Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
the influence of candide
analysis of candide
stylistic devices in voltaire's candide
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: the influence of candide
In Candide, a series of unfortunate events befall the main character—Candide—to demonstrate the absurdity of his mentor’s philosophy that he lives in the best possible world. The main tenet of Pangloss’ philosophy is that even from acts that appear evil, or sub-optimal, there is a positive aspect that produces the best of all possible results. In other words, there is no such thing as a sub-optimal outcome or a bad occurrence. Candide demonstrates the absurdity of this mindset when Pangloss contracts syphilis, and when Candide’s benefactor drowns and an earthquake erupts in Lisbon, concluding with Pangloss trying his best to justify both events through the lens of his philosophy.
Imagine contracting syphilis—would it be more appropriate to lament having such a disease, or express the benefits—the European discovery of cocoa and dyes—that followed Christopher Columbus introducing the disease to Europe? Pangloss, rather than feel sorry for himself, speaks of the aforementioned benefits, “…For if Columbus had not in an island of America caught this disease… we should have neither chocolate nor cochineal (Voltaire 15).” This quotation emphasizes how entangled Pangloss was with his own philosophy, that he could not see his own torment—his syphilis—was unnecessary. See, neither Pangloss nor anyone else had to suffer in order for anyone to receive chocolate or cochineal; in a better world, Christopher Columbus would not have brought syphilis back with him after discovering the New World. However, Pangloss cannot conceive of there being a better world because he is enamored with pointing out that, where there is evil, there is also good—which is what he does by pointing out how because Columbus went to the New World and contracted syphi...
... middle of paper ...
...reflected critically on the events of his life—even just the two examples used in this essay--, he would probably find that this is not the best of all possible worlds as it is rife with evil and suffering. With this novella, Voltaire made the point that some spend a lifetime justifying—not rationalizing—the events of the world because those same people are too busy attempting to prove one theory rather than develop others that may fit reality more. When Candide dismisses Pangloss at the end of the novella by saying, “Let us cultivate our garden,” he is rejecting Pangloss’ philosophy, turning over a new leaf, and taking charge of his own life and giving it its own meaning free of Pangloss’ influence.
Works Cited
Voltaire. Candide. New York: Boni and Liveright, 1918. Project Gutenberg. Web. 11 January 2014. http://www.gutenberg.org/files/19942/19942-h/19942-h.htm
Voltaire's experiences led him to dismiss the idea that this is the best of all possible worlds. Examining the death and destruction, both man-made and natural (including the Lisbon earthquake) Voltaire concluded that everything was not for the best. Voltaire uses Candide as the vehicle to attack optimism. Pangloss is meant not to attack Leibnitz, but rather optimism as a philosophy. Thus the reader cannot forget that all of Pangloss's ramblings are not Voltaire's personal attacks on Leibnitz, but in some way represent a characterization of the "typical" optimist. Pangloss, writes Voltaire, "Proved admirably that there cannot possibly be an effect without a cause, and that in this best of all possible worlds the Baron's castle was the most beautiful of all castles and his wife the best of all possible baronesses" (Voltaire 2). Thus we have established Pangloss as the champion of optimism.
In the beginning of the novel Candide is described as extremely optimistic person who always sees the best in everything. Not only is Candide very optimistic, but he does not really understand how the world works. He seems to be simple minded and immature toward any and all of the harsh realities of the real world. His philosophy towards life is that he is living in “the best of all possible worlds”. Candide gets this philosophy from his teacher Pangloss, who is also an extreme optimist. Both Pangloss and Candide are faced with horrible suffering and misfortune, almost in spite of their optimistic outlook on
Candide’s initial encounter with this condition comes in the form of “… a beggar who was covered with pustules, his eyes were sunken, the end of his nose rotted off, his mouth twisted, his teeth black, he had a croaking voice and a hacking cough, and spat a tooth every time he tried to speak.” (105) With wickedly cynic humor, Voltaire reveals to us that this beggar is the perennially optimistic Pangloss. Not recognizing him, Candide gives the beggar money. Pangloss gratefully falls on Candide, who recoils in horror and wonders what happened. Yet his question regarding Pangloss’ fate, without waiting for an answer, is quickly followed by questions about Cunégonde. Candide’s reaction, unlike that of the Buddha, betrays that he remains fixated on the bloom of his desired Cunégonde. Candide faces more infirmities throughout his story, including that of the old woman who is missing a buttock due to cannibalism (118), and the disfigured slave who bleakly tells him that “If we catch a finger in the sugar mill where we work, they cut off our hand; if we try to run away, they cut off our leg: I have undergone both these experiences. This is the price of the sugar you eat in Europe.” (131) Here Voltaire reveals to the reader Candide’s empathy as he weeps for this complete
"All is for the best...in the best of all possible worlds." To picture greatness, perfection and brilliance all intertwined into one splendid world -- a utopia, infers visualizing absolute beauty, harmony, and a universal tolerance amongst mankind. Would not such "perfection" designate the "best of all possible worlds?" How could we possibly conceive the sinister world portrayed in Candide to be conveyed as "utopia?" Since the best of all possible worlds indicates that "all is for the best" is it not safe to derive at the conclusion that since our world is clearly not "perfect" it is therefore implied that "all" is not for the best? Who determines the "right" from the "wrong," the "beautiful" from the "hideous," the "strong" from the weak?" How does one know if they are right? How does one ever know if they chose "correctly?" How does one allow themself to be infatuated with an idea as to blindly (correctly or incorrectly) follow it and believe? When do you question yourself? Doubt and "double-guess" yourself? Such correlating topics of an ambiguous solution are sought to be explained in Candide.
