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Recommended: Women in literature
I chose to do “The Lady of the House of Love” by Angela Carter for my poster (Carter). The audience for my poster are readers of young adult literature who have read stories about Vampire such as the Twilight Saga by Stephanie Meyers. This audience does not have a set age range, it includes readers of young adult literature of any age. Readers who enjoy this genre enjoy dark and complex paranormal characters. My design appeals to them through the use of dark colors, a simple design which leave a lot up to the imagination, and indications that there will be paranormal characters.
My poster explores the theme of beauty. The poster visually illustrates the contrasts about beauty which are made in the story. The perfectly smooth pale skin, the black pointed and sharp nails, and the intense red rose are all at odds with each other. Red roses are a symbol of ideal beauty in The Lady of the House of Love, and they are a metaphor for the Countess who seems to embody every beauty ideal. She is so perfectly beautiful, she seems unreal and creepy. The roses are also described being a bit beau...
My favorite thing about this piece is the depiction of the New York skyline during a starry night. This is because I am in love with the city at night time. It makes me feel warm. My least favorite thing is the floral border. At first glance, it looks dumb and out of place. I did not understand the purpose of this border until further research was done on the piece of art. I do not think the artist was successful at achieving her goal. I think this because at first I didn't even notice the young girl flying above the bridge. Once I noticed her, I could not tell she was the same girl laying on the rooftop. This made the wild background not make much sense to me. If I were to do something differently about this piece, I would make the flying girl bigger, or put her into more of the focus. Also, I would do something special to show that they are the same girl. Maybe a unique outfit or something would do the job. During the time this artwork was created, Ringgold played a role in the organization of protests and actions against museums that did not show the work of women and people of color. She usually used “overly political paintings” to present her anger (Spector, Nancy). Within this work, she used a story quilt. Everyone loved it! She turned down her angry theme to show this light hearted example of a “spirited heroine”(Spector, Nancy). Women in this time period’s society loved to see a young colored girl
and beauty are represented by a rose and the laurel, which are both subject to
Chrysanthemums was painted in the middle years of Renoir’s career. It is a vibrant portrayal of a vase of chrysanthemums in a vase on a table, with a simple, yet poignant background. Although in today in France, chrysanthemums may symbolize bereavement and death 4, Renoir’s depiction is of a flourishing plant, teeming with life and activity. Renoir employs a cooler palate in this work; Blue greens and cool reds are used to create shadows, depth, and contrast to the painting which help to engage the viewer. The flowers sit comfortably in a vase on what appears to be a patterned white table cloth draped loosely over a small circular table. This painting is an excellent example of Renoir’s artistic style; His favor o...
Her use of primary colors and complementary colors are illustrated in the background, at the top of the fabric and in the outer view of the house and in the front yard. There is shading being shown in the two geometric windows. The entire work presents lines and implied lines as a focal point or as a means to describe a scenery. The texture of the garment is silky and very smooth like bed sheets. Post and lintel are crafted on the rectangular door frame and in the small window inside the door frame. Fine art is depicting in the background of the house; the painting is going in its own direction but still have a meaning behind it. The grass, tulips, and the weeds in the foreground appear naturalistic and lifelike which give the painting a multiple use of variety. The composition of the house is centered and upright. Marisela Esteves uses asymmetrical balance in the pathway and on the walkway to the flower garden. On the left side of the house there is a lot of variety elements and implied lines been demonstrating. Also, there is a lot of space in the background which grabs my attention because the line portrays a billboard in my mind that is covered by the vibrant, bright colors. The material that Marisela Esteves use was probably a knife or paint brush to mix, dye, and print on the fabric
Oscar Wilde’s The Picture of Dorian Gray is, at first glance, a novel about a young, handsome man’s demise as he travels into a world of self- indulgence, immorality, and evil. Though the predominant motif of beauty versus ugliness is the main take-away point, Wilde’s use of symbols, particularly flowers cannot go unnoticed. From characterization to depicting religious allusions, flowers are frequently used in The Picture of Dorian Gray. Clearly, the novel’s use of roses, orchids, lilacs, and the like has an underlying meaning, which will be explored and analyzed in this essay.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
Some examples of metaphor within the piece are when it says “your laughter’s so melodic it’s a song” and “your creativity’s a compass that leads you to what you love”. An example of evocative language in the piece is “you don’t need any miracle cream to keep your passions smooth, hair free or diet pills to slim your kindness down.” These metaphors and instances of evocative language help emphasise the message that it doesn’t matter what you look like, the most important thing you can love about yourself is ____. Metaphors, evocative language, and repetition are also used to describe the expectations laid upon women by society. One particular phrase that uses both metaphor and evocative language “because the only place we'll ever truly feel safe is curled up inside skin we've been taught to hate by a society that shuns our awful confidence and feeds us our flaws”. Other examples of evocative language include “a reminder that the mirror is meant to be a curse so I confine her in my mind, but when he or she shouts ‘let me out!’ we're allowed to listen.” and “Don't you shatter the illusion you could ever be anything beyond paper fine flesh and flashy teeth and fingernails.” One instance of repetition includes “echoic accusations of not good enough, never good enough”. Another phrase that uses both evocative language and repetition
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
Another factor that clearly brings out the theme is the fact that she claims that orderliness of family roses is her pride. However she may not necessarily be that orderly as depicted in the development of that story. The author of the story Shirley Jackson uses the author and her ambiguous cha...
