The afterlife is defined as life after death. The afterlife isn’t known as a fact of today but many people do believe that there is an afterlife. “Nearly 80 percent of Americans of various faiths believe in an afterlife despite lack of proof” (Sheler). The biggest group of people that believe in the afterlife are the Christians (Sheler). For hundreds of years Christians have believed in an “afterlife” but they believe in two types of afterlife where both last an eternity. One is seen as good which they call heaven and another which is seen as bad is called hell. Both of these places have originated thousands of years ago during Greek mythology when the Greek gods rules the earth and the sky and the underworld. This is where the ideas of heaven and hell originated. Peoples view of the afterlife have henceforth changed in the evolution of religion and science.
In the poem “Because I could not stop for Death” by Emily Dickenson is portraying death as a gentleman/suitor. Death is personified in the first two sentences in the poem “Because I could not stop for Death- / He kindly stopped for me- “(Dickenson lines 1-2). This demonstrates how the speaker...
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...ay to their God(s) to protect them from Death. The different views on death shows how people view their life and what will happen afterwards. The different views are based upon some people being extremely religious which shows them that they are scared of death and scared to die while others are ready to die and welcome death into their life. The speaker in Dickenson’s poem is probably a person who is not scared of death and what will happen to them when they die. So therefore, their view on death isn’t as scary and hateful as the speaker in Donne’s poem. The speaker in Donne’s poem is scared of death so therefore he threatens death and tries to downplay the power he has for his own benefit. The speaker in Donne’s poem talks down to Death to reassure himself that everything will be ok. So, in conclusion the way you view Death will determine how you feel about it/him.
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