shipbuilding programs were launched. Ame...
Fences is a play that deals with boundaries that hold people back and the trials and tribulations of those who try or wish to cross them. The characters are African-Americans in a time before the civil rights movement, living in an industrial city. The main character, Troy Manxson, is a talented baseball player who never had the chance to let his talent shine, with restrictions on race and his time in jail as the main obstacles that held him back. He is now hard working and loves his family. However, he tends to exaggerate and has his faults, most prevalent a wandering eye when it comes to women. His wife, Rose, is younger than him and loyal, but she may not have known about all of his faults when she married him. At the beginning of the play, Troy has a son from a previous marriage, Lyons, and a son with Rose, Cory. Also appearing are Bono, Troy’s drinking buddy, and Gabriel, his brother.
Troy takes advantage of his brother, Gabriel’s disability money, and eventually ends up being responsible for getting him sent away. He also puts up a fight whenever his oldest son Lyons comes around, refusing to give him money even when Lyons says he will pay Troy back. However, a villain would not care about his family so much, even if the way he shows it is not ideal. Although his relationship with his family is in shambles by the end of the play, he does eventually build the fence for Rose, signifying that he wants to keep her close. If he was a complete villain, he would not have done this. He probably would not have even told Rose about Alberta. He understands what he did was bad, and the fact that he does can allow him to be identified as a tragic hero as well as an antihero. He is still horrible to Cory in the end, and Cory is completely justified for not wanting to attend his father’s funeral. He distinguishes himself from his father, though, being the better man and agreeing to go. The final scene of the play has the gates of Heaven opening for Troy, which means that he was not completely bad after
Going it to war is one of the hardest decisions a president may have to make but they cannot do it alone. They must have the support of the American people. Entering into war is not one most Americans agree to do without hesitation. War is associated with destruction, violence, and death. With so many opposed what appeals and approaches does a president use to “sell” a war to the American people? To answer this question we will look at 3 documents from Franklin D Roosevelts presented throughout the timeline of the war and how his “sales pitch” changed along the way.
Troy should be remembered as a person that was tough but sometimes could be nice person if you followed the rules under his house. This all follows of him being a resposible man, He did do things that might have not seen right but it was because he had to keep order in his house, other wise everyone would do things that they wanted to do and wouldn't care what Troy thought of it. My father always taught me to live a great life and to take care of my family and i, i will do this in remberance of him and all that he taught me growing up, that life isn't easy but its ok, because you can get through
Prior to and after WWI the world saw a rise in nationalistic sentiments. The Middle East was not immune to this new ideology. Although Arab Nationalism had a start in the Ottoman Empire, its rise among the masses did not begin until after WWI. While a total rise in Arab Nationalism became apparent on the Arabian Peninsula, a separate nationalist movement began in Palestine as a way to combat a unique and repressive situation. In Palestine the British mandate, along with British support, and the world's support for Zionist immigration into Palestine, caused a number of European Zionists to move into the country. These factors created an agitated atmosphere among Palestinians. Although there was more than one factor in creating a Palestinian-centered Arab Nationalism, the mounting Zionist immigration was among the most prevalent of forces.
Troy was secretly having an extramarital affair with a woman named Alberta. Troy’s friends all knew the truth, but Troy continually denied any involvement with Alberta. Troy’s best friend, Bono, however, managed to convince Troy what he was wrong for continuing the affair. Troy then came clean to Rose, telling her he was going to be the father of a child Alberta was pregnant with. Rose became heartbroken. She told Troy, “I been standing with you! I been right here with you, Troy. I got a life too. I gave eighteen years of my life to stand in the same spot as you. Don’t you think I ever wanted other things? Don’t you think I had dreams and hopes?” (1606). Rose had given up her entire life to be with Troy. However, Troy never once apologized. Troy continually defended himself, and he went as far as to justify himself. Troy claimed Alberta was an escape for Troy. Troy stated, “It’s just… She gives me a different idea… a different understanding about myself. I can step out of this house and get away from the pressures and problems” (1605). Rose was hurt, however, and Troy never apologized nor stopped seeing Alberta. He continued to live in an illusion that he could keep both his family and his secret life separate. However, Alberta later died in childbirth. Her daughter, Raynell, was to be raised by Troy and Rose. Troy effectively destroyed his marriage because of his excessive pride. He refused to believe he was in the
Troy Maxson is portrayed as a big man with a very big personality and a lot of dignity. He is a bitter guy who believes that he owes his family absolutely everything, from his money down to even his own soul. He is the type of man who wants more than what he can get and that is what drives him but it is also that very “want” that leads him into a very tragic life. Writing on the idea of Troy being a tragic hero, Martin says “Troy’s strengths are found in his willingness to fulfill his duty at all times. He also speaks directly to his dignity regarding his position of work and his career in baseball) Martin, 2) “Fences” Troy has many
National interest was a key factor in the explosive beginning of World War One. By looking at the Naval Arms Race, the People’s Revolt in Austria-Hungary and European alliances, it can be shown that national interest was a significant factor in contributing to World War One. The ultra nationalistic views of many countries overruled their ability to act in a just and logical manner. It was in the years following the formation of the Triple Alliance in which the desire and craving for power grew, and created insincere relationships and unrealistic portrayals of other countries intentions.
The play, 'Fences', presents a slice of life in a black tenement and is set in the late 1950's, through 1965. The main character, Troy Maxson, is a garbage collector. Throughout the play he rebels and frustrates as he struggles for fairness in a society which seems to offer none. His actions and behavior towards his family can be interpreted by a reader as those of a violent and bad father. However, soon one notices that beneath a mask of cruelty and toughness there is an individual who takes responsibility for his family no matter how difficult circumstances may seem. Hence, he is a good father who tries to keep his family together and provide necessities for them.
There are many causes that molded Troy Maxson into the dishonest, cantankerous, hypocritical person that he is in August Wilson’s play, “Fences” (1985). Troy had an exceptionally unpleasant childhood. He grew up with a very abusive father that beat him on a daily basis. His mother even abandoned him when he was eight years old. In this play, Troy lies habitually and tries to cover himself up by accusing others of lying. He is a very astringent person in general. His dream of becoming a major league baseball player was crushed as a result of his time spent in jail. By the time he was released from jail, he was too old to play baseball efficiently.
Similarly, both Cory and Lyons seek careers that lack stability and security - something Troy finds unfaithful to his beliefs. Cory yearns to join a collegiate football team. To supplement the principals he obtains from his steady occupation, Troy forces Cory to desist his collegiate football career and return to his steady occupation working at the A&P.
Conflicts and tensions between family members and friends are key elements in August Wilson's play, Fences. The main character, Troy Maxon, has struggled his whole life to be a responsible person and fulfill his duties in any role that he is meant to play. In turn, however, he has created conflict through his forbidding manner. The author illustrates how the effects of Troy's stern upbringing cause him to pass along a legacy of bitterness and anger which creates tension and conflict in his relationships with his family.
August Wilson brings out the struggle of Troy Maxson in his play, Fences. All those that matter to him end up feeling this struggle, for it remains constantly inside of him. As it overcomes Troy the respect and love that he was previously given dwindles to nothing. Troy’s actions and failure to fix them makes his true character known. Troy Maxson’s flawed nature is shown when he fails his family by giving way to his selfishness and the traits of his father.
Troy tries to control everything because he is the man and puts food on the table for his family. Troy feels as if he provides for them he can also tell them to do whatever he wants to, but his family think otherwise. For example In act one scene one page five troy