Analysis Of Almost A Love Story

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A Return to Chinese Identity
In the 90s of the century, many important events happened between China and Hong Kong. Without questioning, one of the most influential incidents happened during this period of time was Hong Kong’s reunion with China in July 1997; it transformed Hong Kong from a colonial dependent territory to a Chinese administration region. The local Hong Kong people felt disoriented of their futures because Hong Kong has been separated from China for a few decades. Many of them came to questioning their national “Chinese” identity; they tend to localize themselves as “HongKongnese” instead of the “citizen of the People’s Republic of China”. Owing to that, the local Hong Kong people have difficulties to restore their sense of …show more content…

The film centers on two mainland Chinese people who both came to Hong Kong in order to improve their standards of living but inevitably fall in love over a span of ten years. Through the story of Li-Qiao (Maggie Cheng) and Li-Xiao-Jun (Leon Lai), we can clearly see how difficult new immigrants from mainland China emerge in the Hongkong mainstream society. There are a lot of sacrifices they need to make to be adapted to the society, including to overcome the language barriers as well as the cultural differences. They both came to Hong Kong with clear goals, but eventually they felt disorientated by the future. Take Li-Qiao for example, she tries her best to look like one of the Hong Kong people, including speaking Cantonese and wearing decent clothes, and yet she still felt deep inside her heart a sense of inferiority. When she is finally able to achieve her Hong Kong dream, however, she could not help but felt a sense of loss and loneliness. She knew her success came at the expense of her relationships. Their story is an ellipse of ten of thousand immigrants who suffer the loss of identity while they are struggling to survive. At the end of the movie, Li-Qiao decides to go home, where her heart always belongs …show more content…

Alfred Cheung, 1990) is a comedy-crime movie released in 1990 starring by Carol Cheng and Tony Leung. This story takes place in Hong Kong between the mainland Chinese officer Cheng (Carol Cheng), the Royal Hong Kong Police Wu (Tong Leung), and Wu’s father, a former military officer of Chinese Nationalist Party. In spite of their cultural differences and their conflicting political views, they corporate together in the movie to extradite the drug-dealer Wong and his boss Su. The director uses a funny way to inquire a serious social problem between Hong Kong and mainland China; the differences between the two places including their respective social patterns and values lead to the contradiction between the two places. For example, Cheng and Wu’s different approaches to arrest the drug dealer highlights the dispute between them. In the movie, after Wong escapes from the supervision of Royal police, Cheng and Wu are demanded by both of their supervisors to catch the escaped criminal. Cheng proposed to arrest Su and interrogate him so he can give them the lead for the policers to follow. However, her proposal is refuted by Wu by claiming that they will violate human rights of Su, which is an unlawful act in Hong Kong. Cheng is furious and dissatisfied by Hong Kong police’s hesitation, she argues that this is legal in mainland China in order to gather evidence and trace the criminal act. Their different solutions signify the radical difference between

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