With imagery she provided a detailed visual of what that looks like, how it sounds and gave readers an understanding of what magic feels like. Finally, characters told the tale with ambiguity so that each and every member of the audience could relate and draw references to the people in their own lives. The poem perfectly unified beauty with basics, showing that true beauty does not always have to be elaborate. True beauty lies within the simplistic details, the character of those involved, the love that is felt and the goodness of mankind, that alone is magic. The theme that all moments are worthy of gratitude no matter how often they occur or how simple they appear is beautifully exemplified in the poem “Common Magic”.
On my first reading of Charlotte Perkins Gilman's "The Yellow Wallpaper", I found the short story extremely well done and the author, successful at getting her idea across. Gilman's use of imagery and symbolism only adds to the reality of the nameless main character's sheltered life and slow progression into insanity or some might say, out of insanity.
Imagery in literature brings a story to life for the reader. It draws the reader in and surrounds them with the environment of the narrative. The use of imagery will make the reader fully understand the circumstances under which the characters of a story live. In "The Yellow Wallpaper", by Charlotte Perkins Gilman, the narrator of the story often describes the wallpaper, each time giving more details. The vivid descriptions allow the reader into the psyche of the narrator, which illustrates her ever-deepening mental illness. The imagery presented in the wallpaper through the narrator's words show her descent into insanity coupled with her desire for independence.
The theme throughout the poetry collection is the emotion of melancholy and the speaker speaking with a wise and philosophical tone. She has also used the repetition of nature and religion-based implications in her poems. Most of the poem titles is named after a specific plant because it fits in the meaning of her entire poem collection. The title of the poems hold symbolism because of the flower language. You can constantly see the cycle of rebirth through the beautiful description of a nonphysical form of a soul and develop into beautiful flowers in her garden. The vivid imagery of the flowers by describing the color and the personification of these living beings. She is also trying to explore the relationship between humans and their god. The poet is a gardener who tends to the flower and she prefer the flowers in her garden over her god, “knowing nothing of the
The bedroom is an overvalued fetish object that nevertheless threatens to reveal what it covers over. John's time is spent formulating the bedroom in a way that conceals his associations of anxiety and desire with the female body, but also re-introduces them. The bedroom's exterior, its surface, and its outer system of locks, mask a hidden interior that presumably contains a mystery--and a dangerous one. The bedroom in "The Yellow Wallpaper" generates this tension between the desire to know and the fear of knowing: on one hand, the enigma of the bedroom invites curiosity and beckons us towards discovery; on the other hand, its over- determined organization is seated within a firm resolution to build up the bedroom, so that what it hides remains unrealized. Mulvey writes, "Out of this series of turning away, of covering over, not the eyes but understanding, of looking fixidly at any object that holds the gaze, female sexuality is bound to remain a mystery" ("Pandora" 70).
Rossetti shows us the woman being painted as many different things. Although she is just a painting, the woman symbolizes how the artist views women in real life: as objects. Irony is used when the woman is painted as “a queen”(5). She is put on a pedestal in a position of power, yet she is only described as being “in [an] opal or ruby dress”(5), cementing her role as an ornament. The ruby symbolizes passion and perhaps promiscuity. Opal is a white stone that reflects many colors. White symbolizes purity; while the different colors reflected symbolize how her meaning can change, and how the artist controls her identity and can make her fit any persona he desires. The woman is also depicted as a “nameless girl”(6), indicating her identity is not important to the artist. It also shows that he does not personally know the women he’s painting, but only their looks, affirming that he bases their value off of their appearances. Lastly, the artist portrays a woman as “a saint [and] an angel”(7) and compares her to the “moon”(11), an allusion to Artemis, the goddess of virginity. In this painting, she is established as a pure virgin, which was a requirement of the time period Rossetti lived in. However, because it is one of the fantasies the artist creates, and the poem antagonizes him, this line also expresses the idea that a woman’s purity should not define her. He makes the innocent virgin and the licentious queen the only ways women can be viewed. Yet, they are the same to him. Lacking depth, their physical description is the only thing giving them any meaning. Rossetti describing the portraits conveys the idea that no matter the position in society; or what their actual personalities are like, women are just blank canvases for men to project their fantasies onto. Uninterested in a real person, the artist worships the idea of a