In the first Canto of The Rape of the Lock, Ariel, her guardian Sylph, speaks to her in a dream, warning her of what is to come, while at the same time echoing Virgil’s Aeneid when the hero Aeneas is visiting the underworlds Elysian Fields:
Think not, when woman’s transient breath is fled,
That all her vanities at once are ...
... middle of paper ...
...e nature of events transpiring, she does not exalt herself; the maiden is compared to a hero, but can never be truly recognized as one.
Greenblatt, et al. The Norton Anthology of English Literature. New York: N.W.
Norton & Company. 2013. Print.
Cohen, Ralph. “The Reversal of Gender in "The Rape of the Lock." South Atlantic Bulletin, Vol. 37. No. 4 (Nov. 1972): Pages. 54-60. Web. 21 March 2014
Frost, William. The Rape of the Lock and Pope’s Homer. Modern Language Quarterly. Vol. 8. No. 3 (Sep47): Pages. 342-354. Web. 21 March 2014
Schaefer, Tatjana. “Sir Plume in Pope’s The Rape of the Lock: A Parody of Homer’s Ulysses.” A Quarterly Journal of Short Articles, Notes, and Reviews. Vol. 25. No. 2 (2012): Pages. 91–95. Web. 21 March 2014
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