Alfred Hitchcock’s favorite subject was the superficial placidity of American life, whose clean, bright surfaces disguised the most shockingly moral, political, psychological and sexual aberrations. For Hitchcock, the most striking, funny, and terrifying quality of American life was its confidence in its sheer ordinariness. Beneath the surface, ordinary people and normal life were always ‘bent’ for Hitchcock.
Hitchcock’s 1954 film Rear Window contained a complicated social and psychological question beneath it.
The main character L.B. Jeffries (Jeff) is more turned on by the activity outside his (rear) window than by the visits of his flesh-and-blood girlfriend, Lisa. This raised the question of why a woman would love a man who doesn’t love her back? In 1954, this was not the context that men and women were seen or depicted in television or film.
What can be implied about Jeff’s sexual orientation from the ...
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- As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made. Alfred Hitchcock’s favorite subject was the superficial placidity of American life, whose clean, bright surfaces disguised the most shockingly moral, political, psychological and sexual aberrations. For Hitchcock, the most striking, funny, and terrifying quality of American life was its confidence in its sheer ordinariness. Beneath the surface, ordinary people and normal life were always ‘bent’ for Hitchcock.... [tags: Alfred Hitchcock, Psycho, Norman Bates]
712 words (2 pages)
- Alfred Hitchcock’s Rear Window In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it.... [tags: Movie Film Rear Window Essays]
1162 words (3.3 pages)
- Alfred Hitchcock's Rear Window In Rear Window, Alfred Hitchcock took a plot-driven short story and transformed it into a character-driven movie. Although differences must exist between text and film, because of the limitations and advantages of the different media, Hitchcock has done more than translate a word-based story into a visual movie. Aside from adding enough details to fill a two-hour movie, Hitchcock has done much to change the perspective of the story, as well as the main character.... [tags: Film Movies]
1051 words (3 pages)
- Alfred Hitchcock's Rear Window and Mark Pellington's Arlington Road, though similar in premise and location, the films are quite different from each other. Hitchcock uses point-of-view to put the viewer in the protagonist's position, he “blurs” the line between good and evil, his antagonists tend to be charismatic, and his films always have a happy ending. Although Rear Window and Arlington Road have similar story lines, the way the stories are told are quite different, as Mark Pellington and Alfred Hitchcock have two different directing and storytelling styles.... [tags: Rear Window, Arlington Road]
1227 words (3.5 pages)
- In the film Rear Window directed by Alfred Hitchcock, a significant shift of power is portrayed. This shift occurs between the protagonist of the film, L.B Jeffries and his romantic partner, Lisa Freemont. This shift also aids in outlining the main theme of the film, which is marriage, as all aspects of marriage are observed and taken into account by Jeffries. The change of dominance within Lisa and Jeffries relationship can be broken down into three stages, which develop and change throughout the film.... [tags: Sociology, Interpersonal relationship, Love]
1125 words (3.2 pages)
- The Classical Hollywood Cinema was a period of time that roughly lasted from 1917-1960 where the production of film followed both visual and narrative style. These films follow the same structure with a beginning of the film with an opening shot, and then an event occurs that causes a problem which sets the characters in motion to work towards a goal which by the end has been resolved which the common route for a classical film is. This essay will analyse the components that construct the film Rear Window (1954) and why this classic Hollywood film appealed to the audience.... [tags: Classical Hollywood cinema]
1596 words (4.6 pages)
- Genres are far from being nominological and typological in function , but rather requires constant modification and sometimes even subversion so as to reflect certain values and ideological concerns significant in the composers context. Based on the psycholinguistic concept of prototypicality , genres can be seen as ‘fuzzy’ categories embodying formulaic conventions readily identified by audiences. However, these categories are never static. In concurring with theorist Daniel Chandler, genres holistically “change over time; the conventions of each genre shift, new genres and sub genres emerge and others are discontinued.” Crime writing is one such genre that has observed continual modificati... [tags: Thematic Elements, Writing Evolution]
1736 words (5 pages)
- Crime Writing is a crafted representation of the transgression into the darker psychological side of humanity’s repressed desires to act in unfettered ways. In Alfred Hitchcock’s 1954 postmodern film, Rear Window and Fyodor Dostoyevsky’s 1888 existential thriller, Crime and Punishment, the conventions and values of the genre are understood to be permeable and are constantly shifting. Yet, the core values explored in archetypal Crime Writing are re-shaped, yet retained in contemporary Crime texts.... [tags: Voyeurism, Conscience, Feminism]
1807 words (5.2 pages)
- In the movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy. From the very beginning of Rear Window we encounter scenes where Hitchcock shows Stella being sadistic, but we come to realize later that it is not just Stella.... [tags: essays research papers]
638 words (1.8 pages)
- Alfred Hitchcock's Control Of What We See in Rear Window Alfred Hitchcock controls what we see in the film by firstly controlling what the camera shows, he adds small details to the film to provide reasons for various events happening, he also uses each of the characters to convey a message to the public, includes some short but effective shots of some of the characters to stir certain feelings within the audience, uses light humour and sometimes uses only visual aids to show people what is going on in the film.... [tags: Papers]
978 words (2.8 pages)