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Just as Plato and, later, Descartes pondered the idea of existence and reality, Putnam in the early 80’s questioned the argument made by global skeptics that the beliefs- no matter how well justified they are- held by an individual might well be false if the world in which he lives is a simulated world. Hilary Putnam argued that it is not possible for that individual to be a brain in a vat using a series of premises – causal constraints - that led to the conclusion previously stated. In Putnam’s thought experiment, and The Matrix (1999), there are several similarities, and also differences, with Plato’s “The Allegory of the Cave” and Descartes’ “MEDITATION I OF THE THINGS OF WHICH WE MAY DOUBT”. Firstly, the argument Putnam makes can be considered a variant of Descartes’ argument on “MEDITATION I OF THE THINGS OF WHICH WE MAY DOUBT” in which Descartes plays with the …show more content…
In the televised version of Putnam’s experiment, The Matrix, this matrix, which acts as Descartes’ demon, controls the brains of a great majority of the human race and creates a reality in which all of these thought-beings exist. Now, a point of departure from Descartes’ meditation is the belief held by the insurgent group that the world is an illusion created to control the brains producing these thought- beings. Descartes, contrary to the characters portrayed in this movie, does not consider the purpose for the demon’s deceit to be a desire for control; instead, he states that this malignant being deceives him because it desires to do so. Secondly, in Plato’s allegory the prisoners claim to have knowledge of the real world when, indeed, their knowledge of reality is not coherent with reality itself, likewise the characters in The Matrix
This essay will examine the philosophical questions raised in the movie The Matrix. It will step through how the questions from the movie directly relate to both skepticism and the mind-body problem, and further how similarly those problems look to concepts raised by both Descartes’ and Plato’s philosophies. It will attempt to show that many of the questions raised in the movie are metaphor for concepts from each philosopher’s works, and why those concepts are important in relation to how they are presented in the film. In this analysis, we will examine the questions of skepticism and the mind-body problem separately. Part one will examine how the film broached the subject of skepticism, and in doing so how it ties in to Descartes and Plato. Part two will analyze the mind-body problems as raised by the movie and how those problems hold true or not to Descartes’ and Plato’s ideas.
Many ancient philosophers, including Plato, explored metaphysics in relation to reality before Descartes’s in-depth questioning of the subject. However, Descartes’s views on mind/body dualism differ greatly from Plato’s. As Marleen Rozemond (author of Descartes's Dualism) points out, Plato believes that the body is simply a vessel for the soul to use, while Descartes provides proof that the body and soul are interconnected (172). One does not simply use the other; though they are separate, the mind affects the body and the body affects the mind. Cartesian dualism tells us that "although the whole mind seems to be united to the whole body, I recognize that if a foot or arm or any other part of the body is cut off, nothing has thereby been taken away from the mind" (414). However, Descartes also states that "nature also teaches me by . . . [sensations] that I am not merely present in my body as a sailor is present in a ship, but that I am very closely joined and, as it were, intermingled with it, so that I and the body form a unit" (412). Descartes shows through his dualism that though the mind and body are separate entities, they are connected and reliant on one another. This is one key idea that separates Descartes from great thinkers like Plato. Add another Rozemond quote.
“We owe the notion of “the mind” as a separate entity in which “processes” occur to the same period, and especially to Descartes” (Rorty, 2008, p. 234). Plato was the first philosopher to argue that there was something beyond our body. Descartes agree with Plato on this theory and explored this idea more in-depth. Stating that these innate ideas exist, but they remain idle in our minds until a significant event awakens them. He arrived at this idea by doubting everything that he was taught was the truth, and he even doubted his own sense saying that they were deceptive, and after using philosophy of doubt he came to the realization of his existence through the logical reasoning. After he established that his senses were not real, he began to doubt his brain, he stated that our dreams are an interpretation of reality, even though they seem so real. He says that it was only thr...
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
The Matrix, once being released was a world-famous film that involved a lot of thinking and the ability to interpret complex ideas. However, these two topics of fate and freewill were creatively and smartly submerged in this film. The pill, jujitsu and Oracle scene were three main examples of the effect this all had on The Matrix, however there were a few others scattered throughout the film. It remained to be quite a mysterious concept but gradually as more in-depth thoughts came to mind, it seemed to be quite interesting. By exploring these themes it forces us to think if we are in a Matrix and what are reaction would be like if we were to find out that the world we lived in was a fake, never our true reality.
The movie, "The Matrix," parallels Platos's Allegory Of The Cave in a number of ways. Similar to the prisoners of the cave, the humans trapped in the matrix (the cave) only see what the machines (the modern day puppet-handlers) want them to see. They are tricked into believing that what they hear in the cave and see before them is the true reality that exists. Furthermore, they accept what their senses are telling them and they believe that what they are experiencing is all that really exists--nothing more.
