The Museum of London is announcing that it will soon be welcoming a new exhibit painted by Rembrandt Harmenszoon Van Rijn. The exhibit will be entitled “A Renaissance Genius: Rembrandt”. As for why this artist was chosen, the answer is very simple, it is because he is popular, for the historical value of the exhibit, and for the variety in his diversity of works, all those things are going to attract people to see the display. The following paragraphs are going to explain what is Rembrandt famous for, the world during the renaissance, and in what the different subject matters enhance the quality of the display. (“Rembrandt at”) (?)
To support the arrival of the exhibit about Rembrandt, the first thing to say is that Rembrandt is famous, there is even a museum where Rembrandt was living. In this museum, special displays are also done on artists that were influenced by Rembrandt. (“Home”). Also, it might be relevant to say that Rembrandt's painting The Storm on the Sea of Galilee which is also his only knwon seascape and twelve other paintings were stolen during what is considered as one of the largest property crime in U.S. History. In addition, those paintings are so valuable to the museum that it is willing to pay 5 millions dollars “for information that leads directly to the recovery of all of our items in good condition”. Besides, when examples of the thirteen stolen paintings are given, we often hear that the thirteen paintings include paintings by Rembrandt (The Gardner). Furthermore, Rembrandt is known to be the painter of The Company of captain Frans Banning Cocq and lieutenant Willem van Ruytenburch preparing to march out also known as The Night Watch. This portrait is actually Rembrandt's largest and most famous painti...
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...exhibit on rembrandt for he is a famous painter who is painting “beautiful” paintings and teaching about the world during the renaissance. Those are the reasons for which people are going to come to the museum to see thi exhibit.
Works Cited
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Ijpma, Frank F. A., et al. "The Anatomy Lesson Of Dr. Nicolaes Tulp Painted By Rembrandt In
1632." ANZ Journal Of Surgery 78.12 (2008): 1059-1061. Academic Search Premier. Web. 10 Nov. 2013.
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Henri Regnault's Automedon with the Horses of Achilles looms large in the East wing of the Museum of Fine Arts in Boston, Massachusetts. The painting is over ten feet by ten feet in area and is truly spectacular. It is impossible to miss this massive work of art when walking through the hall. The painting is encased by a beautiful wooden frame and hangs in between many other outstanding paintings. This paper will cover a description of the painting, the meaning of the painting, and the background of how the painting was brought to the Museum of Fine Arts in Boston.
Albrecht Durer-Saint Jerome in His Study: In this engraving done in 1514 Durer depicts Saint Jerome hard at work at a desk. He appears to be reading or inditing some document that is very engrossing. He does not seem to descry the lion or the canine that are near the foot of his desk. A skull is optically discerned on the left side of the engraving sitting on the window ledge facing the interior of the room. It appears as though there is an imaginary line from Saint Jerome’s head to the cross that culminates at the skull, it is believed that this designates the contrast between death and the Resurrection. The canine is a symbol of adhesion often depicted in Durer’s works, while the lion is a component of the iconography of Saint Jerome. This engraving is often grouped with two other Durer engravings that betoken the three spheres of activity apperceived in Medieval times. Durer was an accomplished engraver, painter, printmaker, mathematician, and theorist.
... the visitor. Conspicuous consumption is exemplified through this painting and the museum because it was basically all created by overbuying and greed. It can be said that the single very reason anybody sees that painting hung on the wall of a misfit room in a disorganized museum is only because of one man’s extreme case of money flaunting in an age where everything needed to be big and flashy. Also this painting was created smack dab in the middle of the Gilded Age. The painting itself has no direct connection to this era but it makes an argument for why the piece is hung in the museum.
