Marketing companies try to surpass one another thinking outside the box and creating advertisements which are unconventional, however, they operate within a few stereotypes about gender roles and representations. This essay will examine the differences between advertising lingerie for both male and female audiences. Commercials of focus are Primark’s Valentine’s Day campaign called 'For every side of you ' (see Figure 1.) and Justin Bieber’s photo shoot for Calvin Klein (see Figure 2.). Both brands are well – known, nonetheless their profile and target groups are slightly different, mainly because of price range, thus associations created by their campaign can be seen variously, depending on audiences’ status, gender, age, experience and many other factors.
First of all, the photo from Primark’s campaign represents a young woman with great figure and complexion – a typical attractive model, however, not a typical, average woman in general. She is standing by a dressing table suggesting an intimate atmosphere of the moment. Woman is gazing into the mirror which signifies shallowness or self-admiration, nonetheless, the mirror is playing a slightly different role in this picture. The model can see her alter ego in the reflection. One, on the left, is a subtle, sweet, innocent and almost prudish, compared to the one in the mirror. It is suggested by the colour which surround the model and the colour of her lingerie. Aslam (2006, p.23) suggests that beige tint is connotation of something dull but also costly, thus girl seems to be tame and quite boring but the scenery signifies that what she is wearing is high – priced and even high quality. On the contrary, a person familiar with Primark’s goods knows that they are cheap and not th...
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...rimark’s campaign is about Valentine’s Day, it can be argued that the lingerie is a gift for a partner, thus the advertisement suggests that woman duty is to please her man. Accordingly, Calvin Klein is stereotypical as well, picture presents man who is powerful, strong and independent – in other words, masculine.
To conclude, both advertisements create a set of values associated with gender – Primark consider women as either sweet and innocent or sexy and predatory and, on the other hand, Calvin Klein shows that men need to pursuit their dreams and never give up. The colour is stereotypical in both pictures, bright colours, beiges are girly and dark represent strength of men. Both campaigns use models within canon of beauty, they have ideal silhouette and carnation, nonetheless it is a common practice in the industry of marketing the apparel to eroticise the models.
Bordo described in her article that Calvin Klein’s advertising campaigns were so revolutionary, men started to care about their appearance just as much as women care about theirs (Bordo, 152). Bordo gave multiple examples of this trend, including the Gucci commercial:
Have you ever wondered where the saying, ‘a picture says a thousand words’, come from? Well, I do not know who came up with this fantastic phrase, but nonetheless, I will be describing and analyzing two different magazine advertisements, trying to put in words what I think the advertisers wanted consumers to receive when those potential buyers viewed their ads. The two advertisements that I chose, Caress and Secret, try to encourage female consumers of all ages to purchase their hygiene products. Although both ads, Caress and Secret, appeal to the same gender with hygiene goods, they differ in design, text, and message. They attempt to please the female buyer with color, texture, and sexuality. This makes it prevalent, that the agents must grab the attention of possible buyers in order to sell their product. The advertisers must choose a variety of marketing strategies to the reach their targeted consumers.
In her example, she speaks of how this advertisement reestablishes the idea of loving your body. Women have curves, they have hips, they have thighs. In the Nike advertisement it makes the [consumer] feel proud of their strong, athletic body (Haley pg 108). The woman in the Playtex display has the ideal body type of a runner. This model is strong, and she has the body of an athlete. Just like any runner, and most female athletes, her strengths are hidden. With lean muscle brought upon by playing sports, women often do not look as strong as they really are. Under those tights, she has “thunder thighs”. She has calves and shins of steel from keeping her toes up. She has a sculpted upper back from swinging her arms and keeping her shoulders relaxed. She has and unbelievably strong core from reaching her legs out in each stride, and holding her body
By quoting the commercial, and analyzing the logos and pathos, and ethos it uses, Gray has adequately used the rhetorical appeal of logos. She also supports her statements by comparing the Hanes commercial to other underwear commericials. “Underwear commercials in general seem to abound in their portrayal of morning sunrises and beautiful people making beds.” Throughout the entire article, from her describing the scene of the commercial, to talking about the stereotypical men, women, and underwear commercials, she is able to stir emotion from the audience. “Women on the other hand…know how to be women…Just show a woman good old fashioned love scene and most likely she’s sold.” Because Gray was just a Freshmen in college when she wrote this essay, she does not establish credibility in terms of her
We see the ways that the popular media uses gender tensions everywhere. The truth is that sex sells, we know that. The challenge that advertisers face is: How to use it best. Some advertisers do this better than others and the ones that truly have an understanding of gender tensions will, in the end, sell the most. In my last paper, I explored how the company Abercrombie and Fitch uses gender tensions to sell their clothes. They have become among the masters in advertising and the business in booming. They cater to young adults and young adults only for one powerful reason: It is at this age in which the sexual tensions between male and female are greatest. Abercrombie and Fitch has found their niche.
