When Medea finds herself left by her husband alone in a foreign city, she takes matters into her own hands as she plans her revenge on her disloyal husband. In her opinion, the Greek community sees little to no value in a divorced woman and thus she has no means by which she can mitigate for her ill fate. Because Medea feels that she, as a woman in a deeply patriarchal Greek society, has virtually no power to prevent the wrongs done unto her, Medea asserts that the domestic life of a wife is far more destructive and dangerous than a life of war. The dangers of womanhood, according to Medea, begin when a woman gives her husband-to-be a large dowry, and in exchange the husband has complete control over her body. Because a married woman must …show more content…
Without control over how she wishes to spend her money or how she wishes her body to be treated, a woman has no right to make decisions independent of her husband. Instead of leaving her audience to connect the dots of how destructive such conduct is, Medea reveals the most dangerous manifestation of this lack of control by implying how such forms of complete subordination frequently leave women vulnerable to rape by their husbands. The basis of this reasoning stems from Medea’s contention that in marrying a man, a woman now has “a master for [her] body.” Her use of the word “master” hints at an idea of ownership in which men physically rule the bodies of their wives. In a typical master-servant relationship, the servants have no will of their own except to please their masters lest they face a set of dire consequences. Thus, Medea’s metaphor suggests …show more content…
According to Medea, when women can satisfy the wants and needs of their husbands, their “lives are admired.” This could mean that others literally admire the happenings of their lives—that they find their lives to be a wonderful way to live—or to mean that others see their lives as valuable in their serving of their husbands. Thus, women’s lives are only valuable when their husbands are satisfied. This occurs partially because a woman has no companions beyond her husband. While the husband “has friends, companions of his own age,” the wife only has the husband for company. Thus, when a woman’s husband leaves her, she’s left alone to face the cruelty of a society that has deserted her. With a world of people looking down upon her for not having satisfied her husband, a woman thus has no reason to live a lonely life of misery. Perhaps this is why Medea believes “it’s best [for a woman] to die” than to face the repercussions of having her husband leave her. Unfortunately, Medea believes that such problems exist even if the wife leaves the husband. Now, consider this in context. Women sell themselves through a dowry in order to get married, their husbands have complete control over them and can manipulate them, but women have no
In both works the protagonists act in opposition to the established cultural roles society has dealt them. In ancient Greek society, women were controlled by their father before they were married, and controlled by their spouse once they were married; Medea opposes this convention and ultimately succeeds in overthrowing it. In fact the theme of reversal of gender roles pervades the entire text. This is exemplified when at the end of the play Medea domineeringly states, “Now of...
For as long as humans have roamed the Earth, misogyny has been an everyday part of life. Some countries have handled it better than others, but misogyny faces every community. In Euripides tragedy Medea, the main character Medea struggles with the misogynistic views constantly facing the society in which she resides. Euripides uses Medea to convey misogyny.
In Euripides Medea, Medea is the morally ambiguous character. In part, Medea can be seen as good because she wanted to live with Jason and her two children in Corinth as a family and enjoy a happy life. So it is understandable that Medea becomes devastated and an emotional wreck after Jason leaves her for the princess. He claimed by marrying the princess, he could bring the children up in a well-being and make more royal children. Medea became a distressed. Hateful, and a bitter woman at Jason. Medea mentioned, “we women are the most unfortunate creatures.” Medea acknowledges that the women don’t have much choice in the marriage and if they want a good life, they need a man to control them. And that woman would be much better off if they had
In the play "Medea", Medea faces the harsh reality of infidelity. Her husband Jason has left her for a princess. Medea, like any normal woman today would want revenge. The difference between them is that the normal woman would not commit the crime, while in fact Medea does. After what feels like an eternity of planning and vowing revenge she devises a plan to murder the woman who has stolen her husband as well as her husband and their two children. She feels betrayed and has every right to. Imagine in that time that it was a crime to commit adultery, but because Jason had left his wife for a princess it was plausible which left Medea livid.
Medea's most valuable argument for her innocence, was her psychiatric condition. An example of her situation happened many times in the past and continue to happen to this day. 1994 Susan Smith drowned her two children in a lake. 1998 Kathleen Folbigg suffocated her only child. Many things come to mind when hearing about these horrible acts. What sane mother would do such a thing to her own children. But that’s just it, no sane mother would kill her own child. If looked closely both Susan and Kathleen had psychological issues that led them to committee these dull acts. Susan Smith was rejected by her husband, Kathleen Folbigg’s father murdered her mother in front of her. Medea suffered most of those acts, she was not only rejected by her lover, but she also had her pride taken away from her. Revenge considered one of the most ancient and brutal human impulses. When a person is threatened by another, the fist thought that comes to one’s mind is revenge. But its when these thoughts become reality that society
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
Euripides created a two-headed character in this classical tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy. By the end, the husband and wife are left devoid of love and purpose as the tragedy closes.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
... know, and does not cause commotion outside of her home. On the other hand, it is quite clear that Medea is far from the depiction of the “ideal” woman because of her vengeful spirit, her uproar causing ways, and the fact that she actually ended up hurting her children, regardless of the amount of pain or sorrow she went through beforehand, not to mention that she also killed her brother, according to many of the stories about her.
The very creation of women was set as a punishment to man because Prometheus, son of Iapetos, tried to trick Zeus into eating bones and then, with the tube of a fennel, steals fire to give to mankind. Zeus then proclaimed, "To set against the fire I shall give them an affliction in which they will all delight as they embrace their own misfortune." Out of Zeus' anger came Pandora, the first woman. Zeus ordered Hephaestus to mold women from the earth and water, Athene to dress and adorn her, Temptation to give her necklaces of gold, and Hermes to implant a bitch's mind and a thief's temper. Hesiod describes women as a "precipitous trap, more than mankind can manage." Hesiod states, "even so as a bane for mortal men has high-thundering Zeus created women, conspirators in causing difficulty." And thus the first woman was named Pandora, Allgift,-"a calamity for men who live by bread." And so Pandora and all the evils of the world, except Hope, were released into the world by a punishing Zeus. Hesiod explains how formerly the tribes of men lived "remote from ills, without harsh toil and the grievous sickness that are deadly to men." From Pandora descended the female sex, "a great affliction to mortals as they dwell with their husbands- no fit partners for accursed Poverty, but only for Plenty." An analogy is then used to compare women to drones who, according to Hesiod, feed off hard-working bees all day. Hesiod immed...
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
Internal conflicts within Medea shed light on her true character and her difficulties to make decisions. Throughout the play, there are many cases of Medea contemplating her decisions and this is done so the readers can see that Medea thinks for herself, and doesn’t let any male control her life. In the play, Medea states, “I had rather stand three times in the front line than bear one child” (1. 249-50). This shows that her internal conflict with not wanting to go through childbirth again is proof that her character is a little bit of a “masculine” woman. In the quote she is saying she’d rather battle than give birth. In a way, it is an example of Medea’ rejection of the foundation of the typical role of woman. Another example of Medea having an
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.