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History essay on imprisonment
Captivity narrative notes
History essay on imprisonment
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Like a helpless animal, she whimpered, pulling at the heavy shackles in a hopeless attempt to relieve the aching pain on her ankle. The heat was unbearable. The baggy shirt that drowned her skinny frame was drenched in sweat. On the wall opposite her was a collage of photos of her walking to college, out with friends, close up photos of her watching television and in the centre a photo taken by her bedside of her sleeping. The first few times of seeing the centre photo would leave her feeling physically sick. Even a glance would make her heave. The thought of her sound asleep while a man in touching distance is peering over her taking photos of her sent a shiver down her spine. He was clearly tracking her for months. The wall behind her to begin with was empty, but she began to take a tally. Over 7,000 lines made from a chalk-like stone filled the wall with very little space in touching distance left. Her bed consisted of a pillow and blanket, however the pillow was always damp from the flood of tears and the blanket left a stomach churning smell of urine from when she did not have the energy to move over to the bucket in the corner -which also was only emptied until it overflowed, leaving a horrific scent to the already sauna-like “bedroom”. There was a dim lightbulb hanging from the ceiling, flickering every few seconds with a family of flies circling it. The light went out. The room filled with darkness and she slowly reached up the wall with a stone in her hand and with all her effort adding another line. The stone fell from her grip and she lay her head down on the pillow in an effort to fall asleep.
Her eyes opened. To the left of her lay a tray. A bowl of porridge, a glass of water and a stale slice of bread. The plastic ...
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...an older woman standing at the other side, she screamed to the woman for help however the woman did the same. Both were needing help desperately. They both simultaneously banged their clenched fists at the glass door but it would not break. Within seconds a tall dark shadow appeared outside. The moon escaped from a dark cloud and his face was visible. It was him. She began a series of screams to let the older woman outside know the man was behind her. The older woman didn’t move but carried on screaming too. Mirroring eachother, they both clatter the door one last time and then stop. Looking into each others eyes the woman inside raises her hand up to the glass, with the older woman doing the same. Their hands meet at either side of the glass. expressionless. A last tear trickles down both of their cheeks. The woman inside feels a deep breath on the back of her neck.
There was another knock, and another. The old woman with a sudden wrench broke free and ran from the room. Her husband followed to the landing, and called after her appealingly as she hurried downstairs. He heard the chain rattle back and the bottom bolt drawn slowly and stiffly from the socket. Then the old woman's voice, strained and panting.
About thirty years ago there was a young girl in love with her boyfriend. One day, he convinced her to take their relationship to the next level, telling her how deeply he cared. A couple weeks later, she found out that she had become pregnant, and decided it was best to hide it from him. They kept in close contact over the next few months, and he told her that they would be together forever. When her father realized that she was having a baby without marriage, he made her leave the house until she came back with a husband. When the baby girl was born, she decided to tell the boyfriend about the child, by bringing her to his house. He lived on a small farm right outside town and you had to pass over a small river on a bridge to get back to his house. As she opened the door, she walked in on him with another girl. Filled with anger, (pause) she gets in her car and speeds off. Now she could not return home unmarried and had lost her only love because of this one child. As she looked over at the baby, she is only reminded of her boyfriend and the image of him with the other girl. (tone increases) Finally, she reached the bridge, then slammed on the breaks. She got out and in a moment of rage threw the baby over the bridge to rid her of the baby girl’s troubles. Later that night, the police were tipped off about a murder at the bridge and came to find the girl hanging from the bridge.
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
In Mary Rowlandson, “A Captivity Narrative”, Rowlandson recounts her experiences as a captive of the Wampanoag tribe. The tribe took captives from Lancaster in 1676 because of the ongoing violent altercations between the English colonists and Native Americans during King Philip’s War. Since many of the Native Americans brethren had fallen in battle, they saw it fit to take English folk captive and use them to take the place of their fallen brethren, trading/ransom pieces, or killing them in revenge. This was becoming a common practice for the Native Americans to attack villages and in result, some English started fleeing the area or started to retaliate. Rowlandson was a Puritan wife and mother, in her
Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely deteriorate an entire identity.
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
cold, harsh, wintry days, when my brothers and sister and I trudged home from school burdened down by the silence and frigidity of our long trek from the main road, down the hill to our shabby-looking house. More rundown than any of our classmates’ houses. In winter my mother’s riotous flowers would be absent, and the shack stood revealed for what it was. A gray, decaying...