In the advertisement of Oh, Lola! Women’s perfume by Marc Jacobs, many signifiers are used to draw upon biased social narratives, including female stereotyping and objectification. To begin with, the advertisement utilizes a variety of elements to promote its core product-- Oh, Lola! Perfume. The model is wearing a translucent pink dress while sitting on a pink floor, against a pink background. The elements that are presented appear to all be through a pink filter. She is holding a perfume bottle that has a giant rose on the top, intentionally placed between her legs. Besides being the focus of photograph,
The problem with the imagine of the way gender is made this day and age is that females and males aren 't equal. Some people say that is because of what it says in the bible about a female being made from one of a man 's ribs and some men think that makes them better than females because they help make us with one of their bones. Along with some other men think that women need to barefoot and pregnant in the kitchen. In advertising men and women are often represented differently. Men are often shown alert and aware of their surroundings, standing upright, eye open looking around, not moving a muscle, a firm or mean or serious look on their faces, gripping things tightly in their hands, hands in pockets, serious and
The ad uses the people in the foreground as models for their clothes. The two men and one woman are perfectly groomed and stately. This causes the reader to believe that by wearing their clothes they can become like them. The background establishes a cosmopolitan feel. The mountains feel as if they are the Italian Alps which contrasts with the all American clothing the models are wearing. This contrast makes the ad appeal to everyone who wants an upper echelon or 1% feel in their lives. Who wouldn’t want to vacation in the Alps? The colors of their clothes are red, white, and blue symbolizing the American dream. Reinforcing this is the American flag on the back of the woman’s sweater. The words “Polo” followed by “Ralph Lauren” establish credibility through the fact the ad does not need to explain itself. You are expected to know Ralph Lauren as you are expected to know how to eat or sleep. The ad itself does a fine job highlighting the lifestyle associated with Ralph
The basic strategy of this kind of gender stereotypes is men will ignore the advertisements by paying more attention on woman if the advertiser includes woman’s image, and if they use male photograph in advertisement it will attract more female consumers. Therefore, people will pay more attention on advertisement and then have more possibility to shape positive attitude of that product, or at least, bear that product in mind when they need to consume it (Courtney and Whipple, 1983, p.74). Moreover, it is not only a strategy to attract more consumers, more importantly; it is a method to stand out in a “male-dominated work environment in advertising”, and it challenges the value of patriarchy and “double sex standards” (Fedorenko, 2015, p.476). However, sexy female image are often controversially critique as gender stereotypes of women in advertising. According to Laura Mulvey’s idea of “male gaze”, it points out that female are sexual objects to men to please them in an “erotic spectacle” (1992, cited in Marcellus, 2009). In Sonata’s ad, this woman dresses sexy in order to be a sexual reward, a tool to attract men and accessory of a successful man. This expression of women object to the idea of feminism that has mentioned before, women is independent, and the reason for being sexy and glamour is not to please men and fulfil male’s desire of sex. So, this advertisement provides a negative feeling for women that reinforce the gender stereotypes of women looks sexy in order to satisfy male’s desire of
Sigismund Schlomo Freud, an Austrian neurologist and the father of psychoanalysis, once stated “When you meet a human being, the first distinction you make is ‘male or female?’ and you are accustomed to make the distinction with unhesitating certainty.” Had Sigismund Freud lived through the 21th century instead of the 19th, he might have had a good reason for hesitation. Now we live in an era when gender norms- and many other standards- must perhaps be questioned and dismantled. Over the last several years, the broader cultural shift in how people perceive gender has picked up speed in almost all spheres of society- politics, education, art, literature, and of course in the fashion industry. Clothing has become one of
Victoria’s secret is an enormous empire consisting of different kinds of merchandiser sold in the s store from, lingerie and beauty products and dorm products. Through the years its popularity has increased among young teens and adult women in a significant level and along with this their marketing methods. The commercial being analyzed for this paper is the 2013summer ad.
Louis Vuitton, Coach, and Dior’s advertisements portray a picturesque scene consisting of simple, yet elegant, details (Coach; Dior; Louis Vuitton). Each ad displays similarly styled handbags with clean lines and only two handles, indicating each company’s desire to keep purses feminine and traditional. The handbags presented are similar to the more traditional style used in the early 20th century, perhaps to invoke a sense of timelessness and luxury. While each handbag advertised consists of differing aspects, it is evident Louis Vuitton, Coach, and Dior are
image of themselves in real life. They are almost computer-generated women like in the movie Simone. Indeed, with the technology we have now, advertisers can transform a product into perfection, at the same time, misleading the consumer into seeing it as “real”, and thus permanently providing impossible standards (Ingham). More and more women are becoming dissatisfied with themselves trying to be this fantasy person created by the men in our society. This distorted view of reality, portrayed by advertisemen...
The absence of clothing has become omnipresent in today’s advertising. Some ads focus on the removal of clothing, while others focus on no clothing at all. This idea is ever-present in fragrance advertising, as it forces the viewer to focus on the product over the appearance of one’s clothing. The absence of clothing creates a very specific mood for the ad: sex. The ad is able to portray a meaning that is not even included in the ad just by removing pieces of clothing. Fragrance advertising, such as Gucci Guilty, uses sex as a tool to sell a product without knowing anything about it.
His research and publications address environmental thought, cultural inquiry, philosophy of art and culture, holistic well-being, and, applied philosophy and ethics. His book Fashion Myths: A Cultural Critique, discusses advertisements of fashion, and fashion-related goods from a philosophic-anthropological perspective within a contemporary cultural context. In other words, understanding the thoughts of consumers when watching advertisements and making purchases. Understanding the matter from an anthropological perspective, as well as from a design perspective, allows for insight into the matter through an interdisciplinary approach, aiding in understanding the situation from both sides: designer and