Alfred Hitchcock's Rear Window Essay

Alfred Hitchcock's Rear Window Essay

Length: 1921 words (5.5 double-spaced pages)

Rating: Powerful Essays

Open Document

Essay Preview

As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...

... middle of paper ...

...ericana de Psicopatologia Fundamental 8.1 (2005): 1-13.

Dumas, Chris. "The Žižekian Thing: A Disciplinary Blind Spot." Critical Inquiry 37.2 (2011): 245-264.

Gartenberg, Jon. "An Eye on Film: The Photographer as Voyeur." MoMA 2.4 (1990): 5+22.
Metzl, Jonathan M. "Voyeur Nation? Changing Definitions of Voyeurism, 1950–2004." Harvard Review Psychiatry 12 (2004): 127-131.

Nabi, Robin L., et al. "Reality-Based Television Programming and the Psychology of Its Appeal." Media Psychology 5 (2003): 303-330.

Ohi, Kevin. "Voyeurism and Annunciation in Almodovar's "Talk to Her"." Criticism 51.4 (2009): 521-557.

Rowe, Lawrence. "Through the Looking Glass: Reflexivity, Reciprocality, and Defenestration in Hitchcock's"Rear Window"." College Literature 35.1 (2008): 16-37.

Toles, George E. "Alfred Hitchcock's Rear Window as Critical Allegory." Boundary 16.2/3 (1989): 225-245.

Need Writing Help?

Get feedback on grammar, clarity, concision and logic instantly.

Check your paper »

Rear Window, by Alfred Hitchcock Essay

-      In the movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.      From the very beginning of Rear Window we encounter scenes where Hitchcock shows Stella being sadistic, but we come to realize later that it is not just Stella....   [tags: essays research papers]

Powerful Essays
638 words (1.8 pages)

Rear Window Directed By Alfred Hitchcock Essay

- In the film Rear Window directed by Alfred Hitchcock, a significant shift of power is portrayed. This shift occurs between the protagonist of the film, L.B Jeffries and his romantic partner, Lisa Freemont. This shift also aids in outlining the main theme of the film, which is marriage, as all aspects of marriage are observed and taken into account by Jeffries. The change of dominance within Lisa and Jeffries relationship can be broken down into three stages, which develop and change throughout the film....   [tags: Sociology, Interpersonal relationship, Love]

Powerful Essays
1125 words (3.2 pages)

Alfred Hitchcock's Rear Window and Mark Pellington's Arlington Road Essay

- Alfred Hitchcock's Rear Window and Mark Pellington's Arlington Road, though similar in premise and location, the films are quite different from each other. Hitchcock uses point-of-view to put the viewer in the protagonist's position, he “blurs” the line between good and evil, his antagonists tend to be charismatic, and his films always have a happy ending. Although Rear Window and Arlington Road have similar story lines, the way the stories are told are quite different, as Mark Pellington and Alfred Hitchcock have two different directing and storytelling styles....   [tags: Rear Window, Arlington Road]

Powerful Essays
1227 words (3.5 pages)

Essay about Alfred Hitchcock’s Rear Window

- Alfred Hitchcock’s Rear Window In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it....   [tags: Movie Film Rear Window Essays]

Powerful Essays
1162 words (3.3 pages)

Alfred Hitchcock 's Film Rear Window Essays

- As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made. Alfred Hitchcock’s favorite subject was the superficial placidity of American life, whose clean, bright surfaces disguised the most shockingly moral, political, psychological and sexual aberrations. For Hitchcock, the most striking, funny, and terrifying quality of American life was its confidence in its sheer ordinariness. Beneath the surface, ordinary people and normal life were always ‘bent’ for Hitchcock....   [tags: Alfred Hitchcock, Psycho, Norman Bates]

Powerful Essays
712 words (2 pages)

Alfred Hitchcock's Rear Window Essay examples

- Alfred Hitchcock's Rear Window In Rear Window, Alfred Hitchcock took a plot-driven short story and transformed it into a character-driven movie. Although differences must exist between text and film, because of the limitations and advantages of the different media, Hitchcock has done more than translate a word-based story into a visual movie. Aside from adding enough details to fill a two-hour movie, Hitchcock has done much to change the perspective of the story, as well as the main character....   [tags: Film Movies]

Powerful Essays
1051 words (3 pages)

Agatha Christie's The Cornish Mistery and Alfred Hitchcock's The Rear Window

- Genres are far from being nominological and typological in function , but rather requires constant modification and sometimes even subversion so as to reflect certain values and ideological concerns significant in the composers context. Based on the psycholinguistic concept of prototypicality , genres can be seen as ‘fuzzy’ categories embodying formulaic conventions readily identified by audiences. However, these categories are never static. In concurring with theorist Daniel Chandler, genres holistically “change over time; the conventions of each genre shift, new genres and sub genres emerge and others are discontinued.” Crime writing is one such genre that has observed continual modificati...   [tags: Thematic Elements, Writing Evolution]

Powerful Essays
1736 words (5 pages)

Alfred Hitchcock's The Rear Window and Fyodor Dostoyevsky's Crime and Punishment

- Crime Writing is a crafted representation of the transgression into the darker psychological side of humanity’s repressed desires to act in unfettered ways. In Alfred Hitchcock’s 1954 postmodern film, Rear Window and Fyodor Dostoyevsky’s 1888 existential thriller, Crime and Punishment, the conventions and values of the genre are understood to be permeable and are constantly shifting. Yet, the core values explored in archetypal Crime Writing are re-shaped, yet retained in contemporary Crime texts....   [tags: Voyeurism, Conscience, Feminism]

Powerful Essays
1807 words (5.2 pages)

Sequence Analysis Sunset Blvd. Essay

- ... The mise-en- scene in this sequence can be compared to an audience watching a film. In this sequence, Jeff and Stella are in a room with a soft key light, as if in a movie theater. In this case they are the audience. They look out of the window outside to Thorwald’s apartment, the window represents the screen. Meanwhile, Thorwald’s apartment is brightly lit, this acts as a film itself as the viewer looks at what is unfolding inside. As the sequence begins to escalate, shifting from Jeff’s dimly lit apartment to Thorwald’s brightly lit and later pitch dark apartment, it as if each shot after shot, films the audience’s reaction to what is going on in the scene....   [tags: Alfred Hitchcock's Rear Window]

Powerful Essays
933 words (2.7 pages)

Alfred Hitchcock's Control Of What We See in Rear Window Essay

- Alfred Hitchcock's Control Of What We See in Rear Window Alfred Hitchcock controls what we see in the film by firstly controlling what the camera shows, he adds small details to the film to provide reasons for various events happening, he also uses each of the characters to convey a message to the public, includes some short but effective shots of some of the characters to stir certain feelings within the audience, uses light humour and sometimes uses only visual aids to show people what is going on in the film....   [tags: Papers]

Powerful Essays
978 words (2.8 pages)