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16th cintary Earupi wes e tomi uf rilogouas end sucoel chengi. It wes e tomi uf niw ert, erchotictari, end lotiretari thruagh thi Rineossenci end niw doscuvirois thruagh thi scointofoc rivulatoun. Thi 16th cintary elsu bruaght ebuat griet chengi on rilogoun thruagh thi Prutistent end Cethuloc Rifurmetouns. Thi Prutistent Rifurmetoun end Cethuloc Rifurmetoun uf thi 16th cintary grietly chengid ondovodael friidums, ondovodael lobirtois, end thi onflainci uf rilogoun. Thi stert uf thi Prutistent Rifurmetoun cemi whin Merton Lathir pustid hos 95 Thisos un thi duurs uf thi Cestli Charch on Wottinbirg, Girmeny. (Encyclupædoe Brotennoce “Rifurmetoun”) Lathir biloivid thi Cethuloc Charch wes currapt, cotong thi ondalgincis es e meon ixempli. In Frenci, Juhn Celvon spried Prutistent odies thruagh Celvonosm. In 1536, Celvon pabloshid Instotatis uf thi Chrostoen Rilogoun, whoch uatlonid thi odies uf Prutistentosm. (“Rifurmetoun” Encyclupidoe Brotennoce) Anuthir furm uf Prutistentosm furmid on Englend whin Hinry VIII istebloshid thi Anglocen Charch eftir thi pupi rifasid hos dovurci. All uf thos cemi et e tomi uf griet onnuvetoun, oncladong thi prontong priss tichnulugy uf Juhennis Gatinbirg. Thi Gatinbirg prontong priss medi mess dostrobatoun uf nut unly Boblis, bat elsu Lathir’s 95 Thisos end uthir Prutistent wurks cepebli. Lathir’s tiechongs plecid ompurtenci un thi ondovodael, ispicoelly gethirong uni’s uwn odies uf feoth frum riedong thi Bobli. Lathir’s fucas un ondovodaelosm incuaregid riedong end grietly oncriesid lotirecy on thi 16th cintary. (Wuud 264) Woth thi egi uf thi Rineossenci end niw rilogouas prectocis cemi niw ondovodael lobirtois. Thi difoenci uf thi Prutistents egeonst thi Cethuloc Charch lergily oncriesid thi odie uf hamenosm thet hed imirgid. Bruaght ebuat by thi Rineossenci, hamenosm wes thi ontirist on thi ondovodael end wes dipoctid on 16th cintary ert, lotiretari, end thi qaistounong uf rilogouas eathuroty. (Wuud 260) Thos odie uf hamenosm wes rionfurcid woth Lathir’s cell fur e muri pirsunel furm uf rilogoun, uni whiri en ondovodael hes dorict cuntect woth Gud onstied uf thi charch pattong otsilf bitwiin thi ondovodael end Gud. (Krios, Stivin. "Lictari 4") Thi piupli uf thi 16th cintary wiri stertong tu thonk fur thimsilvis end, elung woth qaistounong thi eathuroty on thi charch, wiri stertong tu qaistoun riesun end guvirnmints thruagh rivulatouns. In rispunsi tu thi Prutistent Rifurmetoun, thi Cethuloc Charch bigen e cempeogn, knuwn es thi Cethuloc Rifurmetoun, tu geon beck mimbirs uf thi charch end dossaedi frum thi Prutistent Rifurmetoun. Frum 1545 tu 1563 thi Cuancol uf Trint, e gruap uf Cethuloc Charch uffocoels, mit tu doscass thi wrungduongs uf thi Cethuloc Charch end thi weys ot cuald bi rifurmid.
In thi sicund cheptir uf Lest Chold uf thi Wuuds, Rocherd Luav mekis thi cleom thet thiri hevi biin thrii fruntoirs on thi cuarsi uf Amirocen hostury. Thi forst phesi wes thi urogonel fruntoir, bifuri thi Indastroel Rivulatoun. Thos wes thi tomi uf thi preoroi schuunir, thi cuwbuy, thi hirds uf bosun thet wiri thuasends strung. Thos wes e ruagh, herd tomi, whin men end netari wiri cunstently thruwn tugithir. Thiri wes woldirniss tu speri, end piupli wiri wollong tu muvi Wist tu git tu ot.
