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sexuality in society details
sexuality in society details
film and gender roles
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“American Beauty” through images and character depiction attempts to portray and question the triteness of middle class sexual mores. One of the main ways director Sam Mendes portrays this is through symbols, especially in the seductive color red, used to represent both sexuality and youth. The characters of the film, through their dialogue and various deceptions to the outside world also pose questions about society’s expectations for sex. Mendes’ also utilizes lighting, props, sets and music as commentary on the sexuality of all of his characters, both sexual reawakening and oppression. The visual style of the film coupled with the character’s unique struggles and views make “American Beauty” a haunting look at the way our culture views gender and sex.
The color red, primarily used in the symbol of a rose, is the most prominent and memorable visual image of the film. The American Beauty rose is a “perpetual rose”, one that regrows every year and is known for its blood red color. When the film opens and we are introduced to Carolyn, the uptight wife of the film’s protagonist Lester, she is snipping the growing roses at the stem symbolizing her stifled and loveless marriage. We see Carolyn’s roses a few other times in the film essentially dying in a vase, never as vibrant as when she first cuts them in the front yard for the whole world to see. However, when Lester first sees Angela, his daughter’s friend from high school, she reawakens him sexually and everything about her is red. She wears blood red lipstick and a red uniform while Lester imagines her with flowing, vibrant red roses. While these characterizations and imagery help establish the rose and the color red as definers of these women’s sexuality, they are a...
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...ering associations with their own youth help to form the division between them that drives the story of the film.
The director’s choices in symbols, music and characterizations in “American Beauty” successfully portray several statements about our culture’s sexual beliefs and how Mendes’ characters view their own sexuality. Symbols used to represent youth, conservative ideals and liberal sexual ideals help shape the film’s melancholy portrayal of the suburban middle class. Many of Mendes’ comments are critical, showing conventional aspects of life as drab, dark, and unexciting through plain sets and dull lighting. Being adventurous or rebellious is portrayed positively through upbeat music, bright lighting and vibrant colors. The stylization and character development in “American Beauty” makes many poignant statements about Middle America’s sexual archetypes.
American commercial cinema currently fuels many aspects of society. In the twenty-first century it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female“media image” as an infrastructure of sex inequality. Today, contemporary audiences and critics have become preoccupied with the role the cinema plays in shaping social values, institutions, and attitudes. American cinema has become narrowly focused on images of violent women, female sexuality, the portrayal of the “weaker sex” and subversively portraying women negatively in film. “Double Indemnity can be read in two ways. It is either a misogynist film about a terrifying, destroying woman, or it is a film that liberates the female character from the restrictive and oppressed melodramatic situation that render her helpless” (Kolker 124). There are arguably two extreme portrayals of the character of Phyllis Dietrichson in Double Indemnity; neither one is an accurate or fare portrayal.
The movie “Breaking Away” presents the story of a young man from working class origins who seeks to better himself by creating a persona through which he almost, but not quite, wins the girl. The rivalry between the townies and the college students sets the scene for the story of four friends who learn to accept themselves as they "break away" from childhood and from their underdog self-images.
In this essay, I have chose to talk about the movies, American Beauty and Thirteen from group #1. The two topics discussed in this essay from group #2 are identity and difference along with sexuality. The cinematic elements from group #3 that will be discussed are cinematography and costume use. In many ways, both these films portray similar content in terms of characters fighting battles with themselves and society in order to fit in. In American Beauty, Lester Burnham tries to free himself from his boring life and depression. On the other hand, Thirteen shows the struggles of Tracy Freeland, who tries to fit in at school. This results in her to go on a self-inflicting rampage with her supposedly best friend Evie. Identity and differences are displayed through sexuality with Lester and Evie in different types of way. Lester lusts over his daughters best friend Angela, while Tracy tries to experience sexuality in different types of ways following Evie’s footsteps.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
...and through an unfolding of events display to the reader how their childhoods and families past actions unquestionably, leads to their stance at the end of the novel.
Throughout this paper the word 'queer ' will be used as an umbrella catch all term for any individual who is not heterosexual or cisgender, and anyone in the LGBTQ spectrum. Queer will also be used as part of the methodology, it will represent "a moment of fissure when that which is normal is thrown into question...[and] set out the notion of queer as a way of denormalizing gendered heterosexuality." ( Li-Vollmer and LaPointe 92) Using queer examination of film, this paper will discuss and explore the struggle between normalcy and deviance. Queer coding occurs when a character is given common traits associated with queer people, whether that is stereotypical or not depends on the character and the creator themselves. This paper will explore
Director Stephen Frears chose, when filming this movie, to use traditional 35mm film for the scenes featuring the Royal Family. He chose to use traditional 35mm film to reflect the traditional views of the Royal Family. The syntax analyzed the language provided by the syntax helped understand the Royal Family traditional culture. The Royal Family at the beginning of the film had deep traditional roots and don’t agree with the progressive members of the society at large. After Princess Diana’s death the Royal Family believed that the arraignments should be kept as a private matter of her family. The Royal Family strongly believed that the Princess Diana was no longer part of the Royal Family since her divorce to the son of Queen Elizabeth II. Their traditional culture did not approve of Diana’s actions therefore they clashed views with the modernized government and Tony Blair’s suggestions to attend a public funeral for Diana, speak to the nation about Diana, and fly a Union flag at half-mast. The Queen and the Royal Family when adviced with these suggestions think it is a...
Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.
Like most popular gender-bending films, Some Like It Hot calls us to critique constructions of sexuality and gender both within the context of historicized moment of the films production and from the perspective of later generations. Every time the two men presented themselves as women several assumptions were made as to how women look, of their intelligence, and of how they act. This was the female image at the time; the high heels, the dress, and even the stereotypical “party girl” were all characteristics of the female. The film defines gender differences by portraying wo...
Sam Mendes’s provocative debut film American Beauty was a blockbuster after its release in 1999, wrapping up three accolades at the Golden Globe Awards, reaping nominations in miscellaneous film festivals. Beauty and reality are the two major and discrepant elements in the film. Symbolically, beauty eludes humans’ possession, and such elusion is often offset by its presenting a form of reflection on the reality. Thrills, often followed by disillusionment, of quasi obtainment of such heavenly beauty feed humans’ incessant pursuit of beauty in reality. In the film, beauty gets lurid, and reality becomes horrid. A black comedy, American Beauty achieves a Grotesque atmosphere by escalating such disparity to a peak at which the protagonist Lester Burnham irrevocably bursts to death, posing a proposition of man’s raison d’être.
American Beauty's main focus is on the threesome which is the Burnhams family. He delves into each of their characters until we truly get the closest look at them possible, as the film unfolds each being's true beauty, or lack of, emerges. Each of the characters in this film are so consumed in trying to fit into the life and project the image that they're supposedly living, that they're unable to be happy.
This film really focuses on the characters. Their thoughts, anger, distress, and mistakes become part of your mistakes. This deals with a father’s s priority and how he will achieve that priority by using unethical ways like torturing an innocent man. Bringing up child abduction and torture are
Sofia Coppola’s movie, The Virgin Suicides, 1999, brings to the forefront the reality of what life is like for five oppressed teenage girls living in suburbia in the mid-70’s. After examining numerous articles, a few of them made an impact on my perspective. The first of many articles is Todd Kennedy’s piece, Off with Hollywood’s Head: Sofia Coppola as Feminine Auteur. Kennedy discusses how Coppola has a tendency to lean toward directing films that cater toward females’ interest, either because of the visual imagery or women’s feelings of connectedness with the characters. The author reveals that The Virgin Suicides portrays women as becoming dominated by the environment surrounding them. The author gives an interesting point of view when he claims, “The film tells a story of the five Lisbon sisters whose identities exist only insofar as they are defined as the objects of the masculine desire” (44). Furthermore, the Kennedy asserts how the film serves as a prolonged exploration into the degree to which female characters are idealized, objectified, and defined by the image that the film- and their society- imposes upon them.
Madison, D. Soyini. "Pretty Woman Through the Triple Lens of Black Feminist Spectatorship." From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Indianapolis: Indiana UP, 1995. 224-35. Print.
Pretty Woman, 1990s Hollywood movie, embodies many new as well as old values and ideologies. I was surprised when I saw that, the old themes and sexual stereotypes are not completely abandoned, but the old portrayals of gender stereotypes are transmuted.