In Donaldson’s essay, she speaks about traditional southern gothic women as disruptive and breaking down traditions. Although it is agreeable to say that Emily Grierson is disruptive, it is only because she resists change, not because she perpetuates it. Although this is a slight deviation from the characteristics of typical southern gothic women, she still holds true to being a symbol of burden or disturbance, “a sort of hereditary obligation upon the town” (Faulkner 119). In southern gothic literature we see women that are harassed, “we watch them being punished…for not being the southern women they are supposed to be” (Donaldson 3). Emily Grierson challenges her community because she is insubordinate. Specifically, the essay states that t...
... middle of paper ...
...me kind of compensation for dealing with her antics. Nearly every aspect of her life was considered by her peers, usually not in a good manner. Her actions and appearance were a symbol of a woman that would not conform to her society and her resistance to change. She is quite a contradiction; she resists change yet is not considered a traditional southern woman. The story of Emily Grierson is a typical southern gothic tale that incorporates the demented and queer as well as a woman put on display, detailing her life through the judgmental and ever present eye of her community.
Faulkner, William. “A Rose for Emily.” Collected Stories of William Faulkner. New York: Vintage Books, 1977. Print.
Donaldson, Susan V. "Making a Spectacle: Welty, Faulkner, and Southern Gothic." The Mississippi Quarterly 50.4 (1997): 567-84. ProQuest. Web. 27 January 2014.
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