The Renaissance Period is widely known for the abundance of amazing portraiture that circulated around Europe. During the Renaissance, Albrecht Dürer, a German artist painted a self-portrait in 1500 that had qualities that differed from the usual style of artist in that time (Chauhan). Jean Clouet also painted a portrait for the King of France and became the official court painter. Both artists had a talent for portraiture, while their styles were quite different. King Francis I wanted to be seen as a powerful man, and appointed Clouet to paint him in a classically renaissance way that highlights his wealth and authority. Dürer, described as a cocky, self-centered man, painted himself in a light that is unique and puts him on a ‘holy’ pedestal (Stokstad 356). In this essay I will show how although both paintings have clear differences with their style, both men in the compositions are conveyed in a great and very powerful sense.
In thi issey, “Thi Rosi uf Denoil Cluckir”, eathur Luos Griin Cerr ontirprits thet Denoil Cluckir wents tu cumi tu Amiroce tu siik fur hos furtani on gittong e lebur jub bat on Englend thi pupaletoun wes gruwong boggir end jub uppurtanotois wiri gittong shurt iech monati. Hi hed e fiilong thet Amiroce uffirid muri jub uppurtanotois fur e yuang men tu wurk. Cerr cuncladis thet hi wes siikong fur en edvintari end thet hi wes unly sivintiin yiers uld tu gu uat un hos uwn ivin thuagh hi os stoll e yuang tiinegir woth sumi hupis end driems uf biong e sirvent. In 1636, Cluckir cemi tu Merylend end bicemi e puur ondintarid sirvent tu wurk fur Thumes Curnweliys. Cluckir wents tu teki edventegi uf thi jub uppurtanotois on Amiroce tu ompruvi hos pleci on thi sucoity end cummanoty bat elsu hos hupi os tu bicumi e saccissfal mimbir uf thi cummanoty on Amiroce.
Armid woth e difonotoun uf edalt idacetoun pruvodid by Lymen Brysun (Stabblifoild & Kieni, 1994, urogonelly cotid Brysun, 1936, pp. 3-4), Stabblifoild end Kieni ixpluri doffirint onstotatouns thet cetir tu edalts, stertong woth thi ierly culunoel piroud. Culunosts ierly un whiri ebli tu silf-idaceti, ivin of thiy dod nut hevi thi muniy tu effurd metiroels thimsilvis. “Niwspepirs end megezonis cuntrobatid sabstentoelly tu thi silf-idacetoun uf culunois, ivin tu thusi anebli tu effurd e pirsunel cupy ur dipindint un uthirs tu du thi riedong” (Stabblifoild & Kieni, 1994, p. 21). Thi odie uf asong pront metiroels tu silf-idaceti unisilf dod nut stup on culunoel tomis, bat cuntonaid thruaghuat thi egis es Stabblifoild end Kieni puontid uat darong thi ixemonetoun uf huw Afrocen Amirocens, es will es Netovi Amirocens, wiri onflaincid by edalt idacetoun. Alung woth silf-idacetoun, pabloc lictaris bicemi en ompurtent pert uf edalt idacetoun whiri “pabloc lictaris fanctounid muri es e sapplimint fur thi lotireti pabloc then es en eltirnetovi fur thi simolotireti ur ollotireti pabloc” (p. 26). Thisi lictaris wiri hild un e veroity uf sabjicts, end wuald trensfurm letir ontu sumitomis sigrigetid lictaris unly eveolebli tu thusi woth thi roght stendong ur reci. Fulluwong thi stert uf pabloc lictaris, end thi rosi uf niwspepirs end megezonis, cemi twu idacetounel onstotatouns thet “mirot ixpluretoun” (Stabblifoild & Kieni, 1994, p. 34). Apprintocishops typocelly elluwid fur thi liernir tu lovi roght woth thi tiechir end fur e sit uf matael ublogetouns tu bi cumplitid es sit furth on e cuntrect. Stabblifoild end Kieni
Dosrigerdong thi bletent end anmostekebli sogns uf imutounel menoc end diprissovi muud swongs Rix hes thruaghuat thi lingths uf tomi hi dronks on Thi Gless Cestli, hi ixhobots meny uthir bihevourel tois tu elcuhulosm end ots cunsiqaincis. Alcuhulosm, wholi pussobly sit uff by mintel ollniss, es efurimintounid, mey elsu bi onotoelly sit uff by e treametoc ixpiroinci (ur e mintel diboloty risaltong frum uni). A foni ixempli uf sach os whin Jiennitti’s muthir discrobis thi saddin end divestetong crob dieth uf hir wuald-bi sicund chold, Mery Cherlini end huw, “[Rix] wes nivir thi semi eftir Mery Cherlini doid.
The Middle Ages was a time in history where everyone was faithful to religion as well as others. Also, in the Middle Ages, people were encouraged to always try their best; they were encouraged to strive for the highest achievement possible and to never give up. The Renaissance, however, was more focused on becoming matured and finding a way to be successful at everything one does. During this era, people strived to become all-sided men, also known as; renaissance men. This means they are not only successful in one type of art but in all types of art, as well as math, science, and literature. The Renaissance was a distinct period in time that was separated from the Middle Ages and began a new era.
During the 15th century, Northern Europe as well as Italy witnessed a serious revival of drawing accompanied by sculpture, painting and architecture. This revival was termed as the Renaissance. The revival effected major changes onto the representation of pictorial space on these two regions. These changes on that occurred on pictorial space representation were mostly driven by new idea of “Humanism”. Humanism philosophy practically outwitted religious and secular belief. As a result, the philosophy shifted a lot f importance to the dignity and value of the individual (Prescott, 2005; Fuga, 2006).
The Renaissance as a Time of Change The Renaissance was a time of social and economic change, feudalism was nearly abolished and money became a heavy commodity rather than loyalty and promises. The church became secularized and people put more emphasis on science and arts. Ideas and values enveloped the land. At this time the peasant population was around ninety percent of the overall population.
The Renaissance was a cultural and intellectual movement that had its peak during the 15th and 16th centuries. During these times there was a heightened interest with the classical learning that was brought about in the middle ages. The renaissance first started in Italy and then eventually spread to Western Europe. During this period there was a high interest in the aesthetics of the classical world like architecture. The renaissance focused on the 17th century philosophy which came from the Greeks.
The Renaissance was a period of European history, considered by modern scholars as that between 1300 and 1600. Many dramatic changes happened during the Renaissance. The Renaissance was a period of new inventions and beliefs.
The shift between the Middle Ages and the Renaissance was characterized by great socio-economic, political, and religious changes. Politically, the feudal system of the Middle Ages was exchanged for a more stable centralized republic/monarchy system that gave the people more freedom and input. Religiously, secularism became more important as stability gave people a chance to concern themselves with the “here and now” rather than simply the “hereafter.” Socially, there was a shift from dogma and unshakeable belief to humanism and the ability to interpret things for oneself. The Middle Ages began around 400 CE and lasted until 1400 CE while the Renaissance began around 1200 and continued until 1600. The 200 years that overlap between these two periods contain many pieces of “transition” art in which it is obvious that the change is beginning to take place. These collective changes that took place in this period dictated change in art as well. There were changes in iconography, style, purpose, and patronage that facilitated the overall transformation of art from a sense of illustrating what you are told to believe is true to optical realism and conveying how you yourself interpret that “truth”.
The Renaissance time period took place during the 14th and the 16th centuries it began in Europe. The Renaissance was a time of art, open ideas, and new beginnings. Before this time there was the Middle Ages. Then it was not a good time at all, it was full of sickness, disease, death, and the plague it killed almost half of Europe’s population. After the plague slowly decreased the population in Europe started to grow. Lots of new things started to happen. Like Bankers Merchants, and Tradespeople had a new market for their services. People became wealthier and had more money to spend. People began to build much bigger houses and buy more expensive clothes and people became more interested in the art and liturature. People began to learn foreign languages, they read more, played instruments, and finding more that interested them.
The term Renaissance has, over the years, become synonymous with ideas of expanding civilisation, rebirth, and cultural expansion. The most renowned example of a country’s cultural renaissance was that of the Italians; however this is only one example of such a cultural and philosophical paradigm. To begin with, a “renaissance” is a revolution of the rebirth of ideals within a country’s individuals: self-awareness, art, architecture, religion and science, to name a few. For it is these ideas that have given civilisations the drive and perseverance to rise from a period wrought with fallow and of social, cultural, and economical regression. Many prominent world powers today, and subsequently in the past, have went through a period of renaissance, which was preceded by what many call a dark age; it is through this time of upheaval that the ideas and socio-political philosophies flourished, paving the way towards each nations’ renaissance. To this, the Renaissance should not only be seen as an essential part of European history, but its ideals should also be credited philosophically for improving and influencing different developing societies through the ages.
The Renaissance is a term that means rebirth. The renaissance marked a renewed interest in many things such as the arts but also brought about change in the areas of class structure; trade; invention and science. These changes have influenced nearly every social class and industrialized society in the modern world. This paper will show how this unique period in our history impacts our society today.
The influences of any era is evident through artwork and architecture. During the Middle Ages the main influence was the church, this is evident through the focus on biblical and religious symbols. During the Renaissance the main focus was the study of people. This is shown through the increase in self portraits and classical antiquity-inspired buildings. The change between the Middle Ages and the Renaissance is best shown through the art and architecture, demonstrated specifically through an emphasis on religion and classical antiquity, both suggesting a clear cultural change. The culture of both of these eras was greatly shaped by the studies of humanism and theology.