In analyzing the influence of Africa in Puerto Rico, it would be irresponsible to refuse to acknowledge the initial introduction of African slaves to the island of Puerto Rico that by which serves as the main vessel of contact and cultural integration. By the turn of the 18th century, inhabitants of the island where being substituted for African slaves due to the high death rates resulting from “ war, disease, slavery, emigration,” etc. (Duany, 188) Most of the slaves to whom where enslaved were predominantly, but not limited to the Yoruba and Bantu cultures of West Africa. D...
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...a, Cheo Feliciano, and even Tego Caulderon of today’s reggaeton genre. These men not only stood for Latino pride, but the acknowledgement and equal appreciation of the African decent.
In conclusion, it is without a doubt that African blood as well as influence beats within the Puerto Rican national identity to which is embodied and distributed within the music. The most popular music is based off of West African traditions and concepts, and the most infamous artist are black themselves. Although, not entirely accepted within the Puerto Rican and Latino communities, the African presence exemplified in day to day activities such as listening to music are in their own ways acceptance and reaffirmation of African cultural elements within the Puerto Rican realm of society. So instead of ending with a triumphant Viva Puerto Rico, I conclude with a glorious Viva Africa!
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