Forster has a tendency to suddenly switch narratives from one point of view to another, contrasting point of view. This emphasizes another modernist outlook that suggests that there is not only one truth and rather that there a...
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...e refuses to come… I say to Him, Come, and come, come, come, come, come. He neglects to come”. (84) The meaning is never understood because the narration does not explain it or its significance, and as a result, the muddle of India is further enforced.
Therefore, much of the modernist views on India being a muddle, realistic truths, and the fact that there are multiple truths are all enforced by the narrative techniques used that E.M. Forster uses. Many of the modernist techniques that are frequently used by modernist writers work in collaboration with the manipulation of narration. In A Passage to India, most of the modernist views are reinforced by the narration shifts, multiple truths, and confusing narration or dialogue. By doing this, Forster escapes the traditional, strict forms of writing and is able to explore a new and modern literature fit for his time.
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