A Red Record Slavery is one of America’s biggest regrets. Treating a human with the same beating heart as a low, worthless piece of trash only because of skin color is a fact that will forever remain in our country’s history. Those marked as slaves were sold, tortured, demoralized, raped and killed. After the Emancipation in which slavery was illegalized, many would think that the horrors were over and that America as a whole started a new leaf. Unfortunately, the man of the South, refusing to move forward tried to keep the colored man down as best they could. Their premeditated plans and actions to find an excuse to continue torturing and killing the Negro man continued for years, which are documented in “A Red Record”. This story captures the grueling events African Americans were put through and the unfairness of the times. By capturing and sharing this history it will make sure these mistakes can never be repeated again . Ida B. Wells-Barnett is an investigative journalist who wrote in honesty and bluntness about the tragedies and continued struggles of the Negro man. She was still very much involved with the issue even after being granted freedom and the right to vote. Statistics have shown that death and disparity continued to befall the Negro people in the South where the white man was “educated so long in that school of practice” (Pg. 677 Par. 2). Yet in all the countless murders of Negroes by the white man only three had been convicted. The white man of the South, although opposed to the freedom of Negroes would eventually have to face the fact of the changing times. However, they took every opportunity and excuse to justify their continued horrors. There were three main excuses that the white man of the South came up w... ... middle of paper ... ...ented cases. Everyone loves happy endings. Everyone loves to see the hero emerge or the people triumph over adversity and stare back at the face of denial. No one ever wants to really talk about the hardships that came before, especially when they are this graphic and unforgiving in nature. However, these incidents and stories need to be told, they paved the way for what we are today. Wells-Barnett wrote, “…thousands of brave black men went to their grave, exemplifying the one by dying for the other” (Pg. 678 par. 4). That sentence in itself evokes hope and victory for the Negro people, which is why the Red Record is such an important part in not only African American history, but in America’s history as a whole. Works Cited Gates, Henry Louis, and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. Print.
In his book, Blood Done Sign My Name, the author Timothy Tyson tells the story of the highly combustible racial atmosphere in the American South before, during, and after the Jim Crow era. Unlike Margaret Mitchell’s account of the glory and grandeur of the Antebellum South, Tyson exposes the reader to the horrific and brutal reality that the black race experienced on a daily basis. Tyson highlights the double standard that existed during this period in history, arguing that the hypocrisy of the “white” southern judicial system allowed the murder of a young black African-American male at the hands of white racists to go unpunished (Tyson 2004, 244).
Currently in the United States of America, there is a wave a patriotism sweeping across this great land: a feeling of pride in being an American and in being able to call this nation home. The United States is the land of the free and the home of the brave; however, for the African-American citizens of the United States, from the inception of this country to midway through the twentieth century, there was no such thing as freedom, especially in the Deep South. Nowhere is that more evident than in Stories of Scottsboro, an account of the Scottsboro trials of 1931-1937, where nine African-American teenage boys were falsely accused of raping two white girls in Scottsboro, Alabama and no matter how much proof was brought forth proving there innocence, they were always guilty. This was a period of racism and bigotry in our country that is deeply and vividly portrayed though different points of view through author James E. Goodman.
Schultz, Elizabeth. "African and Afro-American Roots in Contemporary Afro-American Literature: The Difficult Search for Family Origins." Studies in American Fiction 8.2 (1980): 126-145.
Ida B. Wells was born into slavery, and lived in Holly Springs Mississippi. She was later freed, and learned from her parents what it meant to be a political activist. By 1891, Wells was the owner of the newspaper, Free Speech, and was reporting on the horrors that were occurring in the south. Wells, along with other people of the African American activist community were particularly horrified about the lynching’s that were occurring in the south. As a response to the lynching that was occurring, and other violent acts that the African American community was dealing with Wells wrote three pamphlets: Southern Horrors, The Red Record, and Mob Brutality. Muckraking and investigative journalism can be seen throughout these pamphlets, as well as Wells intent to persuade the African American community, and certain members of the white community to take a stand against the crime of lynching. Wells’ writings are an effective historical text, because she serves as a voice to an underrepresented African American community.
Hines, Ellen, and Hines, William, and Stanley, Harrold. The African American Odyssey. Fifth Edition. New Jersey: Prentice Hall, 2008. Print.
Ida B. Wells was dedicated to journalism and letting people know what is going on. With her journalism investigation instincts, she uses to identify what excuses the whites use to identify lynch campaign against blacks. In the following essay, I will explain what reasons for this vicious and sustained campaign of violence against African-Americans.
Gates, Henry Louis Jr. and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton & Company
James, Johson Weldon. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 832. Print.
Barnett, Ida B., and Ida B. Barnett. Southern horrors and other writings: the anti-lynching campaign of Ida B. Wells, 1892-1900. Boston, MA: Bedford Books, 1997.
...was meant to be shared, to be remembered; it was made without exceptions, made for all to witness and recall a rich black history even with its brutality.
Larsen, Nella. “Quicksand.” The Norton Anthology of African American Literature. 2nd ed .Ed. Henry Louis Gates Jr. and Nellie Y. McKay. New York: W.W. Norton & Company, Inc. 2004. 1085-1167. Print
3. Dictionary of Literary Biography, Volume 51: Afro-American Writers from the Harlem Renaissance to 1940. A Bruccoli Clark Layman Book. Edited by Trudier Harris, University of North Carolina at Chapel Hill. The Gale Group, 1987. pp. 133-145.
In this story it clearly shows us what the courts really mean by freedom, equality, liberty, property and equal protection of the laws. The story traces the legal challenges that affected African Americans freedom. To justify slavery as the “the way things were” still begs to define what lied beneath slave owner’s abilities to look past the wounded eyes and beating hearts of the African Americans that were so brutally possessed.
In From Slavery to Freedom (2007), it was said that “the transition from slavery to freedom represents one of the major themes in the history of African Diaspora in the Americas” (para. 1). African American history plays an important role in American history not only because the Civil Rights Movement, but because of the strength and courage of Afro-Americans struggling to live a good life in America. Afro-Americans have been present in this country since the early 1600’s, and have been making history since. We as Americans have studied American history all throughout school, and took one Month out of the year to studied African American history. Of course we learn some things about the important people and events in African American history, but some of the most important things remain untold which will take more than a month to learn about.
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.