Hitchcock uses contrasting angles to manipulate the mood of his scenes. This is best established during the ‘Parlour scene’, when a discussion between Marion Crane and Norman Bates becomes tense on the to...
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...ffective as the audience’s imagination is much stronger than anything that he could or was allowed to graphically depict on screen. Hitchcock’s employment of montage editing relies on what one brings to it as a viewer, as the audience always perceives the worst, which is what becomes so innately frightening.
Sir Alfred Hitchcock’s work as an auteur was grounded in the concept of film being first and foremost a visual medium, second to other methods of storytelling. Hitchcock employs camera angles and montage editing as vital mechanisms to elicit varying emotional responses from the viewer. This is evident throughout his extensive list of film credits and certainly, what is arguably his greatest film, Psycho. His unique cinematic approach to his films left an undeniable trademark, placing him deservedly amongst the greatest directors in the history of modern cinema.
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