“The Allegory of Peace and War” Essay

“The Allegory of Peace and War” Essay

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Next, we should look at the brilliantly and elaborately detailed armor of Ares. The shield’s handle, the rivets along its edge and the circular decoration around the inside of the shield are meticulously done. Additionally, the shadow created with the change in hue, saturation, and value on the inside of the shield help create the depth and curvature of the shield. The body armor also implements a well-crafted mixture of shadows and smooth curved lines as well as color change to create depth. Had this not been so craftily accomplished, the shield would have taken on a flat and dull appearance. This is true for the lion head on the shoulder of Ares , which is able to convey the concept of layered gold on top of iron without using the layering of paint to create the three dimensional character. The more time I spent viewing the particular parts of the armor, the more admiration I had for Batoni as an artist. The helmet, with the golden dragon atop and ram around the lower front are also finely detailed.
Batoni also does a magnificent job in the fine details of the painting, most notably in the shadows of the garments and the intricacies of the ironwork of the armor and shield adorned by Ares. These are, however, not the only intricacies which stand out within this painting. Batoni also shows careful attention to detail in the trees, the leaves, the small portion of sky, the finger nails (one word), and the faces of which we will discuss more in depth later on. The care taken by Batoni, or any artist for that matter, in the intricacies of detail is (are) one thing that no replication of a painting can ever hope to reproduce.
Looking deeper into the meaning of Batoni's allegory, we begin with the division of the background. The h...


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...borderline obsession with Ancient Greek and Roman mythology, history, and literature that gave him a "formidable ability to conceive and execute arresting history pictures (138). Additionally, it is written that Batoni was unwilling to part with the painting (138). While he is known for having painted numerous portraits, his personal affection towards select paintings have made them intriguing as to the purpose behind their creation. In modern day terms, we can probably conclude that his love for antiquity and art led to a passion for projects such as his "Allegory of Peace and War."



Works Cited
Bowron, Edgar Peters., Peter Björn. Kerber, and Pompeo Batoni. Pompeo Batoni: Prince of Painters in Eighteenth-century Rome. New Haven: Yale UP, 2007. 100-50. Print.
Matthews, Ruppert. "Origins of Saluting." History Extra. Immediate Media, 08 Nov. 2011. Web. 03 May 2014.

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