Little Bee, by Chris Cleave, is a novel that explores both the frailty of the human condition and the endurance of the human spirit. It delves into unthinkable evil, but simultaneously celebrates its characters in their ability to transcend all that weighs them down, including their past, their secrets, and their flaws. The book is about the bond formed between two women and how the relationship that has arisen from the most tragic of circumstances functions to resurrect both of them. For the character of Little Bee, identity is inescapably tied to ethnicity, nationality, gender, race, and class. She is hampered by the weight of her past; yet she also rises above these factors in her continued hopefulness, as evidenced in her dreams and active imagination.
It is significant to point out that the reader may know that the thesis of the book is that it is a sad story. We are earlier told that, “Sad words are just another beauty. A sad story means, this storyteller is alive” (9). Thus we know that the story neither has a happy ending, nor is the ending a tragic one. Clearly, Little Bee has survived merely through the telling of the story, but also that something bad will happen to her in the end.
A representative passage of the book that explores Little Bee’s point of view which is its unceasing optimism and stark realism occurs in the book’s final chapter. Little Bee is on the beach waking up from a dream. The dream was of her ideal life going forward: Living in a beautiful home in her native Nigeria, working as a journalist who collects stories like her own, Sarah and Charlie living with her as family. Little Bee is peaceful, thinking about the noise that has awoken her and, by extension, her place in the world. Aft...
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...he roar of the ocean” (259). It is a foreshadowing of her final decision. She does not choose to flee or fight, but instead to surrender herself for the sake of Charlie, because he is young and will continue the dream for her.
The reader takes from Little Bee the idea that identity is fluid and one’s own self-perception can be a tool of transcendence. Little Bee’s circumstances require that she reinvents herself from village girl, to refugee, to member of an upper-class British family. Because of her brain, her language, and her imagination, she cannot be marginalized, even though she must succumb to evil. To the reader, Little Bee will remain as free as the wind and as peaceful as the undisturbed sand, because she has offered her voice and her story as testimony.
Works Cited
Cleave, Chris. Little Bee. Paperback ed. New York: Simon & Schuster, 2010. Print.
“Strength doesn’t come from what you can do. It comes from overcoming the things you once thought you couldn’t.” In this powerful statement, Rikki Rogers explains the true power of strength. Strength can help a person deal with problems they once thought were impossible to handle. Sue Monk Kidd’s The Secret Life of Bees clearly reflects this idea through the author’s usage of indirect characterization, symbolism, and allusion. In the novel, Kidd applies these literary devices in order to emphasize the effect strength has on a person’s actions.
People share their secret lives without even talking about them. It only takes a glance or feeling to see that others have faced similar situations and problems, some people even live parallel lives. Despite the fact that many people believe it impossible for a measly insect, like a bee, to know the pain hardships a human faces, Sue Monk Kidd proves them wrong with her book The Secret Life of Bees. In her novel she derives many of her characters from the types of bees that exist in a hive. Lily and Zach have characteristic that are akin to that of field bees, August has that nurturing personality of a nurse bee, and the Lady of Chains is revered by her subjects just like a Queen bee is by her hive. Nowadays, no one ever faces a problem that someone, or something, has already faced. No one really has a secret life all to themselves.
As strong, independent, self-driven individuals, it is not surprising that Chris McCandless and Lily Owens constantly clashed with their parents. In Jon Krakauer’s novel, Into the Wild, Chris was a twenty-four-year-old man that decided to escape the materialistic world of his time for a life based on the simplistic beauty of nature. He graduated at the top of his class at Emory University and grew up in affluent Annandale, Virginia, during the early 1980’s. In The Secret Life of Bees by Sue Monk Kidd, Lily was a fourteen-year-old girl who grew up in the 1960’s, a time when racial equality was a struggle. She had an intense desire to learn about her deceased mother. Her nanny, Rosaleen, with whom she grew very close over the years, raised Lily with little help from her abusive father. When her father failed to help Rosaleen after three white men hospitalized her, Lily was hysterical. Later, Lily decided to break Rosaleen out of the hospital and leave town for good. While there are differences between Chris McCandless and Lily Owens, they share striking similarities. Chris McCandless’ and Lily Owens’s inconsistencies of forgiveness with their parents resulted in damaged relationships and an escape into the unknown.
Most runaway youth are homeless because of neglect, abuse and violence, not because of choice. Lily Owens is the protagonist in the novel, Secret Life of Bees, by Sue Monk Kidd, is no different. Lily is a fourteen year-old girl still grieving over her mother's death. T. Ray a man who has never been able to live up to the title of a father, due to years of abuse, has not made it any easier. Lily is a dynamic character who in the beginning is negative and unconfident. However, throughout the novel Lily starts to change into the forgiving person she is at the end.
In life, actions and events that occur can sometimes have a greater meaning than originally thought. This is especially apparent in The Secret Life Of Bees, as Sue Monk Kidd symbolically uses objects like bees, hives, honey, and other beekeeping means to present new ideas about gender roles and social/community structures. This is done in Lily’s training to become a beekeeper, through August explaining how the hive operates with a queen, and through the experience Lily endures when the bees congregate around her.