Hollow eyes glanced around the pristine apartment, the gray scale color scheme seems to match the women clasping her hands together, pursing her lips and searching for approval from the girl that stood in the doorway. Automatically, the girl deduced the woman was quite wealthy, especially in the neighborhood she'd now live in. The streets were busier, filled with nicer cars instead of busted ones without their fenders falling apart at the edge. Her nimble fingers explored the wall as she took careful steps into the living room. Winnie wasn't acclimated to this life style: the wallpaper wasn't being striped at the corners, stainless carpets without nothing questionable left behind, no sign of undesirable critters, and silence. She could finally
The patient was more beautiful than she realized. If only she could see it for herself. The color from her dainty face had drained to a sickened green tint and her eyes widened in fear. The walls of the clinic exam room were ordained in calming colors, but offered the young woman no comfort. She continued to blink rapidly as if she would awaken from the nightmare; her long eyelashes could not fan the health worker’s words away. She thought it was harmless, just a night of fun. It made her feel valuable and attractive. Yet being desired now left her alone, crumpling to the floor screaming between sobs and desperately reaching to the empty air around her. She couldn’t grasp any security. Not only did that harmless night of fun result in her becoming
John her insensitive husband and physician has prescribed a “rest cure” treatment for his wife. John rents a summer mansion so his wife can recuperate in solitude, doing nothing active and forbids her to write. The narrator feels that activity and exciting work would help her condition, so she secretly writes in her journal to relieve her mind. Unfortunately, she is confined to bed rest in a large sunlit former nursery, which has an immovable bed, bars over the windows, and walls decorated in hideous yellow torn wallpaper with an eerie chaotic pattern. Jennie, John’s sister is the housekeeper, but her most important job is to keep an eye on her sister-in-law making sure she follows John’s strict daily regimen of doing nothing. Several weeks later, the narrator’s condition worsens and she feels nervous, depressed, fatigued, and lacks energy to write in her secret journal. The narrator’s only stimulation is spending hours studying the perplexing pattern of the wallpaper. She becomes obsessed with the repulsive wallpaper, as the image of the figures creeping around behind the wallpaper becomes clearer each day. Late one night the moonlight reveals the figures of women trapped behind the bars. Each night the women in the wallpaper shake the bars and try to break through, but fail in their attempt. The
As she spends more and more time isolated in her bedroom, with nothing else to occupy her mind, she gradually become fixated on the dreadful patterns of the paper and instantly foresee something else: the narrator eventually see a “strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous design”(77). The narrator’s bedroom being a prison becomes more literal as from figurative when the loneliness and social negation intensifies her need for an escape from the pre-set nature of conduct created specifically for her (a mentally depressed and unwell women) by the people in her life especially by John. Throughout the story, the narrator’s psychological breakdown goes from a typical depressed mind and lacked awareness of identity, to a complete madness and reversed sense of self-esteem. She gradually changes the place she has in the physical world and fights back the social rejection she is facing by turning away from reality in exchange for a world where she has total control and can act according to her own will. The author uses the yellow wallpaper as a symbol for representing the phases of the narrator’s gradual deteriorating
As I walked down the corridor I noticed a man lying in a hospital bed with only a television, two dressers, and a single window looking out at nothing cluttering his room. Depression overwhelmed me as I stared at the man laying on his bed, wearing a hospital gown stained by failed attempts to feed himself and watching a television that was not on. The fragments of an existence of a life once active and full of conviction and youth, now laid immovable in a state of unconsciousness. He was unaffected by my presence and remained in his stupor, despondently watching the blank screen. The solitude I felt by merely observing the occupants of the home forced me to recognize the mentality of our culture, out with the old and in with the new.
...nternal struggle, is supremely unaware of the total effects the wallpaper has on her. Fear is the first ingredient in any horror story, but when mixed in with a demented mind, as was the narrators, terror truly takes on an entirely new meaning. The paranormal, ghosts, spirits and demons are intangible to anyone but the narrator, but as she dives headfirst into her own reality she takes the reader deeper into the world she resides, where she is allowed to creep, and the only thing left to do is to watch the terror unfold.
The story begins when she and her husband have just moved into a colonial mansion to relieve her chronic nervousness. An ailment her husband has conveniently diagnosed. The husband is a physician and in the beginning of her writing she has nothing but good things to say about him, which is very obedient of her. She speaks of her husband as if he is a father figure and nothing like an equal, which is so important in a relationship. She writes, "He is very careful and loving, and hardly lets me stir without special direction." It is in this manner that she first delicately speaks of his total control over her without meaning to and how she has no choices whatsoever. This control is perhaps so imbedded in our main character that it is even seen in her secret writing; "John says the very worst thing I can do is to think about my condition...so I will let it alone and talk about the house." Her husband suggests enormous amounts of bed rest and no human interaction at all. He chooses a "prison-like" room for them to reside in that he anticipates will calm our main character even more into a comma like life but instead awakens her and slowly but surely opens her eyes to a woman tearing the walls down to freedom.
I awake to lukewarm water dripping down my forehead from a damp towel. I feel a thick liquid against my back. I scan the area, Unfamiliar. I find myself lying in a cot in a filthy room. The sight room itself was depressing, not that it was in extremely bad conditions but it was all…brown, the kind of brown that makes you feel depressed. It reeked of fish and motor oil, one of the queerest combinations of scents I have encountered. My ears start to pick up the deep monotones of a man speaking in other room. In my drowsy state I couldn’t make out exactly what he said but I did manage to g...