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
The Matrix, directed by the Wachowski sisters, is a film that discusses free will, artificial intelligence and poses a question: ‘How do we know that our world is real?’ This question is covered in the philosophical branch of epistemology. Epistemology is a component of philosophy that is concerned with the theory of knowledge. The exploration of reality is referenced in the film when Neo discovers he has been living in an artificial world called ‘The Matrix’. He is shocked to learn that the world in which he grew up is a computer program that simulates reality. The questioning of knowledge and its irreversibility provoked by The Matrix invites the audience to wonder whether their own world is an imitation of true reality, thus making it a
Imagine living through life completely bound and facing a reality that doesn’t even exist. The prisoners in Plato’s “Allegory of the Cave” are blind from true reality as well as the people in the movie “The Matrix” written and directed by the Wachowski brothers. They are given false images and they accept what their senses are telling them, and they believe what they are experiencing is all that really exists. Plato the ancient Greek philosopher wrote “The Allegory of the Cave”, to explain the process of enlightenment and what true reality may be. In the movie “The Matrix”, Neo (the main character) was born into a world of illusions called the matrix. His true reality is being controlled by the puppet- handlers called the machines who use the human body as a source of energy. In the movie, Neo, finds and alternate reality and he has to go on a journey to discover himself and what is around him. Much like “The Allegory of the Cave” the prisoners in a dark underground cave, who are chained to the wall, have a view of reality solely based upon this limited view of the cave which is but a poor copy of the real world. Both the prisoners of the cave, and Neo from the Matrix, have to transcend on the path of ‘enlightenment’ to know the truth of their own worlds.
Rene Descartes decision to shatter the molds of traditional thinking is still talked about today. He is regarded as an influential abstract thinker; and some of his main ideas are still talked about by philosophers all over the world. While he wrote the "Meditations", he secluded himself from the outside world for a length of time, basically tore up his conventional thinking; and tried to come to some conclusion as to what was actually true and existing. In order to show that the sciences rest on firm foundations and that these foundations lay in the mind and not the senses, Descartes must begin by bringing into doubt all the beliefs that come to him by the senses. This is done in the first of six different steps that he named "Meditations" because of the state of mind he was in while he was contemplating all these different ideas. His six meditations are "One:Concerning those things that can be called into doubt", "Two:Concerning the Nature of the Human mind: that it is better known than the Body", "Three: Concerning God, that he exists", "Four: Concerning the True and the False", "Five: Concerning the Essence of Material things, and again concerning God, that he exists" and finally "Six: Concerning the Existence of Material things, and the real distinction between Mind and Body". Although all of these meditations are relevant and necessary to understand the complete work as a whole, the focus of this paper will be the first meditation.
Descartes’ first two Meditations are arguably the most widely known philosophical works. Because of this, one can make the error of assuming that Descartes’ method of doubt is self-evident and that its philosophical implications are relatively minor. However, to assume this would be a grave mistake. In this paper, I hope to spread light on exactly what Descartes’ method of doubt is, and how, though it furnishes challenges for the acceptance of the reality of the external world, it nonetheless does not lead to external world skepticism.
Rene Descartes’ natural light is his saving grace, and not Achilles’ heel. Descartes incorporates the concept of natural light within his epistemology in order to establish the possibility of knowing things completely without doubt. In fact whatever is revealed to the meditator via the natural light is considered to be indefeasible. The warrant for the truth of these ideas does not rely on experience or the senses. Rather the truth of the idea depends on viewing the concept through clear and distinct perception. Descartes’ “I am, I exist”, (Med. 2, AT 7:25) or the ‘cogito’ is meant to serve as the basis for knowing things through clear and distinct perception. Descartes’ cogito is the first item of knowledge, although one may doubt such things as the existence of the body, one cannot doubt their ability to think. This is demonstrated in that by attempting to doubt one’s ability to think, one is engaging in the action of thought, thus proving that thinking is immune to doubt. With this first item of knowledge Descartes can proceed with his discussion of the possibility of unshakeable knowledge. However, Descartes runs into some difficulty when natural light collides with the possibility of an evil genie bent on deceiving the meditator thus putting once thought concrete truths into doubt. Through an analysis of the concept of natural light I
Neo is the main character of ‘’The Matrix” and is captive in a false reality created by the Matrix a computer program, which has taken over the world. In Plato’s Allegory, the prisoner understands reality experienced in the cave and the real reality outside of the cave. Another similarity that “The Matrix” and the Allegory have is the acceptance of the truth of what Neo and the prisoner must go through when that happens they will acquire a deeper knowledge. In order to obtain such knowledge, both the prisoner and Neo need to experience that their senses have deceived them. Another similarity shared is that both characters stories are controlled by a higher power. One example is that Neo lives in a world controlled by the Matrix and Plato's prisoner is in a cave controlled by their captors. Both prisoner
In their respective writings, both philosophers Plato and Francis Bacon try to answer the straightforward, yet trying question of how one truly knows what they claim to know. Plato, equipped with his writing, Allegory of the Cave, takes a strike at this question using a dialogue structured text to give his position on the subject. On the other hand, Bacon takes a different approach as he constructs a list of four false images of the mind, which he labels as idols, and believes to be the answer to this topic. While engaging in different approaches, both philosophers are successful in answering the question at hand, as well as fundamental issue they approach in their logical thinking, while also coming to agreement on some of these issues.
Philosophical context: I shall use Descartes’ Meditations 1 and Blackburn 's “Think” to discuss the question and my initial answer. In Meditations 1, Descartes sets out to destroy all preconceived notions from his childhood and establish a new foundation for the sciences -- a lasting foundation and explores methods of doubt to his own senses and how to deal with them properly.