She noted that she hears comments like, “You people are dumb. You people live in trees. Your people are poor. You people were slaves” over and over again (Thiyagarajah 16:26). Her words mirror the extent of which the African asylum-seekers in Chris Cleave’s novel, Little Bee, are viewed upon by the British. Some of the verbal discrimination in the text included, “Don’t they teach you monkeys anything in the jungle? (Cleave 57)” and “Oh please. This is Europe. We’re a little more house-trained over here (186)”. The only exposure individuals like myself have of those in third world countries are the content shared by the media and through various forms of
This “home” that she finds brightly displays the ideas of identity and feminine society. Though Lily could not find these attributes with T. Ray at the peach house, she eventually learns the truth behind her identity at the pink house, where she discovers the locus of identity that resides within herself and among the feminine community there. Just like in any coming-of-age story, Lily uncovers the true meaning of womanhood and her true self, allowing her to blossom among the feminine influence that surrounds her at the pink house. Lily finds acceptance among the Daughters of Mary, highlighting the larger meaning of acceptance and identity in the novel. The meaning behind Sonsyrea Tate’s statement can be found deeply rooted within Sue Monk Kidd’s novel, The Secret Life of Bees.
The themes of hatred and judgment are shown all throughout Little Bee. Whether it’s Lawrence’s threats, the carelessness of the detention officers, or the sideways glances from the relatives at Andrew’s funeral, Little Bee is always in the middle of some kind of judgment. However, there is one character that shows pure love and understanding for Little Bee, no matter her exterior or culture. Charlie O’Rourke may be considered naïve, but it’s his naivety that allows him to see past the discrimination Little Bee receives. He is the prime example of how children are often blind to this type of abhorrence. Charlie gives the readers insight into this phenomenon by allowing Little Bee to comfort him and by finally removing his Batman costume.
Para 2: First of all, Bees and beehives is a significant motif in the novel by Kidd because it represented the community of women. The Boatwright sisters, along with Our Daughters of Mary, stood up for Lily when T. Ray came to take her home. Quoted from page 721, “The four of them lined up beside us, clutching their pocketbooks up against their bodies like they might have to beat the living heck out of somebody.” The Daughters of Mary all stood in the parlor of the Boatwright house, ready to take on whatever came their way. The community of women in this novel stuck together
With an increase in familiarity, as she progresses her outlook on life changes with her. By the closure of The Secret Life of Bees, Lily Owens experiences passion, rage, joy, and sorrow in larger quantities than most teens her age. Amidst every trial transpires an improved
Helena Maria Veramontes writes her short story “The Moths” from the first person point of view, placing her fourteen year old protagonist female character as a guide through the process of spiritual re-birth. The girl begins the story with a description of the debt she owes her Abuelita—the only adult who has treated her with kindness and respect. She describes her Apa (Father) and Ama (Mother), along with two sisters as if they live in the same household, yet are born from two different worlds. Her father is abusive, her mother chooses to stay in the background and her sisters evoke a kind of femininity that she does not possess. The girl is angry at her masculine differences and strikes out at her sisters physically. Apa tries to make his daughter conform to his strict religious beliefs, which she refuses to do and her defiance evokes abuse. The girl’s Abuelita is dying and she immerses herself in caring for her, partly to repay a debt and partly out of the deep love she has for her. As her grandmother lay dying, she begins the process of letting go. The moth helps to portray a sense of spirituality, re-birth and becomes, finally, an incarnation of the grandmother. The theme of the story is spiritual growth is born from human suffering.
With a heart-full of advice and wisdom, Dinah maturates from a simple- minded young girl to a valiant independent individual. “For a moment I weighed the idea of keeping my secret and remaining a girl, the thought passes quickly. I could only be what I was. And that was a woman” (170). This act of puberty is not only her initiation into womanhood but the red tent as well. She is no longer just an observer of stories, she is one of them, part of their community now. On account of this event, Dinah’s sensuality begins to blossom and she is able to conceive the notion of true love.
A beehive without a queen is a community headed for extinction. Bees cannot function without a queen. They become disoriented and depressed, and they stop making honey. This can lead to the destruction of the hive and death of the bees unless a new queen is brought in to guide them. Then, the bees will cooperate and once again be a prosperous community. Lily Melissa Owens, the protagonist of Sue Monk Kidd’s The Secret Life of Bees, faces a similar predicament. While she does not live in a physical hive, the world acts as a hive. She must learn to work with its inhabitants, sharing a common direction, in order to reach her full potential. The motif of the beehive is symbolic of how crucial it is to be a part of a community in order to achieve
Ruth, Elizabeth. “The Secret Life of Bees Traces the Growth of Lily’s Social Consciousness.” Coming of Age in Sue Monk Kidd’s The Secret Life of Bees. Ed. Dedria Bryfonski. Detroit: Greenhaven, 2013. 63-65. Print. Social Issues in Literature. Rpt. of “Secret Life of Bees.” The Globe and Mail 2 Mar. 2002: n. pag.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.