Racial stereotypes are the driving force for both male leads’ attitudes in these plays. Stanley is seen as being a “different species” (Williams 18) or a “polack” (Williams 81) in A Streetcar Named Desire. Since Americans tend to think racist Polish jokes are funny, they seem to forget that those jokes can “easily be converted into moron jokes” (Morreal 77).Stanley’s need to show people like Blanche that he is not unintelligent explains his hostility towards her because he is used to people trying to “swindled” (Williams 32) him. The same is true for Othello, he knew that his peers undermined him because he was “...
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Adelman, Janet. “Iago’s Alter Ego: Race as Projection in Othello.” Shakespeare Quarterly 48.2 (1997):125-144. JSTOR. Web. 20 Nov.2013.
Berry, Edward. “Othello’s Alienation.” Studies in English Literature 30.2 (1990): 315-333. JSTOR. Web. 31 Oct. 2013.
Gruber, Elizabeth. “Insurgent Flesh: Epistemology and violence in Othello and Mariam.” Women’s Studies: An Interdisciplinary Journal 32.4 (2003): 392-410. MLA International Bibliography. Web. 8 Nov. 2013.
Morreal, John. Comic Relief: A Comprehensive Philosophy of Humor. UK: Wiley-blackwell, 2009.Print.
Sambrook, Hana., and Tennessee Williams. A Streetcar Named Desire. 3rd ed. London: York P, 2000. Print.
Shakespeare, William, ed. E. A. J. Honigmann. Othello. New York: Routledge, 1997. Print.
Williams, Tennessee. A Streetcar Named Desire. Scarborough: New American Library, 1986. Print.
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