The Golden Age of crime fiction during the 1920s – 1940s introduced sub-genres, one of them being the Intuitionists, which is unconventionally represented in the film ‘Rear Window’. Protagonist L. B. Jeffries (Jeff) is placed in a closed setting made cosy by the cast around his broken leg. Here, responders can see the physical portrayal of a cosy setting shown by Hitchcock as opposed to the traditional isolated English manor cosy port...
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...ying on them. Although voyeurism is seen as wrong, it was committed by Jeff to show the lengths some individuals would go to during the McCarthy era to ensure their neighbours weren’t communist. A convention of the attention to ordinary details such as the close-up of the thermometer (showing a high temperature) in the opening scene, serves as a purpose for Jeff to begin his window-watching recreation. Lisa reminds Jeff that, “… sitting around looking out of the window to kill time is one thing but doing it the way you are with binoculars and wild opinions about every little thing you see is – is diseased!” Her warning affirms what people of their context were doing out of political paranoia. Being hard-boiled, the film gave Hitchcock the freedom to bend the conventions and make a serious comment that suspicious neighbours may actually be guilty of horrible crimes.
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