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Analog and digital photography in conclusion
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With a majority of moviegoers not even realizes that the film that is going to be projected could be a print film reel or a digital copy of the film on a disc, should it be wrong to have one format completely replace the other? Since 1892, 35-milimeter celluloid print films was the dominant form of technology in the film industry for making and distributing movies (Alan). As time went on and technology grew, the format of digital cinema became more popular due to the accessibility of buying a digital camera and ease of filming and editing a movie more efficiently. Since the early 21st century, film experts and makers alike have started a industry war on whether or not film should be shot and release digitally or should stay in a tradition made more than a century ago. With past equipment being a modern burden, theaters embracing the current technology time have provided them, and many companies are already changing their direction, digitally formatted films is the only choice for modern film. Digitally formatted films will help overcome many issues and complications of print film, such as the cost and overall hardship of the physical reel, which plagued moviemakers and theaters alike. “What once cost $100,000 might now cost $10,000” (Varenas). The film industry spends hundreds of thousands of dollars on filming and printing footages of many films and sending the prints to theaters. By converting to hard drives and memory cards, film companies can save up to 90% of what was originally paid. The hard drives and memory cards can also be replaced and reused, saving the companies more money to make more films. “Those heavy, bulky canisters belongs to the mechanical past, along with the whir of the projectors and the shudder of the sp... ... middle of paper ... ... had problems the future can heal, many theaters have embraces the new technology, and many companies have already seized the possibility of digital shooting. The problems that came with the bulky celluloid print films are slowly fading away as digital films on disc are making remedies for the problem. Soon the digital films would no longer be on disc, but entirely electronic and sent through computers and the Internet. Many theaters have turned in their 35mm projectors in favor of the digital projectors. The ones managing the equipment are impress of how much control is given, from where the film is played to how the film sounds in a room. Many film companies like 20th Century Fox and Walt Disney have grasps the future by accepting and embracing digital films while some product companies like Fujifilm and Kodak try to keep up with the evolving from of film format.
In the last one hundred years, changes in technology have made great impacts in the entertainment industry. While the changes have usually improved the quality of entertainment for the audience, they have created upheavals
Movies today are extremely expensive to make and are typically financed through either film studio contracts or from investors willing to take a risk. In order to be successful, movies need to be marketed and distributed either under contract by the film studios or by companies that specialize in such services. The aspects of financing, marketing and distribution of films have changed between the studio and independent systems over the years as the evolution of the film industry took place.
While digital technology revolutionizes the film industry, the film industry’s job market is also revolutionizing. The few jobs lost from taking a fall out a window, or walking down a street will be replaced by business and technology jobs related to digital film. New jobs will arise from switching to a digital format. The changes spurred by digital film technology and digital projection are mostly positive. This transition will be a benefit to Hollywood, and the mainstream business world.
The emergence of home theatre allowed films to be released in a variety of formats and screened on various types of equipment. Studios began viewing conversion of film into multiple formats as a top priority. Though box-office numbers remained important markers of success it wasn’t the largest source of revenue...
Since 1999 the growth of spending on DVD purchases and rentals has been incredible. According to Alexander & Associates, “Rapidly growing consumer activity and spending has built this industry into a major market phenomenon. The DVD format for enjoying pre-recorded entertainment at home is extraordinarily popular and consumers are changing their behavior to accommodate it.”
The origin of film started in the late 1800’s with the invention of kinetoscopes. With the perfection of a moving picture camera in 1892, and the ensuing invention of the peephole kinetoscope in 1893, the stage was set for the modern film industry. The kinetoscope was built to handle only one customer at a time. When putting a penny or nickel in the coin slot, someone could watch a brief, black and white motion picture film. These kinetoscope parlors opened in New York, Chicago and several other countries by the end of the 1800’s. Even thought the kinetoscope pretty much disappeared by the 1900’s, it created the innovation of new advancements in film. With the combination of new audiences as well as a growing class of small entrepreneurs, the film industry resulted in an explosion of nickelodeons after 1905. These nickelodeons were five-cent films that garnered several admissions daily. “In 1911 the Patents Company reported 11,500 theaters across America devoted solely to showing motion pictures, with hundreds more showing them occasionally; daily attendance that year probably reached five million. By 1914 the figures reached about 18,000 theaters, with more than seven mil- lion daily admissions totaling about $300 million” (Czitrom). Although these motion picture shows were very popular, they had several issues as well. Poor sanitation, dangerous
As time and people are continually changing, so is knowledge and information; and in the film industry there are inevitable technological advances necessary to keep the attraction of the public. It is through graphic effects, sounds and visual recordings that all individuals see how we have evolved to present day digital technology; and it is because of the efforts and ideas of the first and latest great innovators of the twentieth century that we have advanced in film and computers.
be affected by the increased use of new technology such as televisions. now being attached to DVD?s and VCR?S, downloading, buying illegal. products. The.. Processes? the need to cut costs, speed up production and compete.
In the early years of narrative cinema there was little pressure on filmmakers for the ‘evolution of film forms before nickelodeons’ (Salt, 1990, pp31) as cinema neither became a mass nor high cultural product and was still a novelty but ‘Production companies’ profits were based principally on the sales of longer fiction films’ in the later years (Musser, 1990, pp256) so focus was made for the production of popular narratives so I will show how the early development of narrative evolved from trick films to complex narrative. I will analyse the short film Mary Jane’s Mishap (1903, Smith) and an extract from the seminal The Birth of a Nation (1915, D.W.Griffith).
...ats such as paper based and microfilm. Compare to paper based, it does not change the form of paper even how many years pass. With the proper care of the records, record center or an organization can keep the record almost thirty years until the process of destruction. However, it could not happen to an electronic record, because technologies rapidly change. There always have new software or hardware that will be upgrade and become more advance. Actually, even under the best storage conditions, digital media have a very limited shelf life, generally less than thirty years. The efforts to preserve the physical media thus provide only a short term, partial solution to the general problem of preserving digital information. Given such rates of technological change, even the most fragile media may well survive the continued availability of equipment to read those media.
In this article, Jones discusses the marginalization of motion pictures, yet touches on the great aspects of film, and how these aspects can expect to survive in the future. Major topics that Jones addresses are: developments in video narrative through flawless storytelling, the use of digital tools for film restoration and preservation, and an audience shift from film to digital. These points detail the love and appreciation that goes into filmmaking, and how the narratives, despite having changed formats throughout the years, have been able to survive and appear to be timeless. Jones also further discusses the idea of using audiovisual material to create narratives appealing. He details how the stylistic approach of a film, and the techniques like cinematography and editing, can enhance and provide for a greater narrative. In summary, the sum of the parts of a film are what make the entire experience, which not only makes for a great film, but for a lasting story as
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.
Culkin, Nigel & Randle, Keith 2003, Facing the Digital Future: The Implications of Digital Technology for the Film Industry, University of Hertfordshire, Hertfordshire.
In the following text I am going to answer this questions focusing on television and movies in the near future.