Walls describes her mother scrounging through a Dumpster in New York City (1). She mentions, "I was sitting in a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster."(1). The writer is a witness to her mother looking through a dumpster. "She had tied rags around her shoulders to keep out the spring chill and was picking through the trash." (2). Jeannette also describes her mother, by being able to recognize her mother 's body language (2). "Mom 's gestures were all familiar—the way she tilted her head and thrust out her lower lip when studying items of potential value that she 'd hoisted out of the Dumpster, the way her eyes widened with childish glee when she found something she liked." (2). The author mentions, "Her long hair was streaked with gray, tangled and matted, and her eyes had sunk deep into their sockets, but still she reminded me of the mom she 'd been when I was a kid, swan diving off cliffs and painting in the desert and reading Shakespeare aloud. Her cheekbones were still high and strong, but the skin was parched and ruddy from all those winters and summers exposed to the elements." (2). She reveals that her mother is homeless, "To the people walking by, she probably looked like any of the thousands of homeless people in New York City." (2). Jeannette 's mother is happy being homeless because she is being herself, and enjoys digging through the garbage (24).
Jeanette is embarrassed by her mother, and she does not want anybody to know her secret (3). "It had been months since I laid eyes on Mom, and when she looked up, I was overcome with panic that she 'd see me and call out my name, and that someone on the way to the s...
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...ts are too scared to leave the barrio because they know that society will not accept them.
Ramirez uses personification throughout his essay because he wants to capture the reader’s attention. The writer mentions, “The tortilleria fires up its machinery three times a day, producing, steaming, round, flat slices of barrio bread.” (5). “The panaderia send its sweet messenger aroma down the dimly lit street, announcing the arrival of fresh, hot sugary pan dulce.” (6). “The train, its metal wheels squealing as they spin along the silvery tracks, rolls slower now.” (1). “The gardens, echo the expressive verses of the colorful houses.” (14) “Back now beyond the tracks, the train creaks, and groans, the cars jostle each other down the track, and as the light begins its pulsing, the barrio, with all its meanings, greets a new dawn with yawns and restless stretching." (20).
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