Each chapter of Candide is a part of the story which Voltaire carefully expresses his concerns and criticism of 18th century society. Chapter 11 “The History of the old women” in particular criticises the pre-modern era in regards to religion. The enlightenment period called for freedom of religion from many philosophers ...
In chapter 5 of Candide, the Enlightenment and the birth of tolerance were on full display. In Candide, the Enlightenment thinkers’ view of the optimum world is challenged through the shipwreck and the satiric explanations of the Lisbon Bay and Lisbon Earthquake. Voltaire continues to use ironically tragic events to test Pangloss’s optimistic philosophy, which attempts to explain evil. The use of grotesque and naive behavior between individuals in this chapter makes the reader question Pangloss’s irrational thinking with the cause and effects of the events.
Voltaire's Candide is a novel which contains conceptual ideas and at the same time is also exaggerated. Voltaire offers sad themes disguised by jokes and witticism, and the story itself presents a distinctive outlook on life. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic, versus reality as viewed by the rest of the world.
Candide is a person of privilege who began life in the Castle of Westphalia. While a part of the castle-life, Candide was taught by Dr. Pangloss. Pangloss is a philosopher who teaches there is a cause for all things and that everything is all for the good, even though a person may not understand it at the time. Suddenly, however, Candide is exiled from the privileged confines of the castle when he is caught kissing Cunegonde, the daughter of the Baron. Upon his exile Candide immediately begins to face adversities. Candide finds himself in the army simply because he is the right size. His life in the army is nothing but turmoil and hardship. Despite the misfortunes of army life, Candide continues to believe there is a cause and effect for all things.
To get his point across in Candide, Voltaire created the character Dr. Pangloss, an unconditional follower of Leibniz's philosophy. Voltaire shows this early in the novel by stating, "He proved admirably that there is no effect without a cause and that, in this best of all possible worlds....(16)" Pangloss goes on to say that everything had its purpose and things were made for the best. For example, the nose was created for the purpose of wearing spectacles (Voltaire 16). Because of his "great knowledge," Candide, at this point a very naive and impressionable youth, regards Pangloss as the greatest philosopher in the world, a reverence that will soon be contradicted by contact with reality (Frautschi 75).
Pangloss simply responds that the disease was a necessity in this "the best of all possible worlds", for it was brought to Europe by Columbus’ men, who also brought chocolate and cochineal, two greater goods that well offset any negative effects of the disease. (526)The multitudes of disasters, which Candide endures, culminate in his eventual, if temporary, abandonment of optimism.
Frautschi, R.L. Barron's Simplified Approach to Voltaire: Candide. New York: Barron's Educational Series, Inc., 1998.
Voltaire's Candide uses anti-heroism as an object of mockery against the philosophers of the Enlightenment. Candide, the hero of the novel travels around the world where he encounters many difficulties. During his travels, he sticks to the teaching of his tutor, Doctor Pangloss, believing that "everything is for the best" (3). Voltaire points out the illogicality of this doctrine, "if Columbus had not caught, on an American island, this sickness which attacks the source of generation [...] we should have neither chocolate or cochineal" (8). The sheer stupidity of these illogical conclusions points out Voltaire's problem with most optimists: the illogical degree to which they would carry their doctrine. Voltaire would argue that noses were not designed for spectacles, but rather spectacles were designed for preexisting noses. Pangloss's interpretation of cause and effect is so ignorant as to be comical. While Candide tells an interesting story, it is more important as a satire. However, this does not prove Voltaire is a pessimist.
Through the steady adversity faced by Candide, Voltaire brings up important questions about how the nature of optimism appears to commoners. Pangloss's philosophy of "the best of all possible worlds" - an example of the misleading optimistic theory advocated by the philosophers of the Enlightenment which Voltaire deems absurd, - is "listened to attentively and believed innocently" (2) by the young and naive Candide at the beginning of the novel. However, as the novel progresses Candide begins to balks at this optimist idea, in the end suggesting to his comrades to "cultivate our garden" (87). This, his own conclusion, can be interpreted as humble work is the only answer to a life continuously plagued with bad luck. Through the actions of his silly characters, Voltaire preaches that man is unable to understanding the evils in this world and concludes that the basic goal of life is not to seek pure and trivial happiness, rather it is to learn to survive.
The book Candide by Voltaire is a humorous satire constructed of many themes. Through his book, Voltaire expresses his views on life by criticizing many aspects of humanity at that time. He focused in war, religion, and love, but the main target of Voltaire's satire was a certain philosophy. All of the previous topics unite to ridicule the philosophy that, as the character Pangloss said, "things cannot be otherwise than as they are; for as all things have been created for some end, they must necessarily be created for the best end" (1).
Two major themes that are shown throughout the book is Optimism and Disillusion and Hypocrisy of Religion . Voltaire included Optimism and Disillusion as a theme to prove that everything is not for the best and that when bad things happen, they are not for the greater good of this world. In Candide, Pangloss and his student Candide believed in the philosophy that “all is for the best in this world”. Several times throughout the book whenever a terrible event occurred they would say that it was for the best. In chapter 4, Pangloss attempts to explain that him contracting syphilis was for the greater