A Metaphor for the Dimensional Concept of Home Essay

A Metaphor for the Dimensional Concept of Home Essay

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Movement is only as good as the stillness you can bring to it to put it into perspective. Leslie T. Chang’s travel narrative Factory Girls not only: exonifies the discussion, but is also a metaphor for the multidimensional concept of home. Chang considers many perspectives but chooses to only focus on a select few- all of which bring contrasting and often immiscible arguments only to initiate an vision inward of Chang’s own development and ultimately an emulsified concept her readers can resonate with.

Chang’s writing speaks a lot of the contrast between the village immigrating girls leave from and the city they arrive in. She defines them as two separate an immensely different places before we can even learn the names of the girls who are partaking in the journey. In the chapter entitled, “Going Out,” Chang begins her discussion of home will a clear and well-defined location. Home is where you leave from and come back to, home is the place you are born.

The girls Chang follows embody this notion; they’re leaving home as to discover themselves. There was nothing to do at home, chuqu, so I went out [13]. The idea expressed in the passage is one of progression when polled the chief purpose of migration in the book according to the women is, “more experience in life.” [57] They’re intention is to live and they can’t do that at home so they leave. Serwani Venkata Swamy discusses this diaspora of Chinese women as voluntary, “showing a deliberate immigration and thus occurrence of a whole hearted adaptable attribute towards change.” These girls leave with a notion for a better life but leaving has no meaning if they don’t have a home to go back too.

The Factory Girl’s test their theory, they leave and come back and leave again the ...


... middle of paper ...


... about. Even Min is only interested in the derivative of her existence (the rate at which she has changed) [77] and is surprised to realize that she isn’t the person she used to be. A universal expression is experienced by those who haven’t the time to look back; those that are rooted in the future rather than the past. Home isn’t just the place where you’ve grown up, sleep or even where you long to be- it’s where you stand. It’s less about where you come from, and where you are now and more about where you are going.



Works Cited

Chang, Leslie T. Factory girls: From village to city in a changing China. Random House LLC, 2009.

Teng, Emma J. "Reinventing Home: Images of Mobility and Returns in Eurasian Memoirs."

Swamy, Mrs G. Serwani Venkata. "IMMIGRANT IDENTITY, NOSTALGIA FOR HOME AND HOME LAND: A PERCEPTION IN CHITRA BANERJEE DIVAKARUNI’S THE VINE OF DESIRE."

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