It takes more of the creative person to sit and read into each piece of art work to try and understand what the artist is trying to portray. Usually I will spend five to ten minutes trying to come up with something half decent of how the color strokes represent the artists distress, but while looking at the The Anatomy Lesson of Dr. Tulp by Rembrandt in 1632, I was pleasantly surprised. This painting was created on an oil canvas during the Restrained Baroque period and emphasized group portraits. Group portrait is a large canvas commissioned by a civic institution to document or commemorate its membership at a particular time (Sayre, Henry M., and Henry M. Sayre.). I felt like I could relate extremely well to this painting, because it was a doctor teaching his students about the anatomy of a human. I am a biology major and took anatomy last semester. So I felt like I could feel what the students were feeling in the painting, because I have been in their position. This piece of art again shows that history relates to modern day life, because even today we are memorizing the anatomy of humans. Something’s have changed due to the fact that technology and our knowledge has advanced. Instead of just learning the names of the bones/muscles in the body we are now learning that on top of all that the enzymes and molecules that are also involved. This particular painting made me think of things that have happened in my
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
This painting, measuring about six-by-seven feet, is a massive work that draws viewers directly to it once they enter the room in which its displayed. It is not covered by any glass and is in a very well-lit area, thus it allows viewers to stand as close as possible to see the details of how Peter Paul Rubens handled his medium. Looking at the painting from a photograph is much different than viewing it up close and in person, because when looking at a photograph, one cannot see the texture of the paint that gives the painting its very delicate, unique, and realistic quality. The work appears to be in very good condition because most of the colors are still very rich and vibrant, such as Adonis’ red garment (Rubens). Although one cannot tell when directly viewing the piece, it has been said that previous use of radiographs for further analysis on the painting uncovered that initially, “Rubens gave A...
...wn in the succeeding works of his lifetime. It is thought that this aura of sorrow is capable of moving a person so much that a sadness like this is only found in Rembrandt's last portraits, and no other accomplished artists’. Titian’s work is significant for this effect of inspiring and stirring emotion in even the tamest heart. (“Encyclopedia of World Biography” 242-243)
Leonardo Da Vinci could be argued as one of the most famous persons in the Renaissance Era and one of the greatest painters to ever live. Leonardo is talented and has made many contribution throught his life. He did so many things such as painting, anatomy , mechanics, and architecture. And he is one of the reasons why the Renaissance era could be regarded at one of the greatest time periods in history.
Rembrandt suffered many hardships throughout his life, the death of his children and wives, going bankrupt and having to sell his estate; all of these tribulations have had a personal significance for him and are apparent in subtle ways, in some of his paintings. One such painting that captures intersubjectivity is The Return of the Prodigal Son (Fig. 1); this painting portrays compassion and forgiveness. At some point in everyone’s lives there has been a time where we were asked to forgive or we had to ask for forgiveness, so this painting speaks to everyone. Rembrandt was able to capture the exact moment of forgiveness from the father and the penitence of the son. The father with his downcast eyes, solemn expression and gentle embrace indicate the father has truly forgiven his son and accepted him back into his house. In contrast the son on his knees, burying his head in his father’s chest shows us an appreciation and a sense ...
Most people do not realize that a parachute and the Mona Lisa have one common factor—Leonardo da Vinci. His techniques of self-teaching are very impressive and unique from anyone else’s during the Renaissance era. This Renaissance man, Leonardo da Vinci, generously impacted the art and science world by creating new-world inventions, perfecting newly found art techniques, and creating the most famous pieces of art in history.
This essay will be about Flemish Baroque painter, Peter Paul Rubens. I will explain why Paul Rubens was highly influenced and impacted by the arts in the high renaissance time. Such as the works of Raphael, Leonardo Da Vinci, Michelangelo, and Titian, and how some of these artists ' works had an immediate effect on him during his time. I will answer this question by giving vast evidence of how Paul Rubens works are different based on contextual factors, but at the same time the same and under the influence of the high Renaissance artists mentioned above.
The facility was smaller than expected by many on the tour group. However, the tour guide had a very nice explanation to each of the artworks. By visiting the museum to gain the aesthetic experience it has open many people point of views to how they can express his or her self through art.
Wilson, John L. “Ignaz Philipp Semmelweis (1818-1865).” Lane Medical Library. 1999. 23 Apr. 2003 <http://elane.Stanford.edu/Wilson/Text/5c.html>.
Rembrandt was known for his expressive use of light and shadow in his paintings. His painting, The Anatomy Lesson of Dr. Nicolaes Tulp is an important example of medical progression. It is a group portrait of surgeons who are participating in a public dissection of a cadavers left arm being examined. The Netherlands in the 17th century was largely Protestant and art was no longer created for the Church. Artist look to merchants and professionals for patronage. During the Renaissance, artists explore the human body and then in Baroque era they begin somewhat a scientific exploration of the human body. Like Michelangelo, he dissected corpses in private so he can have a better understanding of the human
The shift between the Middle Ages and Renaissance was documented in art for future generations. It is because of the changes in art during this time that art historians today understand the historical placement and the socio-economic, political, and religious changes of the time. Art is a visual interpretation of one’s beliefs and way of life; it is through the art from these periods that we today understand exactly what was taking place and why it was happening. These shifts did not happen overnight, but instead changed gradually though years and years of art, and it is through them that we have record of some of the most important changes of historic times.