Alfred Hitchcock joined the film industry in the 1920’s when an opportunity sprung up. A film maker had become ill and next in line was Hitchcock who had been asked to finish the incomplete film. That was the start and soon Hitchcock would be known as nothing other than the Master of Suspense; but not only that Hitchcock was also known as being a master of pure cinema which almost never failed to please the demands of box-offices. Although, Hitchcock was not only known for “Psycho” he was also known for films such as “Strangers on a Train”(1951), “Vertigo” (1958), and most importantly “North by Northwest” (1959) which is one of the best example as to why he is named the master of suspense. Still he did not only make films in the U.S he also made some films in Britain, being, “Lady Vanishes” (1938) and “Jamaica Inn” (1939). Although those films were made in Britain they still were recognized and praised in the U.S. adding on to the many great movies Hitchcock had directed. Moreover, Hitchcock was not only a great filmmaker he was also a loving husband, only married once to ...
... middle of paper ...
...’t believe that they are the one’s killing these innocent people. Both filmmakers were great and although they bounced ideas off each other they created great films that they have their own uniqueness. Not to mention that their films are still being enjoyed years later, and more years to come. Both Hitchcock and Lang came from different background which they add into their films, yet they are still able to come up with some similarities that tie them together. Both Lang and Hitchcock were known for their thrillers and you can now see why. Although they both come up with the idea of a serial killer they both executed it very differently, and had different plots just the same outcome. Still their picture was totally different one was black and white and the other had color, and that had a lot to do with the time difference, yet they were both impacting and chilling.
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- The film Psycho, directed by Alfred Hitchcock, is a psychological thriller that was created in 1960. The main theme of this film revolves around psychological illnesses. The film focuses on the main character, Norman Bates, and his psychological problems which include a split personality, voyeurism, sadism, guilt and self-punishment, and anal fixation. Throughout the movie you can see Bates exhibit these traits at different points; however, some traits are not as clearly evident as others.... [tags: Alfred Hitchcock, Psycho, Interrogation]
715 words (2 pages)
- Alfred Hitchcock, the incredible director who brilliantly integrated sex, humor and suspense in his movies passed away over three decades ago. Despite the thirty years since his death, the legacy of films he made continues. His work has influenced many of the great directors today, and inspired the foundation of the spin off television series Bates Motel. To better interpret the films he created, it is essential to understand the creator of them and examine how his past life traumas and deep inner-thoughts in reality transpired through the fictitious worlds that he created on the big screen.... [tags: Alfred Hitchcock Biography]
1946 words (5.6 pages)
- What is the secret to a suspenseful movie. Alfred Hitchcock is known as the master of suspense. Hitchcock has a certain formula to make a successful film. There are four elements that are important to a Hitchcock film. First is the story. Then is the characters. Next it is the cinematic shots. Finally it is the suspense. The story is very important to the film. The story should be simple and easy to follow. Dialogue should be used when the situation can not be explained with actions. It is important for you to use objects to tell a story.... [tags: Alfred Hitchcock, Psycho, Tippi Hedren, Cary Grant]
778 words (2.2 pages)
- Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen. Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident.... [tags: Alfred Hitchcock, Psycho, George Tomasini]
1143 words (3.3 pages)
- “Frailty, thy name is woman!” Domineering. Overbearing. Controlling. The last qualities thought of within the mother figure. Sinister it is as the enigma between the mother, the lover and the daughter, are confronting both mentally and sexually. Provoking the audience subconsciously, this psychoanalytical phenomenon can be further appreciated through a combination of feminist and psychoanalytical theory. Through which we are able to pull apart the pivotal role of the “mother”, most famously in the cinematography of Alfred Hitchcock.... [tags: Psycho, Norman Bates, Alfred Hitchcock]
2445 words (7 pages)
- Screenplay Analysis on Psycho A film that 's has always caused much excitement and thrill is Alfred Hitchcock 's Pyscho. Years later, this film is still a blueprint for many horror and dramatic pieces. In Psycho, the protagonist is Mary Crane. She 's introduced to us at the very beginning of the film. Her character is this attractive, frustrated, sarcastic, and drained lady in her late 20s. She takes care of everybody, even the man she 's in love with, but no one ever sees about her wishes being granted.... [tags: Psycho, Alfred Hitchcock, Norman Bates]
712 words (2 pages)
- Introduce Thesis: Even if you haven’t seen Alfred Hitchcock’s Psycho, you’ve seen it because it is apart of our collective unconscious and because of this, it has influenced a following that lead to the creation of the series Bates Motel. This prequel set in present day Oregon uses similar cinematic elements and monologue used in Psycho to explain why and how Norman Bates is a sociopath. Throughout the film and series jarring and uncomfortable scenes are accompanied by eerie string music, Norman spying on women undressing, as well as a fixation for stuffed animals.... [tags: Psycho, Norman Bates, Alfred Hitchcock]
893 words (2.6 pages)
- As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others.... [tags: Rear Window, Alfred Hitchcock, Film Analysis]
1921 words (5.5 pages)
- Throughout the years, many directors have been making movies that seem to "scare the hell out of people". From thrilling to just suspenseful scenes, Alfred Hitchcock explores different techniques to ensure that he captures the audience's attention. The characters in Hitchcock's films play a very important role in creating the tensions and twists, causing that heart stopping moment where you just want to yell at the TV. He uses the characters like strategically placed chess pieces, knowing exactly when to make his move.... [tags: Alfred Hitchcock's Film Analysis]
779 words (2.2 pages)
- Psycho by Alfred Hitchcock A running theme that is presented to the audience in Psycho is the opposition that exists between good and evil. This is shown throughout the movie among the different characters. Examples can also be taken from conflicts within the characters. Certain conflicts and how the characters deal with them and each other are what shape the structure of the movie. The perception that the audience receives of the characters change throughout the movie by the different conflicts that arise.... [tags: Psycho Alfred Hitchcock Essays]
1963 words (5.6 pages)