Is there an alternative to live action fictional films? And if there is an alternative is there a chance it could be entertaining? Who doesn’t enjoy a good fiction film? In Film: An Introduction by William H. Phillips, we learn that the alternative to such films can be both enlightening and entertaining (299).
What type of film could be both enlightening and entertaining? Documentaries are. There is potential in a documentary film, also referred to as non-fictional films, which fictional films cannot grasp. According to Jack C. Ellis, a known documentary film critic, documentaries “(1) communicate insights, achieve beauty, and offer understanding.” They also “(2) improve social, political, or economic conditions” (qtd. in Phillips 299).
In ways documentary films are similar to fictional films. Both types of films have infinite possibilities of topic choices to choose from and have a crew to influence and manipulate the film so that it can be accepted the way they want it represented. However, documentary films are created to be works of informative and factual art. Fictional films, although they may stem from the ground of truth, they branch into the realm of unrealistic entertainment (316).
But why is there a big market for documentaries? The answer is simple. Each person alive; whether they are young, old, intelligent, undereducated, black, white, Baptist, atheist, everyone has an interest in something and documentaries can inform an audience about that particular interest (316).
There are two types of documentaries, the narrative and the non-narrative. The majority of documentary films are made up of non-narrative films, meaning that there isn’t an actual story being portrayed in the film rather just a list of information that make an argument (301).
Narrative documentaries create and develop a story, normally following a person and their ambitions. This type of documentary is more comparable to fictional films versus non-narrative films because the information presented does not have to be sequential as long as it is factual (302,303).
Both types of documentaries use artifacts, such as photographs, that pertain to the subject in their film and are spliced from one frame to another in the editing process, to force the point of view that the director wishes to portray onto the viewer (301 & 306).
This is the reason that Phillips refers to documentaries as ‘Mediated Reality’. A documentary film is biased and cannot be objective. It may be perceived as truth by viewers, but there is a difference between the genuine footage that was recorded and the censored scenes that were developed in editing.
Films are necessary in our time period because the human eye can articulate the message intended through sight allowing visual imagination to occur. In the book, world 2 by Max Brooks, he creates a character by the name Roy Elliot who was a former movie director. Roy Elliot manages to make a movie titled “Victory at Avalon: The Battle of the Five Colleges” and some how it goes viral. Similarly, Frank Capra’s film, “Why we Fight” expresses a sense of understanding the meaning of wars. Films do not inevitably portray truth because they display what the film director views as important and beneficial for people to know.
In this documentary, the conventions and techniques included are; real footage, recorded audio, written codes, montages, use of authority figures/experts, facts and statistics, interviews, bystanders, animation, background music etc. The four conventions/techniques that I will be discussing in this essay will be real footage, use of authority figures/experts, sound and bystanders.
... a documentary film by definition must include visuals, but Ames aspires to explain how an emphasis on certain imagery can be used to persuade as well as inform.
The documentary is structured in a way that presents the factual information first, and uses
Film is an important source. There are hundreds of movies made during the course of a year. A lot of themes are explored and conclusions are drawn. History is a major subject in film,
It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea...
It is narrative because the author is recounting the stories of Christopher and Omar Khadr with an overall message/ lesson to end the essay.
... history and the thoughts they evoke for Marker. It goes beyond documentary to create an essay-film.
Many of the scenes are filmed in front of a camera as the "filmmakers" pose and answer questions regarding their research before it transitions into their story outside of the film-making process. The Conspiracy is a mockumentary but doesn't necessarily make fun of the documentary process as other mockumentaries do, and neither does The Watermelon Woman. Both of these films, The Watermelon Woman and The Conspiracy, allow for easy understanding from any type of audience, and they both offer plots and storytelling-patterns that flow in ways able to be comprehended by any type of
“The biggest mistake we have made is to consider that films are primarily a form of entertainment. The film is the greatest medium since the invention of movable type for exchanging ideas and information, and it is no more at its best in light entertainment than literature is at its best in the light novel.” - Orson Welles
Realism in film is significance in actual and present things, and how things actually come out. now, it is afar the capacity of this part to converse the extent of realism, we support are description upon things such as sanity, experiences, believes, manner and extra communal things such as olden times, political affairs, and finances. No matter how we identify authenticity, realism in film can be judged by administrating what we observe in own world and the world of others. Realism is also a way of conducting subject matter that follows everyday life. Practical characters are anticipated to do things that are conventional to our prospect of real people.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
The film industry, one of the most competitive markets out there. However, big name films such as "The Hangover," are being made to entertain viewers of certain ages. Hollywood tries to capture different lifestyles people wish they can live but unfortunately cannot. Sometimes the audience will try to mimic events in some movies. The outcome of these attempts makes you feel like these people are being victimized by Hollywood films. However, unlike these movies there are films made for educational purposes as well. These films are made to show people factual reports and records about occurring events. One documentary called "Print the Legend," shows viewers how much work is done in order to make a 3D printer. This film seems more educational then the Hollywood favorite "The Hangover." Documentaries are by far more entertaining and educational
A narrative film is a film that depicts a story through movement of pictures, sound, and words, it is audiovisual, and has two shapes. A narrative film can have a shape because it can interact with space and time; films mold space allowing the viewer to create perceptions about depth and can condense and speed up time. The two shapes that a film can are linear and circular. A linear narrative is a film in which the start, middle, and end transition smoothly and are unobstructed; the start runs into the middle and the middle leads to the end just like a fairytale has beginning, middle, and end. In contrast circular narratives are varied and can start anywhere in the film depicting flashbacks and transitio...
2. Nichols, Bill. ‘Documentary Modes of Representation (The Observational Mode).’ Representing Reality: Issues and Concepts in Documentary. Bloomington & Indianapolis; Indiana University Press. 1991. 38-44