Pantheon is located in the Italian capital Rome, the northern circular plaza, it is one of the oldest buildings in Rome, is also a representation of ancient Roman architecture. The original history of the Pantheon dates back to the 27th year of the Roman Republic, which was built by Octavian 's deputy, Agri Barba, to commemorate Octavius ' defeat of Anthony and Anlapatra. But the original temple was burned in the fire in AD 80. It was not rebuilt until 125 AD by Emperor Hadrian, who inscribed "M.AGRIPPA.L.F.COS.TERTIUM.FECIT" in the rebuilt portico of the Pantheon. It means "the son of Lucius, the three-time Archon of the construction of the temple of Marcos America." This passage had led to the misconception that the colonnade was left over …show more content…
Pantheon plane-round, dome diameter of 43.3 meters, the top height, is 43.3 meters. The central dome opened a diameter of 8.9 meters round hole, indicating that the world of God and the human world together. Projected from the round hole in the soft light, illuminating the Pantheon 's interior, it is full of sacred feeling. Dome materials are concrete, brick, concrete pumice for aggregate. To reduce the weight of the dome, the more, the more thin, the lower 5.9 meters thick, the upper 1.5 meters. And in the dome inside to do five deep concave grid, each circle 28. The wall thickness is 6.2 meters and is also made of concrete. Each pouring about 1 m, to build a layer of large brick. Wall along the circular hair eight coupons, of which 7 are niches, one is the door. Niches and gates also ease the burden of the foundation. The foundation is 4.5 meters deep, and the bottom is 7.3 meters thick. The foundation and the walls of the concrete are made of tuff and gray stone for aggregates. Stigma and pillars are white marble. The flowers and the eaves of the statue, door fan, tile, porch ceiling beam and board, are made of copper, was wrapped in gold foil. The …show more content…
Pantheon porch pillar tall and majestic, but also gorgeous floating Yan, column height of 14.1 meters, the bottom diameter of 1.43 meters, with a piece of Egyptian gray granite processing. Stigma and pillars are white marble. The figurines of the mountain flowers and the eaves, the gates, the tiles, the ceiling beams and the boards in the porch, are made of copper and wrapped in gold. The hall is surrounded by shrines and enshrines the Catholic saints. On the left and right walls, there are Jesus Christmas and the "three kings" to the murals and St Joseph 's sleepwalking and fled to Egypt 's relief. Hagia Sophia all the columns are the color, different patterns of marble processing. Its walls are covered with marble slabs and vaulted mosaics for a minimalist design. Archangel Gabriel and Michael 's mosaic are also found on the archway. The arched shoulder of the building is decorated with cutting practices, with black marble as the end, on which embedded precious white marble slices, flowers and birds display patterns. At the same time, the top of the church dome and the surrounding walls are also covered with colorful mosaics and a large number of exquisite murals and sculptures. In addition, the decoration of the cathedral, in addition to a variety of exquisite carvings exquisite, but also includes the use of colored marble mosaic puzzles inlaid, the mosaic depicting the Virgin Mary, Jesus, saints, emperors, and queens, there is
One of the most defining features of both the Pantheon and Jesse Hall is the larges domes that sit atop their structures. When the Pantheon was created, there was no dome ever created to the scale or size of the one that tops the building to this day. The dome itself sits on a drum like structure that supports the structure. The top is not completely curved like many other domes today. A stepped dome is used near the bottom and begins to curve more towards the top where the oculus sits. This oculus allows any sort of element into the building including sunlight, rain, and snow. The Pantheon, being a space of religious worship when originally created used the dome for many different purposes. In Understanding Architecture, extra contributor David Wat...
The Pantheon was a Roman concrete structure. Roman concrete is a mixture of lime and volcanic ash (pozzolana, found near modern-day town Pozzouli). Roman concrete is also called hydraulic cement-based concrete. It is known for curing relatively rapidly, even in damp condition, thus it could be used for massive construction. The most daring thing about the use of Roman concrete in the Pantheon is that Portland cement needs steel reinforcement due to tendency of cracking caused by tension forces, meanwhile the Pantheon did not. The Pantheon still stands today is because of its special structure.
The towers of the church have cone-shaped tops with one being larger than the other. There is a large circle shaped window in the center of the west facade. There are windows in the towers and windows at the base. There are doors and pedestals.There are details carved into the building which include the image of holy figures.
This shows that Rome was the successor of Greek culture and design. It is important to note that Roman culture was known to imitate and copy ancient Greek architectural style. Often for more aesthetic reasons, and not the mathematical or design reasons the Greeks originally saw in their creations (as mentioned above). But this was not the case with the Pantheon. There are many references to geometric shapes (circles and squares) throughout the building. In addition, the dome was created at a height that is a perfect sphere above the ground which was a mathematical and structural
The Column of Antoninus Pius was a Roman triumphal column dedicated to honor the Roman emperor Antoninus Pius and his wife Faustina the Elder by his successors, co-emperors Marcus Aurelius and Lucius Verus, in 161 A.D. The column alone was 14.75 meters high and 1.90 meters in diameter, which was composed, of red granite, with no reliefs on the column like other triumphal columns such as those of Trajan and Marcus Aurelius. The column itself has been lost to history, however the base expresses iconography that art historians are still studying and interpreting today. The main components of the base of the column contain two funerary decursio sides, and the depiction of the apotheosis of Antoninus Pius and Faustina the Elder, the decursio and apotheosis depict two separate but equally important styles and motifs.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
The Pazzi chapel marked a momentous return to classical rudiments. It has a central dome "reminiscent of the lines of Rome's Pantheon" (Cunningham 274). It has an oculus just like the Pantheon. Furthermore, although smaller in scale, the dome of the chapel is also hemispherical in shape and austere in design. Likewise, the chapel's twelve-ribbed dome approached the floor below it in the same respect as the Pantheon; completed after Brunelleschi's death, the chapel dome caps a severe rectangular base in the same way the Pantheon dome covers an ascetic circle. (Tractenberg). The chapel's dome, however, is itself capped with a cylindrical cupola "with delicate lantern" added in 1462 (Italy Field Study). Although they differ in base, both domes were framed according to circles. The image above illustrates the resemblance between the Pantheon's and Pazzi chapel's dome. The image on the left is the architectural plan of the Pazzi Chapel. The one on the right is that of the Roman Pantheon. If one is to draw a near perfect circle that fills the interior of the dome, as...
The Roman Pantheon built by the Romans using advanced engineering skills combined a cylindrical structure with an outer colonnade Greek classical design to make an architectural monument. The amount of time and effort that went into the building of this structure shows a cultural emphasis on quality workmanship and perfectionism. This workmanship and perfectionism showed the importance given to the worship and honoring of the Gods. This pantheon is the only active place of worship amongst Rome’s ancient temples still in existence. Modern commentators tend to view the building as a high point in an "architectural revolution" brought about mainly through the Roman development of a superior pozzolana concrete that lent itself to the forming of unitary, three-dimensional structures. Other factors cited for the technical success of the Pantheon include the use of a series of massive, concentric stepped rings and the lightening of the dome by coffering and gradated light-weight aggregates. ( Mark, Robert, and Paul Hutchinson, 1986) The concrete dome was one of the world’s largest unreinforced concrete builds for over a millennium until the modern era. The success of the Pantheon longevity was largely attributed to acquired new techniques of construction and materials that shaped the development of Roman construction technology. This allowed for the use
From the front the building looks like a lintel and post style build, but it is actually a circular building. If you approached the Pantheon when it was originally built you would have approached through a colonnade that would have hidden the barrel shaped of the main part of the building. When looking at the Pantheon from the front you see the traditional architectural design of the time, for a grand building, the pillars and the pediment. The pillars are made from single pieces of marble in a Doric style, which were imported from Egypt. The pillars rise up from the floor and fuse with the pediment with intricate Corinthian capitals. The Doric style presents itself again in the frieze because it is plain and only contains a Latin phrase.
The Façade, designed by the architect Carlo Maderno, “Is 114.69 metres wide and 48 metres high, and has an order of Corinthian columns and pilasters, over which lies an imposing cornice with a central tympanum, crowned by a balustrade with thirteen statues (nearly 6 metres high).” There can be found an inscription on the entablature stating that the Façade was built under Pope Paul V Borghese. In the lower order there are five entrances to the atrium, over which are nine windows, three of which possessing a balcony. The main window, the “Benediction Loggia”, where the Pope gives his blessing upon his election, and at Christmas and Easter. When Maderno added the nave, which is the main body of the church,
The San Vitale is primarily built of brick with a marble and mosaic interior. The ground plan consists of a octagonal organization with a central dome supported by a tall cylindrical drum. Separated by clerestory windows, is a dome in a concentric form of clay tubed rings and seven curved exedras connected to vaulted semi domes. At the main entrance of this chapel is a narthax making it off access from the adjustment apsidal chapels. On either side of the narthax is two projecting towers, one being a spiral stair tower and the other a bell tower. Connecting the central dome area and the ambulatory is 8 strong masonry pillars. The outer prism incorporates two levels of galleries with eccentric mosaics from floor to ceiling. Whether marble or mosaic stone, the monument fills t...
The interior of the Pantheon is an open circular floor plan and, was painted blue and gold to resemble the vault of heaven (The Humanistic Tradition). The interior of the Pantheon was purposely meant to outshine the exterior. Unlike the Pantheons more interior design the Cathedral has a more exterior design. The interior of the Cathedral of Chartres has a network of open and closed spaces. The exterior of the Cathedral is lined with sculptures that are linked to the Old and New Testaments. Along with t...
This week’s unit 2 assignment objective is to discuss the similarities and differences in culture as seen via the Parthenon and Pantheon. Both structures were great buildings of their time. They represented the spirituality of ancient Greeks and Romans. The Parthenon of Athens, Greece was a building. While the Pantheon celebrated the gods of Romans.
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
Beginning with the wood construction of the domed ceiling, to the current marble and rock structures throughout the building. “The church has a rectangular shape, and the square nave measuring 102 feet is covered with a central dome that is carried on four pendentives. The arcade around the dome is unbroken with 40 arched windows to bring the light inside. Excluding the two narthexes and the large atrium, the basilica measures 229 x 245 ft. The atrium measures 157 x 106 ft. and the total length of the construction measures 442 ft.” (http://www.hagiasophia.com). Later in time vestibules were built to give royalty privacy and protection during services and meetings. Art works such as the marble jars on the main floor were brought from other countries to decorate the church. Mosaics were made depicting royalty and their signatures at the time. The library created in the time of Mahmut I for school children and other scholars boasted a display of his calligraphic signature called a “Tugra.” The library’s front side has six columns, and in between there are bronze